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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97E88 it is the complementary color #568177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97E88 shade: #AE7E83, #BF9096, #D0A2A9, #E1B4BC and #F2C6CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97E88 shade: #A97E88, #986C75, #875A62, #76484F and #65363C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97E88 shade: #A97E88 and #A97E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97E88 shade: #A97E88, #A97E93, #A97E9F, #A77EA9 and #9B7EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97E88 shade matches the following richer shades: #A97E88, #BA6D7F, #CB5B75, #DD4A6C and #EE3963

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97E88 shade: #A97E88, #978F91, #86A19A, #75B2A4 and #64C3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97E88 shade: #A97E9F, #A97E93, #A97E88, #A97F7E and #A98B7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97E88 shade: #7F555F, #986571, #A97E88, #B9979F and #CAAFB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97E88 shade: #A97E88, #A9A77E and #7E99A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97E88 shade: #A97E88, #88A97E and #7E88A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97E88 shade: #A97E88, #A9A77E, #7EA99F and #7E7FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97E88 shade: #A97E88, #9DA97E, #7EA99F and #897EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

Complementary color

CMYK 33 / 0 / 8 / 49

HEX #568177

RGB 86 129 119

HSL 166.05, 0.2%, 0.42%

LAB 50.7, -17.19, 0.69

 

CMYK 0 / 28 / 25 / 32

HEX #AE7E83

RGB 174 126 131

HSL 353.75, 0.23%, 0.59%

LAB 57.62, 19.35, 4.66

 

CMYK 0 / 25 / 21 / 25

HEX #BF9096

RGB 191 144 150

HSL 352.34, 0.27%, 0.66%

LAB 64.34, 18.66, 3.75

 

CMYK 0 / 22 / 19 / 18

HEX #D0A2A9

RGB 208 162 169

HSL 350.87, 0.33%, 0.73%

LAB 70.95, 18.05, 2.91

 

CMYK 0 / 20 / 16 / 12

HEX #E1B4BC

RGB 225 180 188

HSL 349.33, 0.43%, 0.79%

LAB 77.45, 17.49, 2.13

 

CMYK 0 / 18 / 14 / 5

HEX #F2C6CF

RGB 242 198 207

HSL 347.73, 0.63%, 0.86%

LAB 83.85, 16.98, 1.4

HEX #F2C6CF

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 29 / 23 / 40

HEX #986C75

RGB 152 108 117

HSL 347.73, 0.18%, 0.51%

LAB 50.32, 18.91, 1.99

 

CMYK 0 / 33 / 27 / 47

HEX #875A62

RGB 135 90 98

HSL 349.33, 0.2%, 0.44%

LAB 43.28, 19.71, 2.98

 

CMYK 0 / 39 / 33 / 54

HEX #76484F

RGB 118 72 79

HSL 350.87, 0.24%, 0.37%

LAB 36.08, 20.64, 4.14

 

CMYK 0 / 47 / 41 / 60

HEX #65363C

RGB 101 54 60

HSL 352.34, 0.3%, 0.3%

LAB 28.72, 21.7, 5.56

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 25 / 25 / 34

HEX #A97E7E

RGB 169 126 126

HSL 0, 0.2%, 0.58%

LAB 56.94, 16.65, 6.51

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 25 / 13 / 34

HEX #A97E93

RGB 169 126 147

HSL 330.7, 0.2%, 0.58%

LAB 57.52, 20.04, -4.79

 

CMYK 0 / 25 / 6 / 34

HEX #A97E9F

RGB 169 126 159

HSL 313.95, 0.2%, 0.58%

LAB 57.9, 22.19, -11.14

 

CMYK 1 / 25 / 0 / 34

HEX #A77EA9

RGB 167 126 169

HSL 297.21, 0.2%, 0.58%

LAB 58.04, 23.4, -16.71

 

CMYK 8 / 25 / 0 / 34

HEX #9B7EA9

RGB 155 126 169

HSL 280.47, 0.2%, 0.58%

LAB 56.84, 19.3, -18.65

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 41 / 32 / 27

HEX #BA6D7F

RGB 186 109 127

HSL 345.97, 0.36%, 0.58%

LAB 54.98, 32.78, 3.36

 

CMYK 0 / 55 / 42 / 20

HEX #CB5B75

RGB 203 91 117

HSL 346.07, 0.52%, 0.58%

LAB 53.45, 46.94, 7.38

 

CMYK 0 / 67 / 51 / 13

HEX #DD4A6C

RGB 221 74 108

HSL 346.12, 0.68%, 0.58%

LAB 53.33, 59.45, 12.99

 

CMYK 0 / 76 / 58 / 7

HEX #EE3963

RGB 238 57 99

HSL 346.08, 0.84%, 0.58%

LAB 54.03, 69.61, 19.8

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 5 / 4 / 41

HEX #978F91

RGB 151 143 145

HSL 345, 0.04%, 0.58%

LAB 60.13, 3.33, -0.01

 

CMYK 17 / 0 / 4 / 37

HEX #86A19A

RGB 134 161 154

HSL 164.44, 0.13%, 0.58%

LAB 64.07, -10.84, 0.5

 

CMYK 34 / 0 / 8 / 30

HEX #75B2A4

RGB 117 178 164

HSL 166.23, 0.28%, 0.58%

LAB 68.24, -22.85, 0.9

 

CMYK 49 / 0 / 11 / 24

HEX #64C3AD

RGB 100 195 173

HSL 166.11, 0.44%, 0.58%

LAB 72.73, -33.5, 2.4

 

CMYK 0 / 25 / 6 / 34

HEX #A97E9F

RGB 169 126 159

HSL 313.95, 0.2%, 0.58%

LAB 57.9, 22.19, -11.14

 

CMYK 0 / 25 / 13 / 34

HEX #A97E93

RGB 169 126 147

HSL 330.7, 0.2%, 0.58%

LAB 57.52, 20.04, -4.79

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 25 / 25 / 34

HEX #A97F7E

RGB 169 127 126

HSL 1.4, 0.2%, 0.58%

LAB 57.19, 16.09, 6.86

 

CMYK 0 / 18 / 25 / 34

HEX #A98B7E

RGB 169 139 126

HSL 18.14, 0.2%, 0.58%

LAB 60.25, 9.31, 11.21

 

CMYK 0 / 33 / 25 / 50

HEX #7F555F

RGB 127 85 95

HSL 345.71, 0.2%, 0.42%

LAB 40.95, 18.99, 1.33

 

CMYK 0 / 34 / 26 / 40

HEX #986571

RGB 152 101 113

HSL 345.88, 0.2%, 0.5%

LAB 48.48, 22.33, 1.71

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 18 / 14 / 27

HEX #B9979F

RGB 185 151 159

HSL 345.88, 0.2%, 0.66%

LAB 65.71, 13.97, 0.59

 

CMYK 0 / 13 / 10 / 21

HEX #CAAFB6

RGB 202 175 182

HSL 344.44, 0.2%, 0.74%

LAB 73.93, 10.91, 0.02

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 1 / 25 / 34

HEX #A9A77E

RGB 169 167 126

HSL 57.21, 0.2%, 0.58%

LAB 67.71, -6.06, 21.53

 

CMYK 25 / 9 / 0 / 34

HEX #7E99A9

RGB 126 153 169

HSL 202.33, 0.2%, 0.58%

LAB 61.73, -5.7, -11.48

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 20 / 0 / 25 / 34

HEX #88A97E

RGB 136 169 126

HSL 106.05, 0.2%, 0.58%

LAB 65.84, -19.64, 18.58

 

CMYK 25 / 20 / 0 / 34

HEX #7E88A9

RGB 126 136 169

HSL 226.05, 0.2%, 0.58%

LAB 56.99, 3.92, -18.64

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 1 / 25 / 34

HEX #A9A77E

RGB 169 167 126

HSL 57.21, 0.2%, 0.58%

LAB 67.71, -6.06, 21.53

 

CMYK 25 / 0 / 6 / 34

HEX #7EA99F

RGB 126 169 159

HSL 166.05, 0.2%, 0.58%

LAB 65.99, -16.62, 0.45

 

CMYK 25 / 25 / 0 / 34

HEX #7E7FA9

RGB 126 127 169

HSL 238.6, 0.2%, 0.58%

LAB 54.53, 9.16, -22.4

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 7 / 0 / 25 / 34

HEX #9DA97E

RGB 157 169 126

HSL 76.74, 0.2%, 0.58%

LAB 67.31, -11.79, 20.83

 

CMYK 25 / 0 / 6 / 34

HEX #7EA99F

RGB 126 169 159

HSL 166.05, 0.2%, 0.58%

LAB 65.99, -16.62, 0.45

 

CMYK 19 / 25 / 0 / 34

HEX #897EA9

RGB 137 126 169

HSL 255.35, 0.2%, 0.58%

LAB 55.18, 13.29, -21.32

 

Description

Color code: HEX #A97E88 | qconv.com Color code: HEX #A97E88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 126 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 126 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 20 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 20% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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