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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9B10A it is the complementary color #564EF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9B10A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9B10A shade: #AEB105, #BFC318, #D0D52B, #E1E73E and #F2F951

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9B10A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9B10A shade: #A9B10A, #989F00, #878D00, #767B00 and #656900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9B10A shade: #AAB20A, #B28D0A, #B25F0A, #B2320A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9B10A shade: #AAB20A, #7CB20A, #4FB20A, #22B20A and #0AB21F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9B10A shade matches the following richer shades: #AAB20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9B10A shade: #AAB20A, #9CA319, #8E9328, #808438 and #737547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9B10A shade: #B25E0A, #B28B0A, #ACB20A, #7FB20A and #53B20A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9B10A shade: #5F6405, #858B08, #AAB20A, #CFD90C and #E7F11D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9B10A shade: #A9B10A, #0AB231 and #740AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9B10A shade: #A9B10A, #0AACB2 and #B20AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9B10A shade: #A9B10A, #0AB231, #0F0AB2 and #B20A8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9B10A shade: #A9B10A, #0AB263, #0F0AB2 and #B20A58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

Complementary color

CMYK 65 / 68 / 0 / 4

HEX #564EF5

RGB 86 78 245

HSL 242.87, 0.89%, 0.63%

LAB 44.26, 52.03, -82.31

 

CMYK 2 / 0 / 97 / 31

HEX #AEB105

RGB 174 177 5

HSL 61.05, 0.95%, 0.36%

LAB 69.79, -17.64, 70.96

 

CMYK 2 / 0 / 88 / 24

HEX #BFC318

RGB 191 195 24

HSL 61.4, 0.78%, 0.43%

LAB 76.18, -19.01, 73.85

 

CMYK 2 / 0 / 80 / 16

HEX #D0D52B

RGB 208 213 43

HSL 61.76, 0.67%, 0.5%

LAB 82.47, -20.17, 75.39

 

CMYK 3 / 0 / 73 / 9

HEX #E1E73E

RGB 225 231 62

HSL 62.13, 0.78%, 0.57%

LAB 88.69, -21.15, 75.94

 

CMYK 3 / 0 / 67 / 2

HEX #F2F951

RGB 242 249 81

HSL 62.5, 0.93%, 0.65%

LAB 94.83, -21.98, 75.86

 

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

CMYK 4 / 0 / 100 / 38

HEX #989F00

RGB 152 159 0

HSL 62.64, 1%, 0.31%

LAB 62.9, -18.27, 65.69

 

CMYK 4 / 0 / 100 / 45

HEX #878D00

RGB 135 141 0

HSL 62.55, 1%, 0.28%

LAB 56.29, -16.61, 60.19

 

CMYK 4 / 0 / 100 / 52

HEX #767B00

RGB 118 123 0

HSL 62.44, 1%, 0.24%

LAB 49.52, -14.9, 54.56

 

CMYK 4 / 0 / 100 / 59

HEX #656900

RGB 101 105 0

HSL 62.29, 1%, 0.21%

LAB 42.57, -13.15, 48.78

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 0 / 21 / 94 / 30

HEX #B28D0A

RGB 178 141 10

HSL 46.79, 0.89%, 0.37%

LAB 60.37, 3.27, 63.45

 

CMYK 0 / 47 / 94 / 30

HEX #B25F0A

RGB 178 95 10

HSL 30.36, 0.89%, 0.37%

LAB 49.09, 28.75, 55.3

 

CMYK 0 / 72 / 94 / 30

HEX #B2320A

RGB 178 50 10

HSL 14.29, 0.89%, 0.37%

LAB 40.85, 50.15, 49.77

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 30 / 0 / 94 / 30

HEX #7CB20A

RGB 124 178 10

HSL 79.29, 0.89%, 0.37%

LAB 66.63, -38.89, 66.43

 

CMYK 56 / 0 / 94 / 30

HEX #4FB20A

RGB 79 178 10

HSL 95.36, 0.89%, 0.37%

LAB 64.58, -53.97, 63.92

 

CMYK 81 / 0 / 94 / 30

HEX #22B20A

RGB 34 178 10

HSL 111.43, 0.89%, 0.37%

LAB 63.51, -63.03, 62.59

 

CMYK 94 / 0 / 83 / 30

HEX #0AB21F

RGB 10 178 31

HSL 127.5, 0.89%, 0.37%

LAB 63.35, -64.26, 58.18

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 4 / 0 / 85 / 36

HEX #9CA319

RGB 156 163 25

HSL 63.04, 0.73%, 0.37%

LAB 64.43, -18.06, 62.85

 

CMYK 3 / 0 / 73 / 42

HEX #8E9328

RGB 142 147 40

HSL 62.8, 0.57%, 0.37%

LAB 58.76, -15.39, 52.72

 

CMYK 3 / 0 / 58 / 48

HEX #808438

RGB 128 132 56

HSL 63.16, 0.4%, 0.37%

LAB 53.36, -12.54, 39.75

 

CMYK 2 / 0 / 39 / 54

HEX #737547

RGB 115 117 71

HSL 62.61, 0.24%, 0.37%

LAB 48.04, -8.43, 25.13

 

CMYK 0 / 47 / 94 / 30

HEX #B25E0A

RGB 178 94 10

HSL 30, 0.89%, 0.37%

LAB 48.87, 29.29, 55.14

 

CMYK 0 / 22 / 94 / 30

HEX #B28B0A

RGB 178 139 10

HSL 46.07, 0.89%, 0.37%

LAB 59.85, 4.37, 63.06

 

CMYK 3 / 0 / 94 / 30

HEX #ACB20A

RGB 172 178 10

HSL 62.14, 0.89%, 0.37%

LAB 69.92, -18.96, 70.41

 

CMYK 29 / 0 / 94 / 30

HEX #7FB20A

RGB 127 178 10

HSL 78.21, 0.89%, 0.37%

LAB 66.81, -37.73, 66.64

 

CMYK 53 / 0 / 94 / 30

HEX #53B20A

RGB 83 178 10

HSL 93.93, 0.89%, 0.37%

LAB 64.73, -52.84, 64.09

 

CMYK 5 / 0 / 95 / 61

HEX #5F6405

RGB 95 100 5

HSL 63.16, 0.9%, 0.21%

LAB 40.51, -13.12, 45.69

 

CMYK 4 / 0 / 94 / 45

HEX #858B08

RGB 133 139 8

HSL 62.75, 0.89%, 0.29%

LAB 55.55, -16.32, 58.23

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 5 / 0 / 94 / 15

HEX #CFD90C

RGB 207 217 12

HSL 62.93, 0.9%, 0.45%

LAB 83.4, -23.18, 81.67

 

CMYK 4 / 0 / 88 / 5

HEX #E7F11D

RGB 231 241 29

HSL 62.83, 0.88%, 0.53%

LAB 91.68, -24.45, 86.68

 

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

CMYK 94 / 0 / 72 / 30

HEX #0AB231

RGB 10 178 49

HSL 133.93, 0.89%, 0.37%

LAB 63.45, -62.96, 52.41

 

CMYK 35 / 94 / 0 / 30

HEX #740AB2

RGB 116 10 178

HSL 277.86, 0.89%, 0.37%

LAB 32.13, 64.8, -63.39

 

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

CMYK 94 / 3 / 0 / 30

HEX #0AACB2

RGB 10 172 178

HSL 182.14, 0.89%, 0.37%

LAB 63.99, -33.58, -13.5

 

CMYK 0 / 94 / 3 / 30

HEX #B20AAC

RGB 178 10 172

HSL 302.14, 0.89%, 0.37%

LAB 42.25, 73.15, -42.94

 

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

CMYK 94 / 0 / 72 / 30

HEX #0AB231

RGB 10 178 49

HSL 133.93, 0.89%, 0.37%

LAB 63.45, -62.96, 52.41

 

CMYK 92 / 94 / 0 / 30

HEX #0F0AB2

RGB 15 10 178

HSL 241.79, 0.89%, 0.37%

LAB 22.06, 58.13, -80.38

 

CMYK 0 / 94 / 22 / 30

HEX #B20A8B

RGB 178 10 139

HSL 313.93, 0.89%, 0.37%

LAB 40.49, 68.69, -25.79

 

CMYK 5 / 0 / 94 / 31

HEX #A9B10A

RGB 169 177 10

HSL 62.87, 0.89%, 0.37%

LAB 69.4, -19.76, 69.91

 

CMYK 94 / 0 / 44 / 30

HEX #0AB263

RGB 10 178 99

HSL 151.79, 0.89%, 0.37%

LAB 64, -56.14, 29.88

 

CMYK 92 / 94 / 0 / 30

HEX #0F0AB2

RGB 15 10 178

HSL 241.79, 0.89%, 0.37%

LAB 22.06, 58.13, -80.38

 

CMYK 0 / 94 / 51 / 30

HEX #B20A58

RGB 178 10 88

HSL 332.14, 0.89%, 0.37%

LAB 38.53, 63.5, 3.27

 

Description

Color code: HEX #A9B10A | qconv.com Color code: HEX #A9B10A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 177 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 177 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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