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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9B162 it is the complementary color #564E9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9B162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9B162 shade: #AEB15D, #BFC370, #D0D583, #E1E796 and #F2F9A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9B162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9B162 shade: #A9B162, #989F4F, #878D3C, #767B29 and #656916

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9B162 shade: #A9B161, #B1A461, #B18E61, #B17961 and #B16361

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9B162 shade: #A9B161, #93B161, #7EB161, #68B161 and #61B170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9B162 shade matches the following richer shades: #A9B161, #B8C44E, #C7D73B, #D6EA28 and #E6FD15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9B162 shade: #A9B161, #9A9E74, #8B8B87, #7C789A and #6C65AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9B162 shade: #B18F61, #B1A461, #A9B161, #94B161 and #7FB161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9B162 shade: #7A813F, #949C4D, #A9B161, #B8BF7D and #C7CC99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9B162 shade: #A9B162, #61B179 and #9961B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9B162 shade: #A9B162, #61A9B1 and #B161A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9B162 shade: #A9B162, #61B179, #6961B1 and #B16199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9B162 shade: #A9B162, #61B191, #6961B1 and #B16181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

Complementary color

CMYK 45 / 50 / 0 / 38

HEX #564E9D

RGB 86 78 157

HSL 246.08, 0.34%, 0.46%

LAB 37.59, 24.27, -42.12

 

CMYK 2 / 0 / 47 / 31

HEX #AEB15D

RGB 174 177 93

HSL 62.14, 0.35%, 0.53%

LAB 70.34, -13.25, 42.31

 

CMYK 2 / 0 / 43 / 24

HEX #BFC370

RGB 191 195 112

HSL 62.89, 0.41%, 0.6%

LAB 76.85, -13.63, 41.12

 

CMYK 2 / 0 / 38 / 16

HEX #D0D583

RGB 208 213 131

HSL 63.66, 0.49%, 0.67%

LAB 83.25, -13.94, 39.95

 

CMYK 3 / 0 / 35 / 9

HEX #E1E796

RGB 225 231 150

HSL 64.44, 0.63%, 0.75%

LAB 89.56, -14.19, 38.8

 

CMYK 3 / 0 / 32 / 2

HEX #F2F9A9

RGB 242 249 169

HSL 65.25, 0.87%, 0.82%

LAB 95.79, -14.41, 37.7

 

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

CMYK 4 / 0 / 50 / 38

HEX #989F4F

RGB 152 159 79

HSL 65.25, 0.34%, 0.47%

LAB 63.37, -14.42, 40.51

 

CMYK 4 / 0 / 57 / 45

HEX #878D3C

RGB 135 141 60

HSL 64.44, 0.4%, 0.39%

LAB 56.61, -13.95, 41.64

 

CMYK 4 / 0 / 67 / 52

HEX #767B29

RGB 118 123 41

HSL 63.66, 0.5%, 0.32%

LAB 49.71, -13.31, 42.55

 

CMYK 4 / 0 / 79 / 59

HEX #656916

RGB 101 105 22

HSL 62.89, 0.65%, 0.25%

LAB 42.65, -12.43, 42.82

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 0 / 7 / 45 / 31

HEX #B1A461

RGB 177 164 97

HSL 50.25, 0.34%, 0.54%

LAB 67.1, -4.76, 36.35

 

CMYK 0 / 20 / 45 / 31

HEX #B18E61

RGB 177 142 97

HSL 33.75, 0.34%, 0.54%

LAB 61.27, 7.23, 28.94

 

CMYK 0 / 32 / 45 / 31

HEX #B17961

RGB 177 121 97

HSL 18, 0.34%, 0.54%

LAB 55.97, 18.97, 21.98

 

CMYK 0 / 44 / 45 / 31

HEX #B16361

RGB 177 99 97

HSL 1.5, 0.34%, 0.54%

LAB 50.84, 31.17, 15.03

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 17 / 0 / 45 / 31

HEX #93B161

RGB 147 177 97

HSL 82.5, 0.34%, 0.54%

LAB 68.4, -23.67, 37.47

 

CMYK 29 / 0 / 45 / 31

HEX #7EB161

RGB 126 177 97

HSL 98.25, 0.34%, 0.54%

LAB 67.08, -31.54, 35.54

 

CMYK 41 / 0 / 45 / 31

HEX #68B161

RGB 104 177 97

HSL 114.75, 0.34%, 0.54%

LAB 65.94, -38.99, 33.86

 

CMYK 45 / 0 / 37 / 31

HEX #61B170

RGB 97 177 112

HSL 131.25, 0.34%, 0.54%

LAB 65.87, -38.73, 25.84

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 6 / 0 / 60 / 23

HEX #B8C44E

RGB 184 196 78

HSL 66.1, 0.5%, 0.54%

LAB 76.2, -20, 56.26

 

CMYK 7 / 0 / 73 / 16

HEX #C7D73B

RGB 199 215 59

HSL 66.15, 0.66%, 0.54%

LAB 82.41, -24.24, 70.29

 

CMYK 9 / 0 / 83 / 8

HEX #D6EA28

RGB 214 234 40

HSL 66.19, 0.82%, 0.54%

LAB 88.59, -27.84, 81.53

 

CMYK 9 / 0 / 92 / 1

HEX #E6FD15

RGB 230 253 21

HSL 65.95, 0.98%, 0.54%

LAB 94.79, -30.6, 90.2

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 3 / 0 / 27 / 38

HEX #9A9E74

RGB 154 158 116

HSL 65.71, 0.18%, 0.54%

LAB 63.82, -8.6, 21.53

 

CMYK 0 / 0 / 3 / 45

HEX #8B8B87

RGB 139 139 135

HSL 60, 0.02%, 0.54%

LAB 57.75, -0.77, 2.13

 

CMYK 19 / 22 / 0 / 40

HEX #7C789A

RGB 124 120 154

HSL 247.06, 0.14%, 0.54%

LAB 51.89, 8.95, -17.75

 

CMYK 38 / 42 / 0 / 32

HEX #6C65AD

RGB 108 101 173

HSL 245.83, 0.31%, 0.54%

LAB 46.33, 20.49, -37.62

 

CMYK 0 / 19 / 45 / 31

HEX #B18F61

RGB 177 143 97

HSL 34.5, 0.34%, 0.54%

LAB 61.53, 6.68, 29.28

 

CMYK 0 / 7 / 45 / 31

HEX #B1A461

RGB 177 164 97

HSL 50.25, 0.34%, 0.54%

LAB 67.1, -4.76, 36.35

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 16 / 0 / 45 / 31

HEX #94B161

RGB 148 177 97

HSL 81.75, 0.34%, 0.54%

LAB 68.46, -23.28, 37.56

 

CMYK 28 / 0 / 45 / 31

HEX #7FB161

RGB 127 177 97

HSL 97.5, 0.34%, 0.54%

LAB 67.14, -31.18, 35.63

 

CMYK 5 / 0 / 51 / 49

HEX #7A813F

RGB 122 129 63

HSL 66.36, 0.34%, 0.38%

LAB 52.06, -12.9, 34.58

 

CMYK 5 / 0 / 51 / 39

HEX #949C4D

RGB 148 156 77

HSL 66.08, 0.34%, 0.46%

LAB 62.18, -14.73, 40.01

 

CMYK 5 / 0 / 45 / 31

HEX #A9B161

RGB 169 177 97

HSL 66, 0.34%, 0.54%

LAB 70, -14.89, 39.8

 

CMYK 4 / 0 / 35 / 25

HEX #B8BF7D

RGB 184 191 125

HSL 66.36, 0.34%, 0.62%

LAB 75.41, -12.87, 32.53

 

CMYK 2 / 0 / 25 / 20

HEX #C7CC99

RGB 199 204 153

HSL 65.88, 0.33%, 0.7%

LAB 80.53, -10.06, 24.91

 

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

CMYK 45 / 0 / 32 / 31

HEX #61B179

RGB 97 177 121

HSL 138, 0.34%, 0.54%

LAB 66.03, -37.11, 21.22

 

CMYK 14 / 45 / 0 / 31

HEX #9961B1

RGB 153 97 177

HSL 282, 0.34%, 0.54%

LAB 50.09, 36.96, -33.72

 

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

CMYK 45 / 5 / 0 / 31

HEX #61A9B1

RGB 97 169 177

HSL 186, 0.34%, 0.54%

LAB 65.04, -20.39, -11.17

 

CMYK 0 / 45 / 5 / 31

HEX #B161A9

RGB 177 97 169

HSL 306, 0.34%, 0.54%

LAB 52.69, 42.72, -24.8

 

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

CMYK 45 / 0 / 32 / 31

HEX #61B179

RGB 97 177 121

HSL 138, 0.34%, 0.54%

LAB 66.03, -37.11, 21.22

 

CMYK 41 / 45 / 0 / 31

HEX #6961B1

RGB 105 97 177

HSL 246, 0.34%, 0.54%

LAB 45.26, 23.28, -41.67

 

CMYK 0 / 45 / 14 / 31

HEX #B16199

RGB 177 97 153

HSL 318, 0.34%, 0.54%

LAB 52.06, 39.95, -16.39

 

CMYK 5 / 0 / 45 / 31

HEX #A9B162

RGB 169 177 98

HSL 66.08, 0.34%, 0.54%

LAB 70.01, -14.79, 39.31

 

CMYK 45 / 0 / 18 / 31

HEX #61B191

RGB 97 177 145

HSL 156, 0.34%, 0.54%

LAB 66.54, -32.2, 8.81

 

CMYK 41 / 45 / 0 / 31

HEX #6961B1

RGB 105 97 177

HSL 246, 0.34%, 0.54%

LAB 45.26, 23.28, -41.67

 

CMYK 0 / 45 / 27 / 31

HEX #B16181

RGB 177 97 129

HSL 336, 0.34%, 0.54%

LAB 51.25, 36.25, -3.41

 

Description

Color code: HEX #A9B162 | qconv.com Color code: HEX #A9B162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 177 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 177 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 45 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 45% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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