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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9C6C3 it is the complementary color #56393C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9C6C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9C6C3 shade: #AEC6BE, #BFD8D1, #D0EAE4, #E1FCF7 and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9C6C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9C6C3 shade: #A9C6C3, #98B4B0, #87A29D, #76908A and #657E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9C6C3 shade: #A9C5C2, #A9C5BB, #A9C5B3, #A9C5AB and #AEC5A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9C6C3 shade: #A9C5C2, #A9C1C5, #A9B9C5, #A9B1C5 and #A9AAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9C6C3 shade matches the following richer shades: #A9C5C2, #9DD1CC, #92DCD5, #86E8DE and #7BF4E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9C6C3 shade: #A9C5C2, #B4BAB9, #C0AEB0, #CBA3A7 and #D7979E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9C6C3 shade: #A9C5B3, #A9C5BA, #A9C5C2, #A9C1C5 and #A9B9C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9C6C3 shade: #77A4A0, #90B5B1, #A9C5C2, #C2D6D4 and #DAE6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9C6C3 shade: #A9C6C3, #ABA9C5 and #C5B7A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9C6C3 shade: #A9C6C3, #C2A9C5 and #C5C2A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9C6C3 shade: #A9C6C3, #ABA9C5, #C5A9AC and #C3C5A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9C6C3 shade: #A9C6C3, #B4A9C5, #C5A9AC and #BAC5A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

Complementary color

CMYK 0 / 34 / 30 / 66

HEX #56393C

RGB 86 57 60

HSL 353.79, 0.2%, 0.28%

LAB 27.38, 13.37, 3.36

 

CMYK 12 / 0 / 4 / 22

HEX #AEC6BE

RGB 174 198 190

HSL 160, 0.17%, 0.73%

LAB 77.94, -9.67, 1.25

 

CMYK 12 / 0 / 3 / 15

HEX #BFD8D1

RGB 191 216 209

HSL 163.2, 0.24%, 0.8%

LAB 84.38, -9.66, 0.62

 

CMYK 11 / 0 / 3 / 8

HEX #D0EAE4

RGB 208 234 228

HSL 166.15, 0.38%, 0.87%

LAB 90.71, -9.65, 0

 

CMYK 11 / 0 / 2 / 1

HEX #E1FCF7

RGB 225 252 247

HSL 168.89, 0.82%, 0.94%

LAB 96.96, -9.66, -0.59

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

CMYK 16 / 0 / 2 / 29

HEX #98B4B0

RGB 152 180 176

HSL 171.43, 0.16%, 0.65%

LAB 71.18, -10.35, -1.17

 

CMYK 17 / 0 / 3 / 36

HEX #87A29D

RGB 135 162 157

HSL 168.89, 0.13%, 0.58%

LAB 64.5, -10.4, -0.54

 

CMYK 18 / 0 / 4 / 44

HEX #76908A

RGB 118 144 138

HSL 166.15, 0.1%, 0.51%

LAB 57.69, -10.47, 0.12

 

CMYK 20 / 0 / 6 / 51

HEX #657E77

RGB 101 126 119

HSL 163.2, 0.11%, 0.45%

LAB 50.71, -10.57, 0.82

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 14 / 0 / 5 / 23

HEX #A9C5BB

RGB 169 197 187

HSL 158.57, 0.19%, 0.72%

LAB 77.25, -11.4, 1.84

 

CMYK 14 / 0 / 9 / 23

HEX #A9C5B3

RGB 169 197 179

HSL 141.43, 0.19%, 0.72%

LAB 77.05, -12.95, 5.86

 

CMYK 14 / 0 / 13 / 23

HEX #A9C5AB

RGB 169 197 171

HSL 124.29, 0.19%, 0.72%

LAB 76.87, -14.43, 9.9

 

CMYK 12 / 0 / 14 / 23

HEX #AEC5A9

RGB 174 197 169

HSL 109.29, 0.19%, 0.72%

LAB 77.16, -13.05, 11.44

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 14 / 2 / 0 / 23

HEX #A9C1C5

RGB 169 193 197

HSL 188.57, 0.19%, 0.72%

LAB 76.44, -7.28, -4.76

 

CMYK 14 / 6 / 0 / 23

HEX #A9B9C5

RGB 169 185 197

HSL 205.71, 0.19%, 0.72%

LAB 74.29, -3.03, -7.94

 

CMYK 14 / 10 / 0 / 23

HEX #A9B1C5

RGB 169 177 197

HSL 222.86, 0.19%, 0.72%

LAB 72.17, 1.29, -11.11

 

CMYK 14 / 14 / 0 / 23

HEX #A9AAC5

RGB 169 170 197

HSL 237.86, 0.19%, 0.72%

LAB 70.33, 5.12, -13.87

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 25 / 0 / 2 / 18

HEX #9DD1CC

RGB 157 209 204

HSL 174.23, 0.36%, 0.72%

LAB 80.25, -17.8, -3.01

 

CMYK 34 / 0 / 3 / 14

HEX #92DCD5

RGB 146 220 213

HSL 174.32, 0.51%, 0.72%

LAB 82.97, -24.42, -3.88

 

CMYK 42 / 0 / 4 / 9

HEX #86E8DE

RGB 134 232 222

HSL 173.88, 0.68%, 0.72%

LAB 86.03, -31.2, -4.18

 

CMYK 50 / 0 / 5 / 4

HEX #7BF4E7

RGB 123 244 231

HSL 173.55, 0.85%, 0.72%

LAB 89.24, -37.12, -4.22

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 3 / 0 / 1 / 27

HEX #B4BAB9

RGB 180 186 185

HSL 170, 0.04%, 0.72%

LAB 75.03, -2.27, -0.23

 

CMYK 0 / 9 / 8 / 25

HEX #C0AEB0

RGB 192 174 176

HSL 353.33, 0.13%, 0.72%

LAB 72.64, 6.81, 1.32

 

CMYK 0 / 20 / 18 / 20

HEX #CBA3A7

RGB 203 163 167

HSL 354, 0.28%, 0.72%

LAB 70.65, 15.34, 3.52

 

CMYK 0 / 30 / 27 / 16

HEX #D7979E

RGB 215 151 158

HSL 353.44, 0.44%, 0.72%

LAB 68.79, 24.99, 5.99

 

CMYK 14 / 0 / 9 / 23

HEX #A9C5B3

RGB 169 197 179

HSL 141.43, 0.19%, 0.72%

LAB 77.05, -12.95, 5.86

 

CMYK 14 / 0 / 6 / 23

HEX #A9C5BA

RGB 169 197 186

HSL 156.43, 0.19%, 0.72%

LAB 77.23, -11.6, 2.34

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 14 / 2 / 0 / 23

HEX #A9C1C5

RGB 169 193 197

HSL 188.57, 0.19%, 0.72%

LAB 76.44, -7.28, -4.76

 

CMYK 14 / 6 / 0 / 23

HEX #A9B9C5

RGB 169 185 197

HSL 205.71, 0.19%, 0.72%

LAB 74.29, -3.03, -7.94

 

CMYK 27 / 0 / 2 / 36

HEX #77A4A0

RGB 119 164 160

HSL 174.67, 0.2%, 0.55%

LAB 64.17, -15.95, -2.83

 

CMYK 20 / 0 / 2 / 29

HEX #90B5B1

RGB 144 181 177

HSL 173.51, 0.2%, 0.64%

LAB 70.98, -13.26, -2.08

 

CMYK 14 / 0 / 2 / 23

HEX #A9C5C2

RGB 169 197 194

HSL 173.57, 0.19%, 0.72%

LAB 77.44, -10, -1.68

 

CMYK 9 / 0 / 1 / 16

HEX #C2D6D4

RGB 194 214 212

HSL 174, 0.2%, 0.8%

LAB 84.13, -7.06, -1.31

 

CMYK 5 / 0 / 0 / 10

HEX #DAE6E5

RGB 218 230 229

HSL 175, 0.19%, 0.88%

LAB 90.39, -4.17, -0.91

 

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

CMYK 13 / 14 / 0 / 23

HEX #ABA9C5

RGB 171 169 197

HSL 244.29, 0.19%, 0.72%

LAB 70.22, 6.33, -14.01

 

CMYK 0 / 7 / 14 / 23

HEX #C5B7A9

RGB 197 183 169

HSL 30, 0.19%, 0.72%

LAB 75.2, 2.61, 8.9

 

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

CMYK 2 / 14 / 0 / 23

HEX #C2A9C5

RGB 194 169 197

HSL 293.57, 0.19%, 0.72%

LAB 72.15, 14.08, -10.93

 

CMYK 0 / 2 / 14 / 23

HEX #C5C2A9

RGB 197 194 169

HSL 53.57, 0.19%, 0.72%

LAB 78.06, -3.22, 12.96

 

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

CMYK 13 / 14 / 0 / 23

HEX #ABA9C5

RGB 171 169 197

HSL 244.29, 0.19%, 0.72%

LAB 70.22, 6.33, -14.01

 

CMYK 0 / 14 / 13 / 23

HEX #C5A9AC

RGB 197 169 172

HSL 353.57, 0.19%, 0.72%

LAB 71.71, 10.67, 2.22

 

CMYK 1 / 0 / 14 / 23

HEX #C3C5A9

RGB 195 197 169

HSL 64.29, 0.19%, 0.72%

LAB 78.69, -5.53, 13.83

 

CMYK 15 / 0 / 2 / 22

HEX #A9C6C3

RGB 169 198 195

HSL 173.79, 0.2%, 0.72%

LAB 77.74, -10.31, -1.78

 

CMYK 9 / 14 / 0 / 23

HEX #B4A9C5

RGB 180 169 197

HSL 263.57, 0.19%, 0.72%

LAB 70.95, 9.33, -12.85

 

CMYK 0 / 14 / 13 / 23

HEX #C5A9AC

RGB 197 169 172

HSL 353.57, 0.19%, 0.72%

LAB 71.71, 10.67, 2.22

 

CMYK 6 / 0 / 14 / 23

HEX #BAC5A9

RGB 186 197 169

HSL 83.57, 0.19%, 0.72%

LAB 78.01, -8.79, 12.77

 

Description

Color code: HEX #A9C6C3 | qconv.com Color code: HEX #A9C6C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 198 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 198 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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