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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9BA58 it is the complementary color #5645A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9BA58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9BA58 shade: #AEBA53, #BFCC66, #D0DE79, #E1F08C and #F2FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9BA58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9BA58 shade: #A9BA58, #98A845, #879632, #76841F and #65720C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9BA58 shade: #A9BA58, #BAB158, #BA9658, #BA7C58 and #BA6158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9BA58 shade: #A9BA58, #8FBA58, #74BA58, #5ABA58 and #58BA71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9BA58 shade matches the following richer shades: #A9BA58, #B6CD45, #C2E032 and #CFF31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9BA58 shade: #A9BA58, #9DA76B, #91957E, #848291 and #786FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9BA58 shade: #BA9658, #BAB158, #AABA58, #90BA58 and #75BA58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9BA58 shade: #7A8837, #95A643, #A9BA58, #B8C675 and #C7D293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9BA58 shade: #A9BA58, #58BA7C and #A358BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9BA58 shade: #A9BA58, #58AABA and #BA58AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9BA58 shade: #A9BA58, #58BA7C, #6858BA and #BA5896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9BA58 shade: #A9BA58, #58BA9A, #6858BA and #BA5879

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

Complementary color

CMYK 49 / 59 / 0 / 35

HEX #5645A7

RGB 86 69 167

HSL 250.41, 0.42%, 0.46%

LAB 36.03, 32.95, -50.63

 

CMYK 6 / 0 / 55 / 27

HEX #AEBA53

RGB 174 186 83

HSL 66.99, 0.43%, 0.53%

LAB 72.72, -18.74, 49.92

 

CMYK 6 / 0 / 50 / 20

HEX #BFCC66

RGB 191 204 102

HSL 67.65, 0.5%, 0.6%

LAB 79.17, -19.14, 48.84

 

CMYK 6 / 0 / 45 / 13

HEX #D0DE79

RGB 208 222 121

HSL 68.32, 0.6%, 0.67%

LAB 85.52, -19.46, 47.7

 

CMYK 6 / 0 / 42 / 6

HEX #E1F08C

RGB 225 240 140

HSL 69, 0.77%, 0.75%

LAB 91.78, -19.72, 46.56

 

CMYK 5 / 0 / 38 / 0

HEX #F2FF9F

RGB 242 255 159

HSL 68.13, 1%, 0.81%

LAB 97.19, -18.49, 44.44

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 10 / 0 / 59 / 34

HEX #98A845

RGB 152 168 69

HSL 69.7, 0.42%, 0.46%

LAB 65.83, -19.94, 48.14

 

CMYK 10 / 0 / 67 / 41

HEX #879632

RGB 135 150 50

HSL 69, 0.5%, 0.39%

LAB 59.15, -19.41, 48.94

 

CMYK 11 / 0 / 77 / 48

HEX #76841F

RGB 118 132 31

HSL 68.32, 0.62%, 0.32%

LAB 52.35, -18.69, 49.19

 

CMYK 11 / 0 / 89 / 55

HEX #65720C

RGB 101 114 12

HSL 67.65, 0.81%, 0.25%

LAB 45.4, -17.7, 48.22

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 0 / 5 / 53 / 27

HEX #BAB158

RGB 186 177 88

HSL 54.49, 0.42%, 0.54%

LAB 71.27, -8.7, 46.13

 

CMYK 0 / 19 / 53 / 27

HEX #BA9658

RGB 186 150 88

HSL 37.96, 0.42%, 0.54%

LAB 64.13, 5.76, 37.54

 

CMYK 0 / 33 / 53 / 27

HEX #BA7C58

RGB 186 124 88

HSL 22.04, 0.42%, 0.54%

LAB 57.62, 20.14, 29.4

 

CMYK 0 / 48 / 53 / 27

HEX #BA6158

RGB 186 97 88

HSL 5.51, 0.42%, 0.54%

LAB 51.49, 34.86, 21.42

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 23 / 0 / 53 / 27

HEX #8FBA58

RGB 143 186 88

HSL 86.33, 0.42%, 0.54%

LAB 70.64, -30.57, 44.59

 

CMYK 38 / 0 / 53 / 27

HEX #74BA58

RGB 116 186 88

HSL 102.86, 0.42%, 0.54%

LAB 69.14, -40.24, 42.44

 

CMYK 52 / 0 / 53 / 27

HEX #5ABA58

RGB 90 186 88

HSL 118.78, 0.42%, 0.54%

LAB 68.02, -48.16, 40.82

 

CMYK 53 / 0 / 39 / 27

HEX #58BA71

RGB 88 186 113

HSL 135.31, 0.42%, 0.54%

LAB 68.3, -44.89, 28.46

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 11 / 0 / 66 / 20

HEX #B6CD45

RGB 182 205 69

HSL 70.15, 0.58%, 0.54%

LAB 78.48, -25.82, 62.35

 

CMYK 13 / 0 / 78 / 12

HEX #C2E032

RGB 194 224 50

HSL 70.34, 0.74%, 0.54%

LAB 84.49, -30.92, 74.88

 

CMYK 15 / 0 / 87 / 5

HEX #CFF31F

RGB 207 243 31

HSL 70.19, 0.9%, 0.54%

LAB 90.54, -35.03, 84.72

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 6 / 0 / 36 / 35

HEX #9DA76B

RGB 157 167 107

HSL 70, 0.25%, 0.54%

LAB 66.42, -13.4, 29.89

 

CMYK 3 / 0 / 15 / 42

HEX #91957E

RGB 145 149 126

HSL 70.43, 0.1%, 0.54%

LAB 60.8, -5.67, 11.67

 

CMYK 9 / 10 / 0 / 43

HEX #848291

RGB 132 130 145

HSL 248, 0.06%, 0.54%

LAB 54.98, 3.83, -7.78

 

CMYK 27 / 32 / 0 / 36

HEX #786FA4

RGB 120 111 164

HSL 250.19, 0.23%, 0.54%

LAB 49.55, 15.51, -27.23

 

CMYK 0 / 19 / 53 / 27

HEX #BA9658

RGB 186 150 88

HSL 37.96, 0.42%, 0.54%

LAB 64.13, 5.76, 37.54

 

CMYK 0 / 5 / 53 / 27

HEX #BAB158

RGB 186 177 88

HSL 54.49, 0.42%, 0.54%

LAB 71.27, -8.7, 46.13

 

CMYK 9 / 0 / 53 / 27

HEX #AABA58

RGB 170 186 88

HSL 69.8, 0.42%, 0.54%

LAB 72.47, -19.93, 47.21

 

CMYK 23 / 0 / 53 / 27

HEX #90BA58

RGB 144 186 88

HSL 85.71, 0.42%, 0.54%

LAB 70.7, -30.19, 44.68

 

CMYK 37 / 0 / 53 / 27

HEX #75BA58

RGB 117 186 88

HSL 102.24, 0.42%, 0.54%

LAB 69.19, -39.9, 42.51

 

CMYK 10 / 0 / 60 / 47

HEX #7A8837

RGB 122 136 55

HSL 70.37, 0.42%, 0.37%

LAB 54.05, -17.38, 40.88

 

CMYK 10 / 0 / 60 / 35

HEX #95A643

RGB 149 166 67

HSL 70.3, 0.42%, 0.46%

LAB 65.02, -20.35, 48.08

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 7 / 0 / 41 / 22

HEX #B8C675

RGB 184 198 117

HSL 70.37, 0.42%, 0.62%

LAB 77.2, -17.37, 38.93

 

CMYK 5 / 0 / 30 / 18

HEX #C7D293

RGB 199 210 147

HSL 70.48, 0.41%, 0.7%

LAB 82.02, -13.93, 30.05

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 53 / 0 / 33 / 27

HEX #58BA7C

RGB 88 186 124

HSL 142.04, 0.42%, 0.54%

LAB 68.5, -42.9, 22.89

 

CMYK 12 / 53 / 0 / 27

HEX #A358BA

RGB 163 88 186

HSL 285.92, 0.42%, 0.54%

LAB 49.87, 46.6, -39.21

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 53 / 9 / 0 / 27

HEX #58AABA

RGB 88 170 186

HSL 189.8, 0.42%, 0.54%

LAB 65.25, -20.49, -15.89

 

CMYK 0 / 53 / 9 / 27

HEX #BA58AA

RGB 186 88 170

HSL 309.8, 0.42%, 0.54%

LAB 52.2, 50.2, -26.04

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 53 / 0 / 33 / 27

HEX #58BA7C

RGB 88 186 124

HSL 142.04, 0.42%, 0.54%

LAB 68.5, -42.9, 22.89

 

CMYK 44 / 53 / 0 / 27

HEX #6858BA

RGB 104 88 186

HSL 249.8, 0.42%, 0.54%

LAB 43.46, 31.17, -49.81

 

CMYK 0 / 53 / 19 / 27

HEX #BA5896

RGB 186 88 150

HSL 322.04, 0.42%, 0.54%

LAB 51.41, 47.01, -15.5

 

CMYK 9 / 0 / 53 / 27

HEX #A9BA58

RGB 169 186 88

HSL 70.41, 0.42%, 0.54%

LAB 72.4, -20.34, 47.11

 

CMYK 53 / 0 / 17 / 27

HEX #58BA9A

RGB 88 186 154

HSL 160.41, 0.42%, 0.54%

LAB 69.13, -36.58, 7.52

 

CMYK 44 / 53 / 0 / 27

HEX #6858BA

RGB 104 88 186

HSL 249.8, 0.42%, 0.54%

LAB 43.46, 31.17, -49.81

 

CMYK 0 / 53 / 35 / 27

HEX #BA5879

RGB 186 88 121

HSL 339.8, 0.42%, 0.54%

LAB 50.45, 43.03, 0.34

 

Description

Color code: HEX #A9BA58 | qconv.com Color code: HEX #A9BA58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 186 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 186 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 53 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 53% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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