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Color name
HEX #A97118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97118 it is the complementary color #568EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97118 shade: #AE7113, #BF8326, #D09539, #E1A74C and #F2B95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97118 shade: #A97118, #985F05, #874D00, #763B00 and #652900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97118 shade: #A97118, #A94A18, #A92318 and #A91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97118 shade: #A97118, #A99818, #93A918, #6CA918 and #44A918

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97118 shade matches the following richer shades: #A97118 and #B97508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97118 shade: #A97118, #996D27, #8A6A37, #7A6647 and #6A6356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97118 shade: #A92118, #A94818, #A96F18, #A99618 and #96A918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97118 shade: #61410D, #855913, #A97118, #CD891D and #E19E32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97118 shade: #A97118, #35A918 and #3518A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97118 shade: #A97118, #18A96F and #6F18A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97118 shade: #A97118, #35A918, #1852A9 and #8C18A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97118 shade: #A97118, #18A926, #1852A9 and #A9189B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

Complementary color

CMYK 63 / 39 / 0 / 9

HEX #568EE7

RGB 86 142 231

HSL 216.83, 0.75%, 0.62%

LAB 59.06, 8.89, -50.57

 

CMYK 0 / 35 / 89 / 32

HEX #AE7113

RGB 174 113 19

HSL 36.39, 0.8%, 0.38%

LAB 52.79, 17.21, 55.6

 

CMYK 0 / 31 / 80 / 25

HEX #BF8326

RGB 191 131 38

HSL 36.47, 0.67%, 0.45%

LAB 59.39, 15.3, 55.81

 

CMYK 0 / 28 / 73 / 18

HEX #D09539

RGB 208 149 57

HSL 36.56, 0.62%, 0.52%

LAB 65.9, 13.68, 55.11

 

CMYK 0 / 26 / 66 / 12

HEX #E1A74C

RGB 225 167 76

HSL 36.64, 0.71%, 0.59%

LAB 72.34, 12.28, 54.01

 

CMYK 0 / 24 / 61 / 5

HEX #F2B95F

RGB 242 185 95

HSL 36.73, 0.85%, 0.66%

LAB 78.7, 11.08, 52.75

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 38 / 97 / 40

HEX #985F05

RGB 152 95 5

HSL 36.73, 0.94%, 0.31%

LAB 45.46, 17.19, 52.2

 

CMYK 0 / 43 / 100 / 47

HEX #874D00

RGB 135 77 0

HSL 34.22, 1%, 0.26%

LAB 38.65, 19.68, 47.91

 

CMYK 0 / 50 / 100 / 54

HEX #763B00

RGB 118 59 0

HSL 30, 1%, 0.23%

LAB 31.76, 22.33, 42.3

 

CMYK 0 / 59 / 100 / 60

HEX #652900

RGB 101 41 0

HSL 24.36, 1%, 0.2%

LAB 24.8, 24.96, 35.39

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 56 / 86 / 34

HEX #A94A18

RGB 169 74 24

HSL 20.69, 0.75%, 0.38%

LAB 43.36, 36.38, 45.88

 

CMYK 0 / 79 / 86 / 34

HEX #A92318

RGB 169 35 24

HSL 4.55, 0.75%, 0.38%

LAB 37.3, 52.66, 40.63

 

CMYK 0 / 86 / 86 / 34

HEX #A91818

RGB 169 24 24

HSL 0, 0.75%, 0.38%

LAB 36.28, 55.56, 39.73

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 10 / 86 / 34

HEX #A99818

RGB 169 152 24

HSL 52.97, 0.75%, 0.38%

LAB 62.47, -6.52, 61.92

 

CMYK 13 / 0 / 86 / 34

HEX #93A918

RGB 147 169 24

HSL 69.1, 0.75%, 0.38%

LAB 65.47, -25, 63.69

 

CMYK 36 / 0 / 86 / 34

HEX #6CA918

RGB 108 169 24

HSL 85.24, 0.75%, 0.38%

LAB 63.04, -40.64, 60.64

 

CMYK 60 / 0 / 86 / 34

HEX #44A918

RGB 68 169 24

HSL 101.79, 0.75%, 0.38%

LAB 61.37, -53.24, 58.54

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 37 / 96 / 27

HEX #B97508

RGB 185 117 8

HSL 36.95, 0.92%, 0.38%

LAB 55.13, 19.7, 60.36

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 29 / 75 / 40

HEX #996D27

RGB 153 109 39

HSL 36.84, 0.59%, 0.38%

LAB 49.32, 10.65, 44.17

 

CMYK 0 / 23 / 60 / 46

HEX #8A6A37

RGB 138 106 55

HSL 36.87, 0.43%, 0.38%

LAB 46.96, 6.56, 33.12

 

CMYK 0 / 16 / 42 / 52

HEX #7A6647

RGB 122 102 71

HSL 36.47, 0.26%, 0.38%

LAB 44.37, 3.31, 20.5

 

CMYK 0 / 7 / 19 / 58

HEX #6A6356

RGB 106 99 86

HSL 39, 0.1%, 0.38%

LAB 42.25, 0.37, 8.39

 

CMYK 0 / 80 / 86 / 34

HEX #A92118

RGB 169 33 24

HSL 3.72, 0.75%, 0.38%

LAB 37.09, 53.25, 40.45

 

CMYK 0 / 57 / 86 / 34

HEX #A94818

RGB 169 72 24

HSL 19.86, 0.75%, 0.38%

LAB 42.97, 37.39, 45.54

 

CMYK 0 / 34 / 86 / 34

HEX #A96F18

RGB 169 111 24

HSL 36, 0.75%, 0.38%

LAB 51.69, 16.21, 52.94

 

CMYK 0 / 11 / 86 / 34

HEX #A99618

RGB 169 150 24

HSL 52.14, 0.75%, 0.38%

LAB 61.92, -5.45, 61.47

 

CMYK 11 / 0 / 86 / 34

HEX #96A918

RGB 150 169 24

HSL 67.86, 0.75%, 0.38%

LAB 65.69, -23.71, 63.96

 

CMYK 0 / 33 / 87 / 62

HEX #61410D

RGB 97 65 13

HSL 37.14, 0.76%, 0.22%

LAB 30.28, 9.02, 34.76

 

CMYK 0 / 33 / 86 / 48

HEX #855913

RGB 133 89 19

HSL 36.84, 0.75%, 0.3%

LAB 41.5, 12.15, 44.15

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 0 / 33 / 86 / 20

HEX #CD891D

RGB 205 137 29

HSL 36.82, 0.75%, 0.46%

LAB 62.47, 17.88, 62.15

 

CMYK 0 / 30 / 78 / 12

HEX #E19E32

RGB 225 158 50

HSL 37.03, 0.74%, 0.54%

LAB 69.96, 15.85, 62.53

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 69 / 0 / 86 / 34

HEX #35A918

RGB 53 169 24

HSL 108, 0.75%, 0.38%

LAB 60.96, -56.67, 58.01

 

CMYK 69 / 86 / 0 / 34

HEX #3518A9

RGB 53 24 169

HSL 252, 0.75%, 0.38%

LAB 24.56, 52.7, -70.74

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 86 / 0 / 34 / 34

HEX #18A96F

RGB 24 169 111

HSL 156, 0.75%, 0.38%

LAB 61.41, -49.57, 20.05

 

CMYK 34 / 86 / 0 / 34

HEX #6F18A9

RGB 111 24 169

HSL 276, 0.75%, 0.38%

LAB 31.57, 59.28, -58.95

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 69 / 0 / 86 / 34

HEX #35A918

RGB 53 169 24

HSL 108, 0.75%, 0.38%

LAB 60.96, -56.67, 58.01

 

CMYK 86 / 51 / 0 / 34

HEX #1852A9

RGB 24 82 169

HSL 216, 0.75%, 0.38%

LAB 36.16, 15.49, -51.78

 

CMYK 17 / 86 / 0 / 34

HEX #8C18A9

RGB 140 24 169

HSL 288, 0.75%, 0.38%

LAB 36.16, 63.89, -51.28

 

CMYK 0 / 33 / 86 / 34

HEX #A97118

RGB 169 113 24

HSL 36.83, 0.75%, 0.38%

LAB 52.19, 15.08, 53.36

 

CMYK 86 / 0 / 78 / 34

HEX #18A926

RGB 24 169 38

HSL 125.79, 0.75%, 0.38%

LAB 60.52, -60.16, 53.42

 

CMYK 86 / 51 / 0 / 34

HEX #1852A9

RGB 24 82 169

HSL 216, 0.75%, 0.38%

LAB 36.16, 15.49, -51.78

 

CMYK 0 / 86 / 8 / 34

HEX #A9189B

RGB 169 24 155

HSL 305.79, 0.75%, 0.38%

LAB 40.34, 66.96, -35.88

 

Description

Color code: HEX #A97118 | qconv.com Color code: HEX #A97118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 113 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 113 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 86 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 86% 34% C M Y K

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Provide designers and agencies with accurate color values.

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