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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9BC5B it is the complementary color #5643A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9BC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9BC5B shade: #AEBC56, #BFCE69, #D0E07C, #E1F28F and #F2FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9BC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9BC5B shade: #A9BC5B, #98AA48, #879835, #768622 and #65740F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9BC5B shade: #A9BC5C, #BCB55C, #BC9B5C, #BC815C and #BC675C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9BC5B shade: #A9BC5C, #8FBC5C, #75BC5C, #5CBC5C and #5CBC76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9BC5B shade matches the following richer shades: #A9BC5C, #B4CF49, #C0E136 and #CBF424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9BC5B shade: #A9BC5C, #9EA96E, #929781, #878493 and #7C72A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9BC5B shade: #BC9A5C, #BCB45C, #AABC5C, #91BC5C and #77BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9BC5B shade: #7C8C39, #96A945, #A9BC5C, #B8C879 and #C8D496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9BC5B shade: #A9BC5B, #5CBC81 and #A75CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9BC5B shade: #A9BC5B, #5CAABC and #BC5CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9BC5B shade: #A9BC5B, #5CBC81, #6D5CBC and #BC5C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9BC5B shade: #A9BC5B, #5CBC9D, #6D5CBC and #BC5C7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

Complementary color

CMYK 48 / 59 / 0 / 36

HEX #5643A4

RGB 86 67 164

HSL 251.75, 0.42%, 0.45%

LAB 35.35, 33.26, -49.94

 

CMYK 7 / 0 / 54 / 26

HEX #AEBC56

RGB 174 188 86

HSL 68.24, 0.43%, 0.54%

LAB 73.31, -19.48, 49.2

 

CMYK 7 / 0 / 49 / 19

HEX #BFCE69

RGB 191 206 105

HSL 68.91, 0.51%, 0.61%

LAB 79.75, -19.85, 48.1

 

CMYK 7 / 0 / 45 / 12

HEX #D0E07C

RGB 208 224 124

HSL 69.6, 0.62%, 0.68%

LAB 86.09, -20.13, 46.96

 

CMYK 7 / 0 / 41 / 5

HEX #E1F28F

RGB 225 242 143

HSL 70.3, 0.79%, 0.75%

LAB 92.35, -20.36, 45.82

 

CMYK 5 / 0 / 36 / 0

HEX #F2FFA2

RGB 242 255 162

HSL 68.39, 1%, 0.82%

LAB 97.23, -18.15, 43.03

 

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

CMYK 11 / 0 / 58 / 33

HEX #98AA48

RGB 152 170 72

HSL 71.02, 0.4%, 0.47%

LAB 66.44, -20.7, 47.44

 

CMYK 11 / 0 / 65 / 40

HEX #879835

RGB 135 152 53

HSL 70.3, 0.48%, 0.4%

LAB 59.77, -20.22, 48.3

 

CMYK 12 / 0 / 75 / 47

HEX #768622

RGB 118 134 34

HSL 69.6, 0.6%, 0.33%

LAB 52.97, -19.57, 48.69

 

CMYK 13 / 0 / 87 / 55

HEX #65740F

RGB 101 116 15

HSL 68.91, 0.77%, 0.26%

LAB 46.03, -18.66, 48.01

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 0 / 18 / 51 / 26

HEX #BC9B5C

RGB 188 155 92

HSL 39.38, 0.42%, 0.55%

LAB 65.68, 4.24, 37.41

 

CMYK 0 / 31 / 51 / 26

HEX #BC815C

RGB 188 129 92

HSL 23.13, 0.42%, 0.55%

LAB 59.13, 18.57, 29.16

 

CMYK 0 / 45 / 51 / 26

HEX #BC675C

RGB 188 103 92

HSL 6.88, 0.42%, 0.55%

LAB 53.13, 32.81, 21.32

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 24 / 0 / 51 / 26

HEX #8FBC5C

RGB 143 188 92

HSL 88.13, 0.42%, 0.55%

LAB 71.27, -31.09, 43.41

 

CMYK 38 / 0 / 51 / 26

HEX #75BC5C

RGB 117 188 92

HSL 104.38, 0.42%, 0.55%

LAB 69.84, -40.3, 41.35

 

CMYK 51 / 0 / 51 / 26

HEX #5CBC5C

RGB 92 188 92

HSL 120, 0.42%, 0.55%

LAB 68.76, -47.89, 39.79

 

CMYK 51 / 0 / 37 / 26

HEX #5CBC76

RGB 92 188 118

HSL 136.25, 0.42%, 0.55%

LAB 69.15, -43.83, 26.97

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 13 / 0 / 65 / 19

HEX #B4CF49

RGB 180 207 73

HSL 72.09, 0.58%, 0.55%

LAB 78.93, -27.33, 61.19

 

CMYK 15 / 0 / 76 / 12

HEX #C0E136

RGB 192 225 54

HSL 71.58, 0.74%, 0.55%

LAB 84.65, -32.02, 73.81

 

CMYK 17 / 0 / 85 / 4

HEX #CBF424

RGB 203 244 36

HSL 71.83, 0.9%, 0.55%

LAB 90.56, -36.94, 83.72

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 7 / 0 / 35 / 34

HEX #9EA96E

RGB 158 169 110

HSL 71.19, 0.26%, 0.55%

LAB 67.1, -13.66, 29.2

 

CMYK 3 / 0 / 15 / 41

HEX #929781

RGB 146 151 129

HSL 73.64, 0.1%, 0.55%

LAB 61.51, -5.87, 10.99

 

CMYK 8 / 10 / 0 / 42

HEX #878493

RGB 135 132 147

HSL 252, 0.06%, 0.55%

LAB 55.85, 4.18, -7.63

 

CMYK 25 / 31 / 0 / 35

HEX #7C72A6

RGB 124 114 166

HSL 251.54, 0.23%, 0.55%

LAB 50.77, 15.48, -26.47

 

CMYK 0 / 18 / 51 / 26

HEX #BC9A5C

RGB 188 154 92

HSL 38.75, 0.42%, 0.55%

LAB 65.42, 4.79, 37.09

 

CMYK 0 / 4 / 51 / 26

HEX #BCB45C

RGB 188 180 92

HSL 55, 0.42%, 0.55%

LAB 72.3, -9.08, 45.43

 

CMYK 10 / 0 / 51 / 26

HEX #AABC5C

RGB 170 188 92

HSL 71.25, 0.42%, 0.55%

LAB 73.08, -20.56, 46.01

 

CMYK 23 / 0 / 51 / 26

HEX #91BC5C

RGB 145 188 92

HSL 86.88, 0.42%, 0.55%

LAB 71.39, -30.33, 43.59

 

CMYK 37 / 0 / 51 / 26

HEX #77BC5C

RGB 119 188 92

HSL 103.13, 0.42%, 0.55%

LAB 69.94, -39.63, 41.49

 

CMYK 11 / 0 / 59 / 45

HEX #7C8C39

RGB 124 140 57

HSL 71.57, 0.42%, 0.39%

LAB 55.42, -18.44, 41.5

 

CMYK 11 / 0 / 59 / 34

HEX #96A945

RGB 150 169 69

HSL 71.4, 0.42%, 0.47%

LAB 65.97, -21.28, 48.26

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 8 / 0 / 40 / 22

HEX #B8C879

RGB 184 200 121

HSL 72.15, 0.42%, 0.63%

LAB 77.8, -17.91, 37.68

 

CMYK 6 / 0 / 29 / 17

HEX #C8D496

RGB 200 212 150

HSL 71.61, 0.42%, 0.71%

LAB 82.68, -14.16, 29.39

 

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

CMYK 51 / 0 / 31 / 26

HEX #5CBC81

RGB 92 188 129

HSL 143.13, 0.42%, 0.55%

LAB 69.35, -41.81, 21.39

 

CMYK 11 / 51 / 0 / 26

HEX #A75CBC

RGB 167 92 188

HSL 286.88, 0.42%, 0.55%

LAB 51.27, 46.04, -38.14

 

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

CMYK 51 / 10 / 0 / 26

HEX #5CAABC

RGB 92 170 188

HSL 191.25, 0.42%, 0.55%

LAB 65.48, -19.05, -16.64

 

CMYK 0 / 51 / 10 / 26

HEX #BC5CAA

RGB 188 92 170

HSL 311.25, 0.42%, 0.55%

LAB 53.22, 48.83, -24.44

 

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

CMYK 51 / 0 / 31 / 26

HEX #5CBC81

RGB 92 188 129

HSL 143.13, 0.42%, 0.55%

LAB 69.35, -41.81, 21.39

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 0 / 51 / 20 / 26

HEX #BC5C97

RGB 188 92 151

HSL 323.13, 0.42%, 0.55%

LAB 52.49, 45.81, -14.42

 

CMYK 10 / 0 / 52 / 26

HEX #A9BC5B

RGB 169 188 91

HSL 71.75, 0.42%, 0.55%

LAB 73, -21.05, 46.37

 

CMYK 51 / 0 / 16 / 26

HEX #5CBC9D

RGB 92 188 157

HSL 160.63, 0.42%, 0.55%

LAB 69.95, -35.87, 7.07

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 0 / 51 / 35 / 26

HEX #BC5C7A

RGB 188 92 122

HSL 341.25, 0.42%, 0.55%

LAB 51.55, 41.82, 1.39

 

Description

Color code: HEX #A9BC5B | qconv.com Color code: HEX #A9BC5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 188 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 188 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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