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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A999BC it is the complementary color #566643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A999BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A999BC shade: #AE99B7, #BFABCA, #D0BDDD, #E1CFF0 and #F2E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A999BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A999BC shade: #A999BC, #9887A9, #877596, #766383 and #655170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A999BC shade: #A999BC, #B299BC, #BC99BC, #BC99B3 and #BC99A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A999BC shade: #A999BC, #9F99BC and #9999BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A999BC shade matches the following richer shades: #A999BC, #A88BCA, #A77DD7, #A570E5 and #A462F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A999BC shade: #A999BC, #AAA6AE, #ABB4A1, #ACC293 and #AECF86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A999BC shade: #999CBC, #9F99BC, #A999BC, #B299BC and #BB99BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A999BC shade: #7F679B, #9480AC, #A999BC, #BEB2CC and #D3CBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A999BC shade: #A999BC, #BC99A5 and #99BC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A999BC shade: #A999BC, #BCA999 and #99BCA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A999BC shade: #A999BC, #BC99A5, #ACBC99 and #99BCB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A999BC shade: #A999BC, #BC999A, #ACBC99 and #99BCBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

Complementary color

CMYK 16 / 0 / 34 / 60

HEX #566643

RGB 86 102 67

HSL 87.43, 0.21%, 0.33%

LAB 41.04, -12.97, 17.84

 

CMYK 5 / 16 / 0 / 28

HEX #AE99B7

RGB 174 153 183

HSL 282, 0.17%, 0.66%

LAB 65.9, 13.34, -12.7

 

CMYK 5 / 15 / 0 / 21

HEX #BFABCA

RGB 191 171 202

HSL 278.71, 0.23%, 0.73%

LAB 72.54, 12.94, -13.12

 

CMYK 6 / 14 / 0 / 13

HEX #D0BDDD

RGB 208 189 221

HSL 275.63, 0.32%, 0.8%

LAB 79.06, 12.57, -13.53

 

CMYK 6 / 14 / 0 / 6

HEX #E1CFF0

RGB 225 207 240

HSL 272.73, 0.52%, 0.88%

LAB 85.47, 12.22, -13.94

 

CMYK 5 / 12 / 0 / 0

HEX #F2E1FF

RGB 242 225 255

HSL 274, 1%, 0.94%

LAB 91.66, 11.14, -12.43

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 10 / 20 / 0 / 34

HEX #9887A9

RGB 152 135 169

HSL 270, 0.17%, 0.6%

LAB 58.85, 13.09, -15.61

 

CMYK 10 / 22 / 0 / 41

HEX #877596

RGB 135 117 150

HSL 272.73, 0.14%, 0.52%

LAB 51.92, 13.56, -15.28

 

CMYK 10 / 24 / 0 / 49

HEX #766383

RGB 118 99 131

HSL 275.63, 0.14%, 0.45%

LAB 44.82, 14.09, -14.95

 

CMYK 10 / 28 / 0 / 56

HEX #655170

RGB 101 81 112

HSL 278.71, 0.16%, 0.38%

LAB 37.52, 14.69, -14.64

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 5 / 19 / 0 / 26

HEX #B299BC

RGB 178 153 188

HSL 282.86, 0.21%, 0.67%

LAB 66.43, 15.71, -14.67

 

CMYK 0 / 19 / 0 / 26

HEX #BC99BC

RGB 188 153 188

HSL 300, 0.21%, 0.67%

LAB 67.36, 19.14, -13.18

 

CMYK 0 / 19 / 5 / 26

HEX #BC99B3

RGB 188 153 179

HSL 315.43, 0.21%, 0.67%

LAB 67.07, 17.45, -8.58

 

CMYK 0 / 19 / 10 / 26

HEX #BC99A9

RGB 188 153 169

HSL 332.57, 0.21%, 0.67%

LAB 66.78, 15.67, -3.42

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 15 / 19 / 0 / 26

HEX #9F99BC

RGB 159 153 188

HSL 250.29, 0.21%, 0.67%

LAB 64.79, 9.35, -17.3

 

CMYK 19 / 19 / 0 / 26

HEX #9999BC

RGB 153 153 188

HSL 240, 0.21%, 0.67%

LAB 64.31, 7.39, -18.08

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 17 / 31 / 0 / 21

HEX #A88BCA

RGB 168 139 202

HSL 267.62, 0.37%, 0.67%

LAB 62.55, 23.31, -28.51

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 28 / 51 / 0 / 10

HEX #A570E5

RGB 165 112 229

HSL 267.18, 0.69%, 0.67%

LAB 57.31, 43.92, -51.89

 

CMYK 32 / 60 / 0 / 5

HEX #A462F2

RGB 164 98 242

HSL 267.5, 0.85%, 0.67%

LAB 55.11, 54.25, -62.67

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 2 / 5 / 0 / 32

HEX #AAA6AE

RGB 170 166 174

HSL 270, 0.05%, 0.67%

LAB 68.66, 2.95, -3.62

 

CMYK 5 / 0 / 11 / 29

HEX #ABB4A1

RGB 171 180 161

HSL 88.42, 0.11%, 0.67%

LAB 72.14, -6.65, 8.61

 

CMYK 11 / 0 / 24 / 24

HEX #ACC293

RGB 172 194 147

HSL 88.09, 0.28%, 0.67%

LAB 75.74, -15.88, 21.22

 

CMYK 16 / 0 / 35 / 19

HEX #AECF86

RGB 174 207 134

HSL 87.12, 0.43%, 0.67%

LAB 79.24, -23.52, 32.76

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 15 / 19 / 0 / 26

HEX #9F99BC

RGB 159 153 188

HSL 250.29, 0.21%, 0.67%

LAB 64.79, 9.35, -17.3

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 5 / 19 / 0 / 26

HEX #B299BC

RGB 178 153 188

HSL 282.86, 0.21%, 0.67%

LAB 66.43, 15.71, -14.67

 

CMYK 1 / 19 / 0 / 26

HEX #BB99BC

RGB 187 153 188

HSL 298.29, 0.21%, 0.67%

LAB 67.26, 18.79, -13.33

 

CMYK 18 / 34 / 0 / 39

HEX #7F679B

RGB 127 103 155

HSL 267.69, 0.21%, 0.51%

LAB 47.73, 20.31, -24.72

 

CMYK 14 / 26 / 0 / 33

HEX #9480AC

RGB 148 128 172

HSL 267.27, 0.21%, 0.59%

LAB 56.79, 16.44, -20.49

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 7 / 13 / 0 / 20

HEX #BEB2CC

RGB 190 178 204

HSL 267.69, 0.2%, 0.75%

LAB 74.28, 9.17, -11.6

 

CMYK 5 / 8 / 0 / 13

HEX #D3CBDD

RGB 211 203 221

HSL 266.67, 0.21%, 0.83%

LAB 82.8, 6.08, -7.93

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 0 / 19 / 12 / 26

HEX #BC99A5

RGB 188 153 165

HSL 339.43, 0.21%, 0.67%

LAB 66.67, 14.98, -1.34

 

CMYK 19 / 0 / 18 / 26

HEX #99BC9A

RGB 153 188 154

HSL 121.71, 0.21%, 0.67%

LAB 72.94, -18.43, 13.37

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 0 / 10 / 19 / 26

HEX #BCA999

RGB 188 169 153

HSL 27.43, 0.21%, 0.67%

LAB 70.43, 4.24, 10.75

 

CMYK 19 / 0 / 10 / 26

HEX #99BCA9

RGB 153 188 169

HSL 147.43, 0.21%, 0.67%

LAB 73.29, -15.61, 5.72

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 0 / 19 / 12 / 26

HEX #BC99A5

RGB 188 153 165

HSL 339.43, 0.21%, 0.67%

LAB 66.67, 14.98, -1.34

 

CMYK 9 / 0 / 19 / 26

HEX #ACBC99

RGB 172 188 153

HSL 87.43, 0.21%, 0.67%

LAB 74.21, -11.84, 15.89

 

CMYK 19 / 0 / 6 / 26

HEX #99BCB0

RGB 153 188 176

HSL 159.43, 0.21%, 0.67%

LAB 73.46, -14.21, 2.16

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 0 / 19 / 18 / 26

HEX #BC999A

RGB 188 153 154

HSL 358.29, 0.21%, 0.67%

LAB 66.37, 13.17, 4.39

 

CMYK 9 / 0 / 19 / 26

HEX #ACBC99

RGB 172 188 153

HSL 87.43, 0.21%, 0.67%

LAB 74.21, -11.84, 15.89

 

CMYK 19 / 0 / 1 / 26

HEX #99BCBA

RGB 153 188 186

HSL 176.57, 0.21%, 0.67%

LAB 73.73, -12.12, -2.9

 

Description

Color code: HEX #A999BC | qconv.com Color code: HEX #A999BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 153 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 153 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 19 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 19% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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