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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97E9C it is the complementary color #568163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97E9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97E9C shade: #AE7E97, #BF90AA, #D0A2BD, #E1B4D0 and #F2C6E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97E9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97E9C shade: #A97E9C, #986C89, #875A76, #764863 and #653650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97E9C shade: #A97E9C, #A97E90, #A97E85 and #A97E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97E9C shade: #A97E9C, #A97EA7, #9F7EA9, #937EA9 and #887EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97E9C shade matches the following richer shades: #A97E9C, #BA6DA3, #CB5BAA, #DD4AB0 and #EE39B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97E9C shade: #A97E9C, #978F95, #86A18E, #75B287 and #64C380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97E9C shade: #9F7EA9, #A97EA7, #A97E9C, #A97E91 and #A97E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97E9C shade: #7F5573, #986589, #A97E9C, #B997AF and #CAAFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97E9C shade: #A97E9C, #A9937E and #7EA9A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97E9C shade: #A97E9C, #9CA97E and #7E9CA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97E9C shade: #A97E9C, #A9937E, #7EA98B and #7E93A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97E9C shade: #A97E9C, #A9A07E, #7EA98B and #7E87A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

Complementary color

CMYK 33 / 0 / 23 / 49

HEX #568163

RGB 86 129 99

HSL 138.14, 0.2%, 0.42%

LAB 50.19, -21.63, 11.63

 

CMYK 0 / 28 / 13 / 32

HEX #AE7E97

RGB 174 126 151

HSL 328.75, 0.23%, 0.59%

LAB 58.18, 22.56, -6.06

 

CMYK 0 / 25 / 11 / 25

HEX #BF90AA

RGB 191 144 170

HSL 326.81, 0.27%, 0.66%

LAB 64.9, 21.92, -6.72

 

CMYK 0 / 22 / 9 / 18

HEX #D0A2BD

RGB 208 162 189

HSL 324.78, 0.33%, 0.73%

LAB 71.5, 21.33, -7.34

 

CMYK 0 / 20 / 8 / 12

HEX #E1B4D0

RGB 225 180 208

HSL 322.67, 0.43%, 0.79%

LAB 78, 20.78, -7.92

 

CMYK 0 / 18 / 6 / 5

HEX #F2C6E3

RGB 242 198 227

HSL 320.45, 0.63%, 0.86%

LAB 84.39, 20.28, -8.48

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 29 / 10 / 40

HEX #986C89

RGB 152 108 137

HSL 320.45, 0.18%, 0.51%

LAB 50.93, 22.31, -8.96

 

CMYK 0 / 33 / 13 / 47

HEX #875A76

RGB 135 90 118

HSL 322.67, 0.2%, 0.44%

LAB 43.9, 23.06, -8.3

 

CMYK 0 / 39 / 16 / 54

HEX #764863

RGB 118 72 99

HSL 324.78, 0.24%, 0.37%

LAB 36.72, 23.88, -7.54

 

CMYK 0 / 47 / 21 / 60

HEX #653650

RGB 101 54 80

HSL 326.81, 0.3%, 0.3%

LAB 29.37, 24.77, -6.63

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 25 / 15 / 34

HEX #A97E90

RGB 169 126 144

HSL 334.88, 0.2%, 0.58%

LAB 57.43, 19.53, -3.19

 

CMYK 0 / 25 / 21 / 34

HEX #A97E85

RGB 169 126 133

HSL 350.23, 0.2%, 0.58%

LAB 57.12, 17.73, 2.72

 

CMYK 0 / 25 / 25 / 34

HEX #A97E7E

RGB 169 126 126

HSL 0, 0.2%, 0.58%

LAB 56.94, 16.65, 6.51

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 25 / 1 / 34

HEX #A97EA7

RGB 169 126 167

HSL 302.79, 0.2%, 0.58%

LAB 58.18, 23.7, -15.33

 

CMYK 6 / 25 / 0 / 34

HEX #9F7EA9

RGB 159 126 169

HSL 286.05, 0.2%, 0.58%

LAB 57.23, 20.66, -18.01

 

CMYK 13 / 25 / 0 / 34

HEX #937EA9

RGB 147 126 169

HSL 269.3, 0.2%, 0.58%

LAB 56.08, 16.6, -19.87

 

CMYK 20 / 25 / 0 / 34

HEX #887EA9

RGB 136 126 169

HSL 253.95, 0.2%, 0.58%

LAB 55.09, 12.96, -21.46

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 41 / 12 / 27

HEX #BA6DA3

RGB 186 109 163

HSL 317.92, 0.36%, 0.58%

LAB 56.11, 38.21, -15.97

 

CMYK 0 / 55 / 16 / 20

HEX #CB5BAA

RGB 203 91 170

HSL 317.68, 0.52%, 0.58%

LAB 55.16, 53.8, -21.28

 

CMYK 0 / 67 / 20 / 13

HEX #DD4AB0

RGB 221 74 176

HSL 318.37, 0.68%, 0.58%

LAB 55.49, 66.89, -24.02

 

CMYK 0 / 76 / 23 / 7

HEX #EE39B7

RGB 238 57 183

HSL 318.23, 0.84%, 0.58%

LAB 56.61, 77.52, -26.12

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 5 / 1 / 41

HEX #978F95

RGB 151 143 149

HSL 315, 0.04%, 0.58%

LAB 60.24, 4.1, -2.12

 

CMYK 17 / 0 / 12 / 37

HEX #86A18E

RGB 134 161 142

HSL 137.78, 0.13%, 0.58%

LAB 63.76, -13.27, 6.78

 

CMYK 34 / 0 / 24 / 30

HEX #75B287

RGB 117 178 135

HSL 137.7, 0.28%, 0.58%

LAB 67.56, -28.93, 15.86

 

CMYK 49 / 0 / 34 / 24

HEX #64C380

RGB 100 195 128

HSL 137.68, 0.44%, 0.58%

LAB 71.76, -42.95, 25.24

 

CMYK 6 / 25 / 0 / 34

HEX #9F7EA9

RGB 159 126 169

HSL 286.05, 0.2%, 0.58%

LAB 57.23, 20.66, -18.01

 

CMYK 0 / 25 / 1 / 34

HEX #A97EA7

RGB 169 126 167

HSL 302.79, 0.2%, 0.58%

LAB 58.18, 23.7, -15.33

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 25 / 14 / 34

HEX #A97E91

RGB 169 126 145

HSL 333.49, 0.2%, 0.58%

LAB 57.46, 19.7, -3.72

 

CMYK 0 / 25 / 21 / 34

HEX #A97E85

RGB 169 126 133

HSL 350.23, 0.2%, 0.58%

LAB 57.12, 17.73, 2.72

 

CMYK 0 / 33 / 9 / 50

HEX #7F5573

RGB 127 85 115

HSL 317.14, 0.2%, 0.42%

LAB 41.61, 22.47, -10.01

 

CMYK 0 / 34 / 10 / 40

HEX #986589

RGB 152 101 137

HSL 317.65, 0.2%, 0.5%

LAB 49.24, 26.34, -11.49

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 18 / 5 / 27

HEX #B997AF

RGB 185 151 175

HSL 317.65, 0.2%, 0.66%

LAB 66.17, 16.77, -7.71

 

CMYK 0 / 13 / 4 / 21

HEX #CAAFC2

RGB 202 175 194

HSL 317.78, 0.2%, 0.74%

LAB 74.26, 13.02, -6.06

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 25 / 0 / 2 / 34

HEX #7EA9A5

RGB 126 169 165

HSL 174.42, 0.2%, 0.58%

LAB 66.16, -15.28, -2.65

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 8 / 0 / 25 / 34

HEX #9CA97E

RGB 156 169 126

HSL 78.14, 0.2%, 0.58%

LAB 67.24, -12.18, 20.72

 

CMYK 25 / 8 / 0 / 34

HEX #7E9CA9

RGB 126 156 169

HSL 198.14, 0.2%, 0.58%

LAB 62.57, -7.36, -10.21

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 25 / 0 / 18 / 34

HEX #7EA98B

RGB 126 169 139

HSL 138.14, 0.2%, 0.58%

LAB 65.5, -20.76, 10.84

 

CMYK 25 / 13 / 0 / 34

HEX #7E93A9

RGB 126 147 169

HSL 210.7, 0.2%, 0.58%

LAB 60.04, -2.36, -14.01

 

CMYK 0 / 25 / 8 / 34

HEX #A97E9C

RGB 169 126 156

HSL 318.14, 0.2%, 0.58%

LAB 57.81, 21.64, -9.56

 

CMYK 0 / 5 / 25 / 34

HEX #A9A07E

RGB 169 160 126

HSL 47.44, 0.2%, 0.58%

LAB 65.81, -2.29, 18.94

 

CMYK 25 / 0 / 18 / 34

HEX #7EA98B

RGB 126 169 139

HSL 138.14, 0.2%, 0.58%

LAB 65.5, -20.76, 10.84

 

CMYK 25 / 20 / 0 / 34

HEX #7E87A9

RGB 126 135 169

HSL 227.44, 0.2%, 0.58%

LAB 56.71, 4.49, -19.06

 

Description

Color code: HEX #A97E9C | qconv.com Color code: HEX #A97E9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 126 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 126 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 8 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 8% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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