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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9817B it is the complementary color #567E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9817B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9817B shade: #AE8176, #BF9389, #D0A59C, #E1B7AF and #F2C9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9817B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9817B shade: #A9817B, #986F68, #875D55, #764B42 and #65392F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9817B shade: #A8807A and #A87A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9817B shade: #A8807A, #A88C7A, #A8997A, #A8A57A and #9EA87A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9817B shade matches the following richer shades: #A8807A, #BA7368, #CB6656, #DD5945 and #EF4B33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9817B shade: #A8807A, #968D8C, #849A9D, #73A7AF and #61B4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9817B shade: #A87A8D, #A87A81, #A87F7A, #A88B7A and #A8987A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9817B shade: #7D5752, #966962, #A8807A, #B89893 and #C8AFAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9817B shade: #A9817B, #99A87A and #7A87A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9817B shade: #A9817B, #7AA87F and #7F7AA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9817B shade: #A9817B, #99A87A, #7AA3A8 and #887AA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9817B shade: #A9817B, #8BA87A, #7AA3A8 and #967AA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

Complementary color

CMYK 35 / 5 / 0 / 48

HEX #567E84

RGB 86 126 132

HSL 187.83, 0.21%, 0.43%

LAB 50.18, -12.28, -7.71

 

CMYK 0 / 26 / 32 / 32

HEX #AE8176

RGB 174 129 118

HSL 11.79, 0.26%, 0.57%

LAB 58.04, 15.8, 12.75

 

CMYK 0 / 23 / 28 / 25

HEX #BF9389

RGB 191 147 137

HSL 11.11, 0.3%, 0.64%

LAB 64.76, 15.1, 11.67

 

CMYK 0 / 21 / 25 / 18

HEX #D0A59C

RGB 208 165 156

HSL 10.38, 0.36%, 0.71%

LAB 71.36, 14.47, 10.69

 

CMYK 0 / 19 / 22 / 12

HEX #E1B7AF

RGB 225 183 175

HSL 9.6, 0.45%, 0.78%

LAB 77.86, 13.92, 9.77

 

CMYK 0 / 17 / 20 / 5

HEX #F2C9C2

RGB 242 201 194

HSL 8.75, 0.65%, 0.85%

LAB 84.25, 13.42, 8.92

 

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

CMYK 0 / 27 / 32 / 40

HEX #986F68

RGB 152 111 104

HSL 8.75, 0.19%, 0.5%

LAB 50.74, 15.24, 10.28

 

CMYK 0 / 31 / 37 / 47

HEX #875D55

RGB 135 93 85

HSL 9.6, 0.23%, 0.43%

LAB 43.71, 16.09, 11.5

 

CMYK 0 / 36 / 44 / 54

HEX #764B42

RGB 118 75 66

HSL 10.38, 0.28%, 0.36%

LAB 36.51, 17.1, 12.91

 

CMYK 0 / 44 / 53 / 60

HEX #65392F

RGB 101 57 47

HSL 11.11, 0.36%, 0.29%

LAB 29.15, 18.32, 14.62

 

CMYK 0 / 24 / 27 / 34

HEX #A8807A

RGB 168 128 122

HSL 7.83, 0.21%, 0.57%

LAB 57.24, 14.54, 9.22

 

CMYK 0 / 27 / 27 / 34

HEX #A87A7A

RGB 168 122 122

HSL 0, 0.21%, 0.57%

LAB 55.73, 17.94, 7.08

 

CMYK 0 / 24 / 27 / 34

HEX #A8807A

RGB 168 128 122

HSL 7.83, 0.21%, 0.57%

LAB 57.24, 14.54, 9.22

 

CMYK 0 / 17 / 27 / 34

HEX #A88C7A

RGB 168 140 122

HSL 23.48, 0.21%, 0.57%

LAB 60.33, 7.77, 13.56

 

CMYK 0 / 9 / 27 / 34

HEX #A8997A

RGB 168 153 122

HSL 40.43, 0.21%, 0.57%

LAB 63.76, 0.56, 18.32

 

CMYK 0 / 2 / 27 / 34

HEX #A8A57A

RGB 168 165 122

HSL 56.09, 0.21%, 0.57%

LAB 67.01, -5.95, 22.74

 

CMYK 6 / 0 / 27 / 34

HEX #9EA87A

RGB 158 168 122

HSL 73.04, 0.21%, 0.57%

LAB 67.04, -11.47, 22.65

 

CMYK 0 / 24 / 27 / 34

HEX #A8807A

RGB 168 128 122

HSL 7.83, 0.21%, 0.57%

LAB 57.24, 14.54, 9.22

 

CMYK 0 / 38 / 44 / 27

HEX #BA7368

RGB 186 115 104

HSL 8.05, 0.37%, 0.57%

LAB 55.79, 26.72, 17.9

 

CMYK 0 / 50 / 58 / 20

HEX #CB6656

RGB 203 102 86

HSL 8.21, 0.53%, 0.57%

LAB 54.94, 38.62, 27.55

 

CMYK 0 / 60 / 69 / 13

HEX #DD5945

RGB 221 89 69

HSL 7.89, 0.69%, 0.57%

LAB 55.02, 50.44, 37.84

 

CMYK 0 / 69 / 79 / 6

HEX #EF4B33

RGB 239 75 51

HSL 7.66, 0.85%, 0.57%

LAB 55.71, 61.54, 49.03

 

CMYK 0 / 24 / 27 / 34

HEX #A8807A

RGB 168 128 122

HSL 7.83, 0.21%, 0.57%

LAB 57.24, 14.54, 9.22

 

CMYK 0 / 6 / 7 / 41

HEX #968D8C

RGB 150 141 140

HSL 6, 0.05%, 0.57%

LAB 59.37, 3.16, 1.72

 

CMYK 16 / 2 / 0 / 38

HEX #849A9D

RGB 132 154 157

HSL 187.2, 0.11%, 0.57%

LAB 62.04, -7.07, -4.18

 

CMYK 34 / 5 / 0 / 31

HEX #73A7AF

RGB 115 167 175

HSL 188, 0.27%, 0.57%

LAB 65.26, -15.11, -9.62

 

CMYK 50 / 7 / 0 / 24

HEX #61B4C1

RGB 97 180 193

HSL 188.13, 0.44%, 0.57%

LAB 68.78, -21.7, -14.42

 

CMYK 0 / 27 / 16 / 34

HEX #A87A8D

RGB 168 122 141

HSL 335.22, 0.21%, 0.57%

LAB 56.25, 20.92, -3.2

 

CMYK 0 / 27 / 23 / 34

HEX #A87A81

RGB 168 122 129

HSL 350.87, 0.21%, 0.57%

LAB 55.92, 18.99, 3.28

 

CMYK 0 / 24 / 27 / 34

HEX #A87F7A

RGB 168 127 122

HSL 6.52, 0.21%, 0.57%

LAB 56.99, 15.1, 8.86

 

CMYK 0 / 17 / 27 / 34

HEX #A88B7A

RGB 168 139 122

HSL 22.17, 0.21%, 0.57%

LAB 60.06, 8.33, 13.2

 

CMYK 0 / 10 / 27 / 34

HEX #A8987A

RGB 168 152 122

HSL 39.13, 0.21%, 0.57%

LAB 63.5, 1.11, 17.96

 

CMYK 0 / 30 / 34 / 51

HEX #7D5752

RGB 125 87 82

HSL 6.98, 0.21%, 0.41%

LAB 40.87, 15.01, 9.19

 

CMYK 0 / 30 / 35 / 41

HEX #966962

RGB 150 105 98

HSL 8.08, 0.21%, 0.49%

LAB 48.85, 17.06, 11.14

 

CMYK 0 / 24 / 27 / 34

HEX #A8807A

RGB 168 128 122

HSL 7.83, 0.21%, 0.57%

LAB 57.24, 14.54, 9.22

 

CMYK 0 / 17 / 20 / 28

HEX #B89893

RGB 184 152 147

HSL 8.11, 0.21%, 0.65%

LAB 65.56, 11.1, 7.09

 

CMYK 0 / 13 / 14 / 22

HEX #C8AFAC

RGB 200 175 172

HSL 6.43, 0.2%, 0.73%

LAB 73.49, 8.51, 4.84

 

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

CMYK 9 / 0 / 27 / 34

HEX #99A87A

RGB 153 168 122

HSL 79.57, 0.21%, 0.57%

LAB 66.66, -13.41, 22.07

 

CMYK 27 / 20 / 0 / 34

HEX #7A87A8

RGB 122 135 168

HSL 223.04, 0.21%, 0.57%

LAB 56.38, 2.98, -19.02

 

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

CMYK 27 / 0 / 24 / 34

HEX #7AA87F

RGB 122 168 127

HSL 126.52, 0.21%, 0.57%

LAB 64.7, -23.87, 16.33

 

CMYK 24 / 27 / 0 / 34

HEX #7F7AA8

RGB 127 122 168

HSL 246.52, 0.21%, 0.57%

LAB 53.23, 12.17, -23.81

 

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

CMYK 9 / 0 / 27 / 34

HEX #99A87A

RGB 153 168 122

HSL 79.57, 0.21%, 0.57%

LAB 66.66, -13.41, 22.07

 

CMYK 27 / 3 / 0 / 34

HEX #7AA3A8

RGB 122 163 168

HSL 186.52, 0.21%, 0.57%

LAB 64.29, -12.63, -7.11

 

CMYK 19 / 27 / 0 / 34

HEX #887AA8

RGB 136 122 168

HSL 258.26, 0.21%, 0.57%

LAB 54.01, 15.07, -22.56

 

CMYK 0 / 24 / 27 / 34

HEX #A9817B

RGB 169 129 123

HSL 7.83, 0.21%, 0.57%

LAB 57.62, 14.51, 9.21

 

CMYK 17 / 0 / 27 / 34

HEX #8BA87A

RGB 139 168 122

HSL 97.83, 0.21%, 0.57%

LAB 65.67, -18.69, 20.56

 

CMYK 27 / 3 / 0 / 34

HEX #7AA3A8

RGB 122 163 168

HSL 186.52, 0.21%, 0.57%

LAB 64.29, -12.63, -7.11

 

CMYK 11 / 27 / 0 / 34

HEX #967AA8

RGB 150 122 168

HSL 276.52, 0.21%, 0.57%

LAB 55.31, 19.71, -20.45

 

Description

Color code: HEX #A9817B | qconv.com Color code: HEX #A9817B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 129 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 129 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 27 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 27% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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