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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9882B it is the complementary color #5677D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9882B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9882B shade: #AE8826, #BF9A39, #D0AC4C, #E1BE5F and #F2D072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9882B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9882B shade: #A9882B, #987618, #876405, #765200 and #654000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9882B shade: #AA892B, #AA672B, #AA452B and #AA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9882B shade: #AA892B, #A9AA2B, #87AA2B, #65AA2B and #43AA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9882B shade matches the following richer shades: #AA892B, #BB911A and #CC9909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9882B shade: #AA892B, #98803D, #87784E, #76705F and #646871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9882B shade: #AA452B, #AA662B, #AA882B, #AAAA2B and #88AA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9882B shade: #68541A, #896E23, #AA892B, #CAA334 and #D3B255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9882B shade: #A9882B, #34AA2B and #562BAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9882B shade: #A9882B, #2BAA88 and #882BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9882B shade: #A9882B, #34AA2B, #2B4DAA and #A12BAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9882B shade: #A9882B, #2BAA49, #2B4DAA and #AA2B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

Complementary color

CMYK 59 / 44 / 0 / 17

HEX #5677D4

RGB 86 119 212

HSL 224.29, 0.59%, 0.58%

LAB 51.75, 16.43, -51.55

 

CMYK 0 / 22 / 78 / 32

HEX #AE8826

RGB 174 136 38

HSL 43.24, 0.64%, 0.42%

LAB 58.74, 4.94, 54.51

 

CMYK 0 / 19 / 70 / 25

HEX #BF9A39

RGB 191 154 57

HSL 43.43, 0.54%, 0.49%

LAB 65.34, 3.55, 53.95

 

CMYK 0 / 17 / 63 / 18

HEX #D0AC4C

RGB 208 172 76

HSL 43.64, 0.58%, 0.56%

LAB 71.85, 2.38, 52.97

 

CMYK 0 / 16 / 58 / 12

HEX #E1BE5F

RGB 225 190 95

HSL 43.85, 0.68%, 0.63%

LAB 78.26, 1.4, 51.81

 

CMYK 0 / 14 / 53 / 5

HEX #F2D072

RGB 242 208 114

HSL 44.06, 0.83%, 0.7%

LAB 84.59, 0.55, 50.59

 

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

CMYK 0 / 22 / 84 / 40

HEX #987618

RGB 152 118 24

HSL 44.06, 0.73%, 0.35%

LAB 51.49, 4.44, 51.98

 

CMYK 0 / 26 / 96 / 47

HEX #876405

RGB 135 100 5

HSL 43.85, 0.93%, 0.27%

LAB 44.63, 6.31, 50.63

 

CMYK 0 / 31 / 100 / 54

HEX #765200

RGB 118 82 0

HSL 41.69, 1%, 0.23%

LAB 37.64, 8.63, 46.13

 

CMYK 0 / 37 / 100 / 60

HEX #654000

RGB 101 64 0

HSL 38.02, 1%, 0.2%

LAB 30.48, 11.21, 40.22

 

CMYK 0 / 19 / 75 / 33

HEX #AA892B

RGB 170 137 43

HSL 44.41, 0.6%, 0.42%

LAB 58.61, 2.8, 52.31

 

CMYK 0 / 39 / 75 / 33

HEX #AA672B

RGB 170 103 43

HSL 28.35, 0.6%, 0.42%

LAB 50, 21.87, 43.7

 

CMYK 0 / 59 / 75 / 33

HEX #AA452B

RGB 170 69 43

HSL 12.28, 0.6%, 0.42%

LAB 42.73, 39.94, 36

 

CMYK 0 / 75 / 75 / 33

HEX #AA2B2B

RGB 170 43 43

HSL 0, 0.6%, 0.42%

LAB 38.64, 50.98, 31.47

 

CMYK 0 / 19 / 75 / 33

HEX #AA892B

RGB 170 137 43

HSL 44.41, 0.6%, 0.42%

LAB 58.61, 2.8, 52.31

 

CMYK 1 / 0 / 75 / 33

HEX #A9AA2B

RGB 169 170 43

HSL 60.47, 0.6%, 0.42%

LAB 67.55, -15.3, 60.79

 

CMYK 21 / 0 / 75 / 33

HEX #87AA2B

RGB 135 170 43

HSL 76.54, 0.6%, 0.42%

LAB 65.02, -29.72, 57.51

 

CMYK 41 / 0 / 75 / 33

HEX #65AA2B

RGB 101 170 43

HSL 92.6, 0.6%, 0.42%

LAB 63.09, -42.62, 54.96

 

CMYK 61 / 0 / 75 / 33

HEX #43AA2B

RGB 67 170 43

HSL 108.66, 0.6%, 0.42%

LAB 61.76, -52.75, 53.2

 

CMYK 0 / 19 / 75 / 33

HEX #AA892B

RGB 170 137 43

HSL 44.41, 0.6%, 0.42%

LAB 58.61, 2.8, 52.31

 

CMYK 0 / 22 / 86 / 27

HEX #BB911A

RGB 187 145 26

HSL 44.35, 0.76%, 0.42%

LAB 62.41, 5.46, 62.1

 

CMYK 0 / 25 / 96 / 20

HEX #CC9909

RGB 204 153 9

HSL 44.31, 0.92%, 0.42%

LAB 66.24, 8.41, 69.13

 

CMYK 0 / 19 / 75 / 33

HEX #AA892B

RGB 170 137 43

HSL 44.41, 0.6%, 0.42%

LAB 58.61, 2.8, 52.31

 

CMYK 0 / 16 / 60 / 40

HEX #98803D

RGB 152 128 61

HSL 44.18, 0.43%, 0.42%

LAB 54.5, 0.81, 39.16

 

CMYK 0 / 11 / 42 / 47

HEX #87784E

RGB 135 120 78

HSL 44.21, 0.27%, 0.42%

LAB 50.84, -0.54, 25.17

 

CMYK 0 / 5 / 19 / 54

HEX #76705F

RGB 118 112 95

HSL 44.35, 0.11%, 0.42%

LAB 47.32, -0.76, 10.3

 

CMYK 12 / 8 / 0 / 56

HEX #646871

RGB 100 104 113

HSL 221.54, 0.06%, 0.42%

LAB 43.95, 0.45, -5.57

 

CMYK 0 / 59 / 75 / 33

HEX #AA452B

RGB 170 69 43

HSL 12.28, 0.6%, 0.42%

LAB 42.73, 39.94, 36

 

CMYK 0 / 40 / 75 / 33

HEX #AA662B

RGB 170 102 43

HSL 27.87, 0.6%, 0.42%

LAB 49.77, 22.43, 43.45

 

CMYK 0 / 20 / 75 / 33

HEX #AA882B

RGB 170 136 43

HSL 43.94, 0.6%, 0.42%

LAB 58.35, 3.35, 52.05

 

CMYK 0 / 0 / 75 / 33

HEX #AAAA2B

RGB 170 170 43

HSL 60, 0.6%, 0.42%

LAB 67.63, -14.86, 60.9

 

CMYK 20 / 0 / 75 / 33

HEX #88AA2B

RGB 136 170 43

HSL 76.06, 0.6%, 0.42%

LAB 65.09, -29.31, 57.59

 

CMYK 0 / 19 / 75 / 59

HEX #68541A

RGB 104 84 26

HSL 44.62, 0.6%, 0.25%

LAB 36.67, 1.44, 35.47

 

CMYK 0 / 20 / 74 / 46

HEX #896E23

RGB 137 110 35

HSL 44.12, 0.59%, 0.34%

LAB 47.74, 2.45, 43.75

 

CMYK 0 / 19 / 75 / 33

HEX #AA892B

RGB 170 137 43

HSL 44.41, 0.6%, 0.42%

LAB 58.61, 2.8, 52.31

 

CMYK 0 / 19 / 74 / 21

HEX #CAA334

RGB 202 163 52

HSL 44.4, 0.59%, 0.5%

LAB 68.75, 3.28, 59.75

 

CMYK 0 / 16 / 60 / 17

HEX #D3B255

RGB 211 178 85

HSL 44.29, 0.59%, 0.58%

LAB 73.77, 1.09, 51.03

 

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

CMYK 69 / 0 / 75 / 33

HEX #34AA2B

RGB 52 170 43

HSL 115.75, 0.6%, 0.42%

LAB 61.35, -56.05, 52.67

 

CMYK 49 / 75 / 0 / 33

HEX #562BAA

RGB 86 43 170

HSL 260.31, 0.6%, 0.42%

LAB 30.9, 48.39, -60.78

 

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

CMYK 75 / 0 / 20 / 33

HEX #2BAA88

RGB 43 170 136

HSL 163.94, 0.6%, 0.42%

LAB 62.54, -42.07, 7.87

 

CMYK 20 / 75 / 0 / 33

HEX #882BAA

RGB 136 43 170

HSL 283.94, 0.6%, 0.42%

LAB 37.6, 57.55, -49.59

 

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

CMYK 69 / 0 / 75 / 33

HEX #34AA2B

RGB 52 170 43

HSL 115.75, 0.6%, 0.42%

LAB 61.35, -56.05, 52.67

 

CMYK 75 / 55 / 0 / 33

HEX #2B4DAA

RGB 43 77 170

HSL 223.94, 0.6%, 0.42%

LAB 35.45, 21.21, -53.5

 

CMYK 5 / 75 / 0 / 33

HEX #A12BAA

RGB 161 43 170

HSL 295.75, 0.6%, 0.42%

LAB 41.54, 62.72, -43.05

 

CMYK 0 / 20 / 75 / 34

HEX #A9882B

RGB 169 136 43

HSL 44.29, 0.59%, 0.42%

LAB 58.24, 2.9, 51.91

 

CMYK 75 / 0 / 57 / 33

HEX #2BAA49

RGB 43 170 73

HSL 134.17, 0.6%, 0.42%

LAB 61.43, -54.42, 39.88

 

CMYK 75 / 55 / 0 / 33

HEX #2B4DAA

RGB 43 77 170

HSL 223.94, 0.6%, 0.42%

LAB 35.45, 21.21, -53.5

 

CMYK 0 / 75 / 18 / 33

HEX #AA2B8C

RGB 170 43 140

HSL 314.17, 0.6%, 0.42%

LAB 41.48, 60.05, -24.96

 

Description

Color code: HEX #A9882B | qconv.com Color code: HEX #A9882B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 136 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 136 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 75 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 75% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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