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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A99CF5 it is the complementary color #56630A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A99CF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A99CF5 shade: #AE9CF0, #BFAEFF, #D0C0FF, #E1D2FF and #F2E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A99CF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A99CF5 shade: #A99CF5, #988AE2, #8778CF, #7666BC and #6554A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A99CF5 shade: #AA9DF5, #C29DF5, #D99DF5, #F19DF5 and #F59DE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A99CF5 shade: #AA9DF5 and #9D9DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A99CF5 shade matches the following richer shades: #AA9DF5 and #A494FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A99CF5 shade: #AA9DF5, #B0A6EC, #B6AEE4, #BCB7DB and #C2C0D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A99CF5 shade: #9DC0F5, #9DA9F5, #A99DF5, #C09DF5 and #D89DF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A99CF5 shade: #6952ED, #8977F1, #AA9DF5, #CAC3F9 and #EBE8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A99CF5 shade: #A99CF5, #F59DD8 and #B4F59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A99CF5 shade: #A99CF5, #F5A99D and #9DF5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A99CF5 shade: #A99CF5, #F59DD8, #E9F59D and #9DF5BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A99CF5 shade: #A99CF5, #F59DBD, #E9F59D and #9DF5D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

Complementary color

CMYK 13 / 0 / 90 / 61

HEX #56630A

RGB 86 99 10

HSL 68.76, 0.82%, 0.21%

LAB 39.45, -16.71, 43.23

 

CMYK 28 / 35 / 0 / 6

HEX #AE9CF0

RGB 174 156 240

HSL 252.86, 0.74%, 0.78%

LAB 68.8, 24.39, -39.81

 

CMYK 25 / 32 / 0 / 0

HEX #BFAEFF

RGB 191 174 255

HSL 252.59, 1%, 0.84%

LAB 75.18, 22.8, -37.91

 

CMYK 18 / 25 / 0 / 0

HEX #D0C0FF

RGB 208 192 255

HSL 255.24, 1%, 0.88%

LAB 80.92, 17.98, -28.94

 

CMYK 12 / 18 / 0 / 0

HEX #E1D2FF

RGB 225 210 255

HSL 260, 1%, 0.91%

LAB 86.66, 13.59, -20.08

 

CMYK 5 / 11 / 0 / 0

HEX #F2E4FF

RGB 242 228 255

HSL 271.11, 1%, 0.95%

LAB 92.39, 9.58, -11.35

 

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

CMYK 33 / 39 / 0 / 11

HEX #988AE2

RGB 152 138 226

HSL 249.55, 0.6%, 0.71%

LAB 61.95, 24.99, -42.96

 

CMYK 35 / 42 / 0 / 19

HEX #8778CF

RGB 135 120 207

HSL 250.34, 0.48%, 0.64%

LAB 55.16, 25.84, -43.09

 

CMYK 37 / 46 / 0 / 26

HEX #7666BC

RGB 118 102 188

HSL 251.16, 0.39%, 0.57%

LAB 48.24, 26.8, -43.26

 

CMYK 40 / 50 / 0 / 34

HEX #6554A9

RGB 101 84 169

HSL 252, 0.34%, 0.5%

LAB 41.17, 27.9, -43.49

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 21 / 36 / 0 / 4

HEX #C29DF5

RGB 194 157 245

HSL 265.23, 0.81%, 0.79%

LAB 70.99, 30.77, -38.99

 

CMYK 11 / 36 / 0 / 4

HEX #D99DF5

RGB 217 157 245

HSL 280.91, 0.81%, 0.79%

LAB 73.19, 37.57, -35.4

 

CMYK 2 / 36 / 0 / 4

HEX #F19DF5

RGB 241 157 245

HSL 297.27, 0.81%, 0.79%

LAB 75.7, 44.82, -31.31

 

CMYK 0 / 36 / 8 / 4

HEX #F59DE1

RGB 245 157 225

HSL 313.64, 0.81%, 0.79%

LAB 75.43, 42.56, -20.82

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 36 / 36 / 0 / 4

HEX #9D9DF5

RGB 157 157 245

HSL 240, 0.81%, 0.79%

LAB 67.93, 20.41, -44

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 35 / 42 / 0 / 0

HEX #A494FE

RGB 164 148 254

HSL 249.06, 0.98%, 0.79%

LAB 66.69, 29.73, -50.82

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 25 / 30 / 0 / 7

HEX #B0A6EC

RGB 176 166 236

HSL 248.57, 0.65%, 0.79%

LAB 71.25, 18.39, -33.8

 

CMYK 20 / 24 / 0 / 11

HEX #B6AEE4

RGB 182 174 228

HSL 248.89, 0.5%, 0.79%

LAB 73.43, 13.9, -26.05

 

CMYK 14 / 16 / 0 / 14

HEX #BCB7DB

RGB 188 183 219

HSL 248.33, 0.33%, 0.79%

LAB 75.87, 8.88, -17.41

 

CMYK 8 / 9 / 0 / 18

HEX #C2C0D2

RGB 194 192 210

HSL 246.67, 0.17%, 0.79%

LAB 78.36, 4.13, -8.75

 

CMYK 36 / 22 / 0 / 4

HEX #9DC0F5

RGB 157 192 245

HSL 216.14, 0.81%, 0.79%

LAB 76.96, 0.88, -29.98

 

CMYK 36 / 31 / 0 / 4

HEX #9DA9F5

RGB 157 169 245

HSL 231.82, 0.81%, 0.79%

LAB 70.97, 13.62, -39.25

 

CMYK 31 / 36 / 0 / 4

HEX #A99DF5

RGB 169 157 245

HSL 248.18, 0.81%, 0.79%

LAB 68.85, 23.66, -42.49

 

CMYK 22 / 36 / 0 / 4

HEX #C09DF5

RGB 192 157 245

HSL 263.86, 0.81%, 0.79%

LAB 70.81, 30.19, -39.28

 

CMYK 12 / 36 / 0 / 4

HEX #D89DF5

RGB 216 157 245

HSL 280.23, 0.81%, 0.79%

LAB 73.09, 37.27, -35.56

 

CMYK 56 / 65 / 0 / 7

HEX #6952ED

RGB 105 82 237

HSL 248.9, 0.81%, 0.63%

LAB 45.84, 50.03, -75.17

 

CMYK 43 / 51 / 0 / 5

HEX #8977F1

RGB 137 119 241

HSL 248.85, 0.81%, 0.71%

LAB 56.94, 36.27, -59.32

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 19 / 22 / 0 / 2

HEX #CAC3F9

RGB 202 195 249

HSL 247.78, 0.82%, 0.87%

LAB 80.98, 13.22, -25.7

 

CMYK 7 / 8 / 0 / 1

HEX #EBE8FC

RGB 235 232 252

HSL 249, 0.77%, 0.95%

LAB 92.75, 4.67, -9.3

 

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

CMYK 0 / 36 / 12 / 4

HEX #F59DD8

RGB 245 157 216

HSL 319.77, 0.81%, 0.79%

LAB 75.13, 41.08, -16.35

 

CMYK 27 / 0 / 36 / 4

HEX #B4F59D

RGB 180 245 157

HSL 104.32, 0.81%, 0.79%

LAB 90.52, -36.13, 36.01

 

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

CMYK 0 / 31 / 36 / 4

HEX #F5A99D

RGB 245 169 157

HSL 8.18, 0.81%, 0.79%

LAB 76.21, 26.49, 17.5

 

CMYK 36 / 0 / 31 / 4

HEX #9DF5A9

RGB 157 245 169

HSL 128.18, 0.81%, 0.79%

LAB 89.55, -41.57, 28.46

 

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

CMYK 0 / 36 / 12 / 4

HEX #F59DD8

RGB 245 157 216

HSL 319.77, 0.81%, 0.79%

LAB 75.13, 41.08, -16.35

 

CMYK 5 / 0 / 36 / 4

HEX #E9F59D

RGB 233 245 157

HSL 68.18, 0.81%, 0.79%

LAB 93.91, -17.24, 41.07

 

CMYK 36 / 0 / 24 / 4

HEX #9DF5BA

RGB 157 245 186

HSL 139.77, 0.81%, 0.79%

LAB 89.87, -38.61, 20.21

 

CMYK 31 / 36 / 0 / 4

HEX #A99CF5

RGB 169 156 245

HSL 248.76, 0.82%, 0.79%

LAB 68.61, 24.23, -42.87

 

CMYK 0 / 36 / 23 / 4

HEX #F59DBD

RGB 245 157 189

HSL 338.18, 0.81%, 0.79%

LAB 74.32, 36.98, -2.74

 

CMYK 5 / 0 / 36 / 4

HEX #E9F59D

RGB 233 245 157

HSL 68.18, 0.81%, 0.79%

LAB 93.91, -17.24, 41.07

 

CMYK 36 / 0 / 13 / 4

HEX #9DF5D5

RGB 157 245 213

HSL 158.18, 0.81%, 0.79%

LAB 90.45, -33.36, 7.08

 

Description

Color code: HEX #A99CF5 | qconv.com Color code: HEX #A99CF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 156 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 156 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 36 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 36% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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