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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A98D97 it is the complementary color #567268. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A98D97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A98D97 shade: #AE8D92, #BF9FA5, #D0B1B8, #E1C3CB and #F2D5DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A98D97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A98D97 shade: #A98D97, #987B84, #876971, #76575E and #65454B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A98D97 shade: #A98D97, #A98D90 and #A98D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A98D97 shade: #A98D97, #A98D9F, #A98DA6, #A48DA9 and #9D8DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A98D97 shade matches the following richer shades: #A98D97, #B97D92, #C96D8E, #D95D89 and #E94D85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A98D97 shade: #A98D97, #999D9C, #89ADA0, #79BDA5 and #69CDA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A98D97 shade: #A98DA6, #A98D9F, #A98D97, #A98D90 and #A9928D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A98D97 shade: #82626D, #977682, #A98D97, #BBA5AD and #CCBCC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A98D97 shade: #A98D97, #A9A48D and #8DA2A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A98D97 shade: #A98D97, #97A98D and #8D97A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A98D97 shade: #A98D97, #A9A48D, #8DA99F and #8D92A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A98D97 shade: #A98D97, #A5A98D, #8DA99F and #918DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

Complementary color

CMYK 25 / 0 / 9 / 55

HEX #567268

RGB 86 114 104

HSL 158.57, 0.14%, 0.39%

LAB 45.65, -12.46, 2.22

 

CMYK 0 / 19 / 16 / 32

HEX #AE8D92

RGB 174 141 146

HSL 350.91, 0.17%, 0.62%

LAB 61.76, 13.27, 2.06

 

CMYK 0 / 17 / 14 / 25

HEX #BF9FA5

RGB 191 159 165

HSL 348.75, 0.2%, 0.69%

LAB 68.45, 12.77, 1.3

 

CMYK 0 / 15 / 12 / 18

HEX #D0B1B8

RGB 208 177 184

HSL 346.45, 0.25%, 0.75%

LAB 75.02, 12.32, 0.59

 

CMYK 0 / 13 / 10 / 12

HEX #E1C3CB

RGB 225 195 203

HSL 344, 0.33%, 0.82%

LAB 81.48, 11.91, -0.09

 

CMYK 0 / 12 / 8 / 5

HEX #F2D5DE

RGB 242 213 222

HSL 341.38, 0.53%, 0.89%

LAB 87.84, 11.54, -0.73

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 19 / 13 / 40

HEX #987B84

RGB 152 123 132

HSL 341.38, 0.12%, 0.54%

LAB 54.56, 12.75, -0.65

 

CMYK 0 / 22 / 16 / 47

HEX #876971

RGB 135 105 113

HSL 344, 0.13%, 0.47%

LAB 47.55, 13.32, 0.12

 

CMYK 0 / 26 / 20 / 54

HEX #76575E

RGB 118 87 94

HSL 346.45, 0.15%, 0.4%

LAB 40.37, 13.97, 0.97

 

CMYK 0 / 32 / 26 / 60

HEX #65454B

RGB 101 69 75

HSL 348.75, 0.19%, 0.33%

LAB 32.99, 14.75, 1.94

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 17 / 15 / 34

HEX #A98D90

RGB 169 141 144

HSL 353.57, 0.14%, 0.61%

LAB 61.22, 11.04, 2.35

 

CMYK 0 / 17 / 17 / 34

HEX #A98D8D

RGB 169 141 141

HSL 0, 0.14%, 0.61%

LAB 61.14, 10.54, 3.94

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 17 / 6 / 34

HEX #A98D9F

RGB 169 141 159

HSL 321.43, 0.14%, 0.61%

LAB 61.64, 13.69, -5.56

 

CMYK 0 / 17 / 2 / 34

HEX #A98DA6

RGB 169 141 166

HSL 306.43, 0.14%, 0.61%

LAB 61.86, 15, -9.22

 

CMYK 3 / 17 / 0 / 34

HEX #A48DA9

RGB 164 141 169

HSL 289.29, 0.14%, 0.61%

LAB 61.49, 13.82, -11.53

 

CMYK 7 / 17 / 0 / 34

HEX #9D8DA9

RGB 157 141 169

HSL 274.29, 0.14%, 0.61%

LAB 60.85, 11.38, -12.54

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 32 / 21 / 27

HEX #B97D92

RGB 185 125 146

HSL 339, 0.3%, 0.61%

LAB 59.03, 26.35, -1.79

 

CMYK 0 / 46 / 29 / 21

HEX #C96D8E

RGB 201 109 142

HSL 338.48, 0.46%, 0.61%

LAB 57.37, 40.19, -1.67

 

CMYK 0 / 57 / 37 / 15

HEX #D95D89

RGB 217 93 137

HSL 338.71, 0.62%, 0.61%

LAB 56.47, 52.85, 0.21

 

CMYK 0 / 67 / 43 / 9

HEX #E94D85

RGB 233 77 133

HSL 338.46, 0.78%, 0.61%

LAB 56.41, 64.1, 2.79

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 21 / 0 / 8 / 32

HEX #89ADA0

RGB 137 173 160

HSL 158.33, 0.18%, 0.61%

LAB 67.83, -14.94, 2.65

 

CMYK 36 / 0 / 13 / 26

HEX #79BDA5

RGB 121 189 165

HSL 158.82, 0.34%, 0.61%

LAB 71.67, -26.93, 5.35

 

CMYK 49 / 0 / 18 / 20

HEX #69CDA9

RGB 105 205 169

HSL 158.4, 0.5%, 0.61%

LAB 75.78, -37.84, 8.98

 

CMYK 0 / 17 / 2 / 34

HEX #A98DA6

RGB 169 141 166

HSL 306.43, 0.14%, 0.61%

LAB 61.86, 15, -9.22

 

CMYK 0 / 17 / 6 / 34

HEX #A98D9F

RGB 169 141 159

HSL 321.43, 0.14%, 0.61%

LAB 61.64, 13.69, -5.56

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 17 / 15 / 34

HEX #A98D90

RGB 169 141 144

HSL 353.57, 0.14%, 0.61%

LAB 61.22, 11.04, 2.35

 

CMYK 0 / 14 / 17 / 34

HEX #A9928D

RGB 169 146 141

HSL 10.71, 0.14%, 0.61%

LAB 62.44, 7.74, 5.81

 

CMYK 0 / 25 / 16 / 49

HEX #82626D

RGB 130 98 109

HSL 339.38, 0.14%, 0.45%

LAB 45.06, 14.79, -1.18

 

CMYK 0 / 22 / 14 / 41

HEX #977682

RGB 151 118 130

HSL 338.18, 0.14%, 0.53%

LAB 53.11, 14.9, -1.61

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 12 / 7 / 27

HEX #BBA5AD

RGB 187 165 173

HSL 338.18, 0.14%, 0.69%

LAB 69.82, 9.39, -1.19

 

CMYK 0 / 8 / 5 / 20

HEX #CCBCC2

RGB 204 188 194

HSL 337.5, 0.14%, 0.77%

LAB 77.7, 6.7, -0.99

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 3 / 17 / 34

HEX #A9A48D

RGB 169 164 141

HSL 49.29, 0.14%, 0.61%

LAB 67.21, -2.18, 12.59

 

CMYK 17 / 4 / 0 / 34

HEX #8DA2A9

RGB 141 162 169

HSL 195, 0.14%, 0.61%

LAB 65.25, -5.81, -6.11

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 11 / 0 / 17 / 34

HEX #97A98D

RGB 151 169 141

HSL 98.57, 0.14%, 0.61%

LAB 67.19, -11.6, 12.36

 

CMYK 17 / 11 / 0 / 34

HEX #8D97A9

RGB 141 151 169

HSL 218.57, 0.14%, 0.61%

LAB 62.22, 0.27, -10.63

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 0 / 3 / 17 / 34

HEX #A9A48D

RGB 169 164 141

HSL 49.29, 0.14%, 0.61%

LAB 67.21, -2.18, 12.59

 

CMYK 17 / 0 / 6 / 34

HEX #8DA99F

RGB 141 169 159

HSL 158.57, 0.14%, 0.61%

LAB 66.93, -11.71, 1.93

 

CMYK 17 / 14 / 0 / 34

HEX #8D92A9

RGB 141 146 169

HSL 229.29, 0.14%, 0.61%

LAB 60.86, 3.09, -12.67

 

CMYK 0 / 17 / 11 / 34

HEX #A98D97

RGB 169 141 151

HSL 338.57, 0.14%, 0.61%

LAB 61.41, 12.25, -1.36

 

CMYK 2 / 0 / 17 / 34

HEX #A5A98D

RGB 165 169 141

HSL 68.57, 0.14%, 0.61%

LAB 68.24, -6.39, 13.99

 

CMYK 17 / 0 / 6 / 34

HEX #8DA99F

RGB 141 169 159

HSL 158.57, 0.14%, 0.61%

LAB 66.93, -11.71, 1.93

 

CMYK 14 / 17 / 0 / 34

HEX #918DA9

RGB 145 141 169

HSL 248.57, 0.14%, 0.61%

LAB 59.83, 7.28, -14.19

 

Description

Color code: HEX #A98D97 | qconv.com Color code: HEX #A98D97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 141 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 141 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 11 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 11% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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