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Color name
HEX #A99812

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A99812 it is the complementary color #5667ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A99812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A99812 shade: #AE980D, #BFAA20, #D0BC33, #E1CE46 and #F2E059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A99812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A99812 shade: #A99812, #988600, #877400, #766200 and #655000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A99812 shade: #AA9911, #AA7011, #AA4711, #AA1D11 and #AA1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A99812 shade: #AA9911, #92AA11, #69AA11, #40AA11 and #17AA11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A99812 shade matches the following richer shades: #AA9911 and #BAA502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A99812 shade: #AA9911, #9B8D21, #8C8130, #7C763F and #6D6A4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A99812 shade: #AA4711, #AA7011, #AA9811, #93AA11 and #6BAA11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A99812 shade: #60560A, #85770E, #AA9911, #D0BB15 and #E8D226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A99812 shade: #A99812, #11AA1E and #5B11AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A99812 shade: #A99812, #11AA98 and #9811AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A99812 shade: #A99812, #11AA1E, #1123AA and #AA119E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A99812 shade: #A99812, #11AA4C, #1123AA and #AA1170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

Complementary color

CMYK 64 / 57 / 0 / 7

HEX #5667ED

RGB 86 103 237

HSL 233.25, 0.81%, 0.63%

LAB 49.24, 34.69, -69.69

 

CMYK 0 / 13 / 93 / 32

HEX #AE980D

RGB 174 152 13

HSL 51.8, 0.86%, 0.37%

LAB 62.91, -4.49, 64.72

 

CMYK 0 / 11 / 83 / 25

HEX #BFAA20

RGB 191 170 32

HSL 52.08, 0.71%, 0.44%

LAB 69.42, -6.02, 66.51

 

CMYK 0 / 10 / 75 / 18

HEX #D0BC33

RGB 208 188 51

HSL 52.36, 0.63%, 0.51%

LAB 75.83, -7.31, 67.03

 

CMYK 0 / 8 / 69 / 12

HEX #E1CE46

RGB 225 206 70

HSL 52.65, 0.72%, 0.58%

LAB 82.16, -8.4, 66.8

 

CMYK 0 / 7 / 63 / 5

HEX #F2E059

RGB 242 224 89

HSL 52.94, 0.85%, 0.65%

LAB 88.4, -9.33, 66.14

 

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

CMYK 0 / 12 / 100 / 40

HEX #988600

RGB 152 134 0

HSL 52.89, 1%, 0.3%

LAB 55.81, -5.01, 60.54

 

CMYK 0 / 14 / 100 / 47

HEX #877400

RGB 135 116 0

HSL 51.56, 1%, 0.26%

LAB 49.06, -2.99, 54.95

 

CMYK 0 / 17 / 100 / 54

HEX #766200

RGB 118 98 0

HSL 49.83, 1%, 0.23%

LAB 42.13, -0.87, 49.23

 

CMYK 0 / 21 / 100 / 60

HEX #655000

RGB 101 80 0

HSL 47.52, 1%, 0.2%

LAB 35.01, 1.38, 43.35

 

CMYK 0 / 10 / 90 / 33

HEX #AA9911

RGB 170 153 17

HSL 53.33, 0.82%, 0.37%

LAB 62.82, -6.76, 63.77

 

CMYK 0 / 34 / 90 / 33

HEX #AA7011

RGB 170 112 17

HSL 37.25, 0.82%, 0.37%

LAB 52.03, 15.93, 55.32

 

CMYK 0 / 58 / 90 / 33

HEX #AA4711

RGB 170 71 17

HSL 21.18, 0.82%, 0.37%

LAB 42.9, 38.11, 48.27

 

CMYK 0 / 83 / 90 / 33

HEX #AA1D11

RGB 170 29 17

HSL 4.71, 0.82%, 0.37%

LAB 36.87, 54.5, 43.69

 

CMYK 0 / 90 / 90 / 33

HEX #AA1111

RGB 170 17 17

HSL 0, 0.82%, 0.37%

LAB 35.96, 57.08, 43.01

 

CMYK 0 / 10 / 90 / 33

HEX #AA9911

RGB 170 153 17

HSL 53.33, 0.82%, 0.37%

LAB 62.82, -6.76, 63.77

 

CMYK 14 / 0 / 90 / 33

HEX #92AA11

RGB 146 170 17

HSL 69.41, 0.82%, 0.37%

LAB 65.67, -26.09, 65.22

 

CMYK 38 / 0 / 90 / 33

HEX #69AA11

RGB 105 170 17

HSL 85.49, 0.82%, 0.37%

LAB 63.17, -42.37, 62.14

 

CMYK 62 / 0 / 90 / 33

HEX #40AA11

RGB 64 170 17

HSL 101.57, 0.82%, 0.37%

LAB 61.55, -54.84, 60.12

 

CMYK 86 / 0 / 90 / 33

HEX #17AA11

RGB 23 170 17

HSL 117.65, 0.82%, 0.37%

LAB 60.76, -61.68, 59.13

 

CMYK 0 / 10 / 90 / 33

HEX #AA9911

RGB 170 153 17

HSL 53.33, 0.82%, 0.37%

LAB 62.82, -6.76, 63.77

 

CMYK 0 / 11 / 99 / 27

HEX #BAA502

RGB 186 165 2

HSL 53.15, 0.98%, 0.37%

LAB 67.54, -6.15, 70.15

 

CMYK 0 / 10 / 90 / 33

HEX #AA9911

RGB 170 153 17

HSL 53.33, 0.82%, 0.37%

LAB 62.82, -6.76, 63.77

 

CMYK 0 / 9 / 79 / 39

HEX #9B8D21

RGB 155 141 33

HSL 53.11, 0.65%, 0.37%

LAB 58.16, -6.65, 55.05

 

CMYK 0 / 8 / 66 / 45

HEX #8C8130

RGB 140 129 48

HSL 52.83, 0.49%, 0.37%

LAB 53.48, -6.12, 43.97

 

CMYK 0 / 5 / 49 / 51

HEX #7C763F

RGB 124 118 63

HSL 54.1, 0.33%, 0.37%

LAB 49.01, -5.94, 30.93

 

CMYK 0 / 3 / 28 / 57

HEX #6D6A4E

RGB 109 106 78

HSL 54.19, 0.17%, 0.37%

LAB 44.39, -3.77, 16.18

 

CMYK 0 / 58 / 90 / 33

HEX #AA4711

RGB 170 71 17

HSL 21.18, 0.82%, 0.37%

LAB 42.9, 38.11, 48.27

 

CMYK 0 / 34 / 90 / 33

HEX #AA7011

RGB 170 112 17

HSL 37.25, 0.82%, 0.37%

LAB 52.03, 15.93, 55.32

 

CMYK 0 / 11 / 90 / 33

HEX #AA9811

RGB 170 152 17

HSL 52.94, 0.82%, 0.37%

LAB 62.54, -6.23, 63.56

 

CMYK 14 / 0 / 90 / 33

HEX #93AA11

RGB 147 170 17

HSL 69.02, 0.82%, 0.37%

LAB 65.74, -25.66, 65.31

 

CMYK 37 / 0 / 90 / 33

HEX #6BAA11

RGB 107 170 17

HSL 84.71, 0.82%, 0.37%

LAB 63.27, -41.65, 62.26

 

CMYK 0 / 10 / 90 / 62

HEX #60560A

RGB 96 86 10

HSL 53.02, 0.81%, 0.21%

LAB 36.3, -4.43, 40.94

 

CMYK 0 / 11 / 89 / 48

HEX #85770E

RGB 133 119 14

HSL 52.94, 0.81%, 0.29%

LAB 49.75, -5.34, 52.5

 

CMYK 0 / 10 / 90 / 33

HEX #AA9911

RGB 170 153 17

HSL 53.33, 0.82%, 0.37%

LAB 62.82, -6.76, 63.77

 

CMYK 0 / 10 / 90 / 18

HEX #D0BB15

RGB 208 187 21

HSL 53.26, 0.82%, 0.45%

LAB 75.45, -7.65, 74.43

 

CMYK 0 / 9 / 84 / 9

HEX #E8D226

RGB 232 210 38

HSL 53.2, 0.81%, 0.53%

LAB 83.65, -8.67, 78.43

 

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

CMYK 90 / 0 / 82 / 33

HEX #11AA1E

RGB 17 170 30

HSL 125.1, 0.82%, 0.37%

LAB 60.75, -61.57, 56.06

 

CMYK 46 / 90 / 0 / 33

HEX #5B11AA

RGB 91 17 170

HSL 269.02, 0.82%, 0.37%

LAB 28.19, 58.76, -65.21

 

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

CMYK 90 / 0 / 11 / 33

HEX #11AA98

RGB 17 170 152

HSL 172.94, 0.82%, 0.37%

LAB 62.62, -40.14, -0.99

 

CMYK 11 / 90 / 0 / 33

HEX #9811AA

RGB 152 17 170

HSL 292.94, 0.82%, 0.37%

LAB 37.8, 67.48, -49.13

 

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

CMYK 90 / 0 / 82 / 33

HEX #11AA1E

RGB 17 170 30

HSL 125.1, 0.82%, 0.37%

LAB 60.75, -61.57, 56.06

 

CMYK 90 / 79 / 0 / 33

HEX #1123AA

RGB 17 35 170

HSL 232.94, 0.82%, 0.37%

LAB 24.4, 45.8, -71.68

 

CMYK 0 / 90 / 7 / 33

HEX #AA119E

RGB 170 17 158

HSL 304.71, 0.82%, 0.37%

LAB 40.27, 68.8, -37.78

 

CMYK 0 / 10 / 89 / 34

HEX #A99812

RGB 169 152 18

HSL 53.25, 0.81%, 0.37%

LAB 62.45, -6.66, 63.25

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4C

RGB 17 170 76

HSL 143.14, 0.82%, 0.37%

LAB 61.12, -56.87, 37.97

 

CMYK 90 / 79 / 0 / 33

HEX #1123AA

RGB 17 35 170

HSL 232.94, 0.82%, 0.37%

LAB 24.4, 45.8, -71.68

 

CMYK 0 / 90 / 34 / 33

HEX #AA1170

RGB 170 17 112

HSL 322.75, 0.82%, 0.37%

LAB 38.05, 62.93, -12.88

 

Description

Color code: HEX #A99812 | qconv.com Color code: HEX #A99812 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 152 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 152 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 89 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 89% 34% C M Y K

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Provide designers and agencies with accurate color values.

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