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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A99B36 it is the complementary color #5664C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A99B36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A99B36 shade: #AE9B31, #BFAD44, #D0BF57, #E1D16A and #F2E37D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A99B36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A99B36 shade: #A99B36, #988923, #877710, #766500 and #655300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A99B36 shade: #AA9C35, #AA7C35, #AA5D35, #AA3D35 and #AA3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A99B36 shade: #AA9C35, #99AA35, #79AA35, #5AAA35 and #3AAA35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A99B36 shade matches the following richer shades: #AA9C35, #BCAA23 and #CEB711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A99B36 shade: #AA9C35, #988E48, #86805A, #74736C and #61657E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A99B36 shade: #AA5C35, #AA7B35, #AA9A35, #9AAA35 and #7BAA35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A99B36 shade: #6B6222, #8B7F2B, #AA9C35, #C4B445 and #CEC164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A99B36 shade: #A99B36, #35AA3D and #6C35AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A99B36 shade: #A99B36, #35AA9A and #9A35AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A99B36 shade: #A99B36, #35AA3D, #3545AA and #AA35A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A99B36 shade: #A99B36, #35AA60, #3545AA and #AA357F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

Complementary color

CMYK 57 / 50 / 0 / 21

HEX #5664C9

RGB 86 100 201

HSL 232.7, 0.52%, 0.56%

LAB 46.06, 24.55, -54.4

 

CMYK 0 / 11 / 72 / 32

HEX #AE9B31

RGB 174 155 49

HSL 50.88, 0.56%, 0.44%

LAB 63.89, -4.93, 55.23

 

CMYK 0 / 9 / 64 / 25

HEX #BFAD44

RGB 191 173 68

HSL 51.22, 0.49%, 0.51%

LAB 70.44, -5.96, 54.55

 

CMYK 0 / 8 / 58 / 18

HEX #D0BF57

RGB 208 191 87

HSL 51.57, 0.56%, 0.58%

LAB 76.9, -6.82, 53.57

 

CMYK 0 / 7 / 53 / 12

HEX #E1D16A

RGB 225 209 106

HSL 51.93, 0.66%, 0.65%

LAB 83.26, -7.54, 52.45

 

CMYK 0 / 6 / 48 / 5

HEX #F2E37D

RGB 242 227 125

HSL 52.31, 0.82%, 0.72%

LAB 89.53, -8.15, 51.29

 

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

CMYK 0 / 10 / 77 / 40

HEX #988923

RGB 152 137 35

HSL 52.31, 0.63%, 0.37%

LAB 56.77, -5.75, 52.97

 

CMYK 0 / 12 / 88 / 47

HEX #877710

RGB 135 119 16

HSL 51.93, 0.79%, 0.3%

LAB 49.96, -4.35, 52.26

 

CMYK 0 / 14 / 100 / 54

HEX #766500

RGB 118 101 0

HSL 51.36, 1%, 0.23%

LAB 43, -2.62, 49.84

 

CMYK 0 / 18 / 100 / 60

HEX #655300

RGB 101 83 0

HSL 49.31, 1%, 0.2%

LAB 35.89, -0.44, 43.97

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 0 / 27 / 69 / 33

HEX #AA7C35

RGB 170 124 53

HSL 36.41, 0.52%, 0.44%

LAB 55.3, 10.58, 44.51

 

CMYK 0 / 45 / 69 / 33

HEX #AA5D35

RGB 170 93 53

HSL 20.51, 0.52%, 0.44%

LAB 47.79, 27.95, 36.22

 

CMYK 0 / 64 / 69 / 33

HEX #AA3D35

RGB 170 61 53

HSL 4.1, 0.52%, 0.44%

LAB 41.44, 44.2, 28.8

 

CMYK 0 / 69 / 69 / 33

HEX #AA3535

RGB 170 53 53

HSL 0, 0.52%, 0.44%

LAB 40.16, 47.65, 27.26

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 29 / 0 / 69 / 33

HEX #79AA35

RGB 121 170 53

HSL 85.13, 0.52%, 0.44%

LAB 64.22, -34.63, 52.68

 

CMYK 47 / 0 / 69 / 33

HEX #5AAA35

RGB 90 170 53

HSL 101.03, 0.52%, 0.44%

LAB 62.66, -45.5, 50.57

 

CMYK 66 / 0 / 69 / 33

HEX #3AAA35

RGB 58 170 53

HSL 117.44, 0.52%, 0.44%

LAB 61.57, -53.97, 49.09

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 0 / 10 / 81 / 26

HEX #BCAA23

RGB 188 170 35

HSL 52.94, 0.69%, 0.44%

LAB 69.16, -7.25, 65.35

 

CMYK 0 / 11 / 92 / 19

HEX #CEB711

RGB 206 183 17

HSL 52.7, 0.85%, 0.44%

LAB 74.21, -6.52, 74.03

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 0 / 7 / 53 / 40

HEX #988E48

RGB 152 142 72

HSL 52.5, 0.36%, 0.44%

LAB 58.5, -6, 38.24

 

CMYK 0 / 4 / 33 / 47

HEX #86805A

RGB 134 128 90

HSL 51.82, 0.2%, 0.44%

LAB 53.22, -3.98, 21.49

 

CMYK 0 / 1 / 7 / 55

HEX #74736C

RGB 116 115 108

HSL 52.5, 0.04%, 0.44%

LAB 48.33, -0.99, 4

 

CMYK 23 / 20 / 0 / 51

HEX #61657E

RGB 97 101 126

HSL 231.72, 0.13%, 0.44%

LAB 43.29, 4.33, -14.44

 

CMYK 0 / 46 / 69 / 33

HEX #AA5C35

RGB 170 92 53

HSL 20, 0.52%, 0.44%

LAB 47.57, 28.49, 35.96

 

CMYK 0 / 28 / 69 / 33

HEX #AA7B35

RGB 170 123 53

HSL 35.9, 0.52%, 0.44%

LAB 55.04, 11.15, 44.24

 

CMYK 0 / 9 / 69 / 33

HEX #AA9A35

RGB 170 154 53

HSL 51.79, 0.52%, 0.44%

LAB 63.27, -5.95, 52.87

 

CMYK 9 / 0 / 69 / 33

HEX #9AAA35

RGB 154 170 53

HSL 68.21, 0.52%, 0.44%

LAB 66.43, -21.23, 55.64

 

CMYK 28 / 0 / 69 / 33

HEX #7BAA35

RGB 123 170 53

HSL 84.1, 0.52%, 0.44%

LAB 64.34, -33.86, 52.84

 

CMYK 0 / 8 / 68 / 58

HEX #6B6222

RGB 107 98 34

HSL 52.6, 0.52%, 0.28%

LAB 41.18, -4.89, 36.48

 

CMYK 0 / 9 / 69 / 45

HEX #8B7F2B

RGB 139 127 43

HSL 52.5, 0.53%, 0.36%

LAB 52.78, -5.78, 45.44

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 0 / 8 / 65 / 23

HEX #C4B445

RGB 196 180 69

HSL 52.44, 0.52%, 0.52%

LAB 72.77, -7.41, 56.72

 

CMYK 0 / 6 / 51 / 19

HEX #CEC164

RGB 206 193 100

HSL 52.64, 0.52%, 0.6%

LAB 77.39, -7.65, 47.97

 

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

CMYK 69 / 0 / 64 / 33

HEX #35AA3D

RGB 53 170 61

HSL 124.1, 0.52%, 0.44%

LAB 61.52, -54.17, 45.59

 

CMYK 36 / 69 / 0 / 33

HEX #6C35AA

RGB 108 53 170

HSL 268.21, 0.52%, 0.44%

LAB 35.28, 47.45, -53.54

 

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

CMYK 69 / 0 / 9 / 33

HEX #35AA9A

RGB 53 170 154

HSL 171.79, 0.52%, 0.44%

LAB 63.21, -35.94, -1.18

 

CMYK 9 / 69 / 0 / 33

HEX #9A35AA

RGB 154 53 170

HSL 291.79, 0.52%, 0.44%

LAB 41.72, 57.54, -42.83

 

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

CMYK 69 / 0 / 64 / 33

HEX #35AA3D

RGB 53 170 61

HSL 124.1, 0.52%, 0.44%

LAB 61.52, -54.17, 45.59

 

CMYK 69 / 59 / 0 / 33

HEX #3545AA

RGB 53 69 170

HSL 231.79, 0.52%, 0.44%

LAB 33.81, 27.88, -56.15

 

CMYK 0 / 69 / 5 / 33

HEX #AA35A2

RGB 170 53 162

HSL 304.1, 0.52%, 0.44%

LAB 43.8, 59.89, -34.6

 

CMYK 0 / 8 / 68 / 34

HEX #A99B36

RGB 169 155 54

HSL 52.7, 0.52%, 0.44%

LAB 63.46, -6.87, 52.62

 

CMYK 69 / 0 / 44 / 33

HEX #35AA60

RGB 53 170 96

HSL 142.05, 0.52%, 0.44%

LAB 61.96, -49.13, 28.91

 

CMYK 69 / 59 / 0 / 33

HEX #3545AA

RGB 53 69 170

HSL 231.79, 0.52%, 0.44%

LAB 33.81, 27.88, -56.15

 

CMYK 0 / 69 / 25 / 33

HEX #AA357F

RGB 170 53 127

HSL 322.05, 0.52%, 0.44%

LAB 42.19, 54.68, -15.9

 

Description

Color code: HEX #A99B36 | qconv.com Color code: HEX #A99B36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 155 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 155 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 68 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 68% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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