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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9C2AC it is the complementary color #563D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9C2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9C2AC shade: #AEC2A7, #BFD4BA, #D0E6CD, #E1F8E0 and #F2FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9C2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9C2AC shade: #A9C2AC, #98B099, #879E86, #768C73 and #657A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9C2AC shade: #A8C1AB, #ACC1A8, #B3C1A8, #B9C1A8 and #C0C1A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9C2AC shade: #A8C1AB, #A8C1B2, #A8C1B9, #A8C1BF and #A8BCC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9C2AC shade matches the following richer shades: #A8C1AB, #9CCDA2, #90D999, #84E590 and #78F187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9C2AC shade: #A8C1AB, #B4B5B4, #C0A9BD, #CC9DC6 and #D891CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9C2AC shade: #B2C1A8, #ACC1A8, #A8C1AB, #A8C1B2 and #A8C1B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9C2AC shade: #789F7C, #90B094, #A8C1AB, #C0D2C2 and #D8E3DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9C2AC shade: #A9C2AC, #A8B9C1 and #C1A8AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9C2AC shade: #A9C2AC, #ABA8C1 and #C1ABA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9C2AC shade: #A9C2AC, #A8B9C1, #C1A8BE and #C1B0A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9C2AC shade: #A9C2AC, #A8B2C1, #C1A8BE and #C1B7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

Complementary color

CMYK 0 / 29 / 3 / 66

HEX #563D53

RGB 86 61 83

HSL 307.2, 0.17%, 0.29%

LAB 29.26, 15.16, -8.95

 

CMYK 10 / 0 / 14 / 24

HEX #AEC2A7

RGB 174 194 167

HSL 104.44, 0.18%, 0.71%

LAB 76.3, -11.86, 11.29

 

CMYK 10 / 0 / 12 / 17

HEX #BFD4BA

RGB 191 212 186

HSL 108.46, 0.23%, 0.78%

LAB 82.76, -11.84, 10.49

 

CMYK 10 / 0 / 11 / 10

HEX #D0E6CD

RGB 208 230 205

HSL 112.8, 0.33%, 0.85%

LAB 89.12, -11.83, 9.72

 

CMYK 9 / 0 / 10 / 3

HEX #E1F8E0

RGB 225 248 224

HSL 117.5, 0.63%, 0.93%

LAB 95.38, -11.83, 8.98

 

CMYK 5 / 0 / 5 / 0

HEX #F2FFF3

RGB 242 255 243

HSL 124.62, 1%, 0.97%

LAB 98.78, -6.38, 4.25

 

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

CMYK 14 / 0 / 13 / 31

HEX #98B099

RGB 152 176 153

HSL 122.5, 0.13%, 0.64%

LAB 69.49, -12.77, 9.02

 

CMYK 15 / 0 / 15 / 38

HEX #879E86

RGB 135 158 134

HSL 117.5, 0.11%, 0.57%

LAB 62.78, -12.85, 9.87

 

CMYK 16 / 0 / 18 / 45

HEX #768C73

RGB 118 140 115

HSL 112.8, 0.1%, 0.5%

LAB 55.93, -12.94, 10.77

 

CMYK 17 / 0 / 21 / 52

HEX #657A60

RGB 101 122 96

HSL 108.46, 0.12%, 0.43%

LAB 48.92, -13.05, 11.74

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 11 / 0 / 13 / 24

HEX #ACC1A8

RGB 172 193 168

HSL 110.4, 0.17%, 0.71%

LAB 75.91, -11.87, 10.18

 

CMYK 7 / 0 / 13 / 24

HEX #B3C1A8

RGB 179 193 168

HSL 93.6, 0.17%, 0.71%

LAB 76.41, -9.39, 10.96

 

CMYK 4 / 0 / 13 / 24

HEX #B9C1A8

RGB 185 193 168

HSL 79.2, 0.17%, 0.71%

LAB 76.85, -7.24, 11.65

 

CMYK 1 / 0 / 13 / 24

HEX #C0C1A8

RGB 192 193 168

HSL 62.4, 0.17%, 0.71%

LAB 77.38, -4.69, 12.48

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 13 / 0 / 8 / 24

HEX #A8C1B2

RGB 168 193 178

HSL 144, 0.17%, 0.71%

LAB 75.87, -11.41, 4.69

 

CMYK 13 / 0 / 4 / 24

HEX #A8C1B9

RGB 168 193 185

HSL 160.8, 0.17%, 0.71%

LAB 76.05, -10.05, 1.16

 

CMYK 13 / 0 / 1 / 24

HEX #A8C1BF

RGB 168 193 191

HSL 175.2, 0.17%, 0.71%

LAB 76.21, -8.84, -1.86

 

CMYK 13 / 3 / 0 / 24

HEX #A8BCC1

RGB 168 188 193

HSL 192, 0.17%, 0.71%

LAB 74.91, -5.79, -4.85

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 24 / 0 / 21 / 20

HEX #9CCDA2

RGB 156 205 162

HSL 127.35, 0.33%, 0.71%

LAB 78.07, -24.47, 16.31

 

CMYK 34 / 0 / 29 / 15

HEX #90D999

RGB 144 217 153

HSL 127.4, 0.49%, 0.71%

LAB 80.66, -35.6, 24.51

 

CMYK 42 / 0 / 37 / 10

HEX #84E590

RGB 132 229 144

HSL 127.42, 0.65%, 0.71%

LAB 83.42, -45.98, 32.74

 

CMYK 50 / 0 / 44 / 5

HEX #78F187

RGB 120 241 135

HSL 127.44, 0.81%, 0.71%

LAB 86.33, -55.55, 40.91

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 1 / 0 / 1 / 29

HEX #B4B5B4

RGB 180 181 180

HSL 120, 0.01%, 0.71%

LAB 73.58, -0.53, 0.38

 

CMYK 0 / 12 / 2 / 25

HEX #C0A9BD

RGB 192 169 189

HSL 307.83, 0.15%, 0.71%

LAB 71.73, 11.88, -7.17

 

CMYK 0 / 23 / 3 / 20

HEX #CC9DC6

RGB 204 157 198

HSL 307.66, 0.32%, 0.71%

LAB 70.2, 24.28, -14.31

 

CMYK 0 / 33 / 4 / 15

HEX #D891CF

RGB 216 145 207

HSL 307.61, 0.48%, 0.71%

LAB 69.01, 36.43, -20.98

 

CMYK 8 / 0 / 13 / 24

HEX #B2C1A8

RGB 178 193 168

HSL 96, 0.17%, 0.71%

LAB 76.33, -9.75, 10.85

 

CMYK 11 / 0 / 13 / 24

HEX #ACC1A8

RGB 172 193 168

HSL 110.4, 0.17%, 0.71%

LAB 75.91, -11.87, 10.18

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 13 / 0 / 8 / 24

HEX #A8C1B2

RGB 168 193 178

HSL 144, 0.17%, 0.71%

LAB 75.87, -11.41, 4.69

 

CMYK 13 / 0 / 5 / 24

HEX #A8C1B8

RGB 168 193 184

HSL 158.4, 0.17%, 0.71%

LAB 76.02, -10.24, 1.66

 

CMYK 25 / 0 / 22 / 38

HEX #789F7C

RGB 120 159 124

HSL 126.15, 0.17%, 0.55%

LAB 61.86, -20.55, 14.02

 

CMYK 18 / 0 / 16 / 31

HEX #90B094

RGB 144 176 148

HSL 127.5, 0.17%, 0.63%

LAB 68.84, -16.5, 10.77

 

CMYK 13 / 0 / 11 / 24

HEX #A8C1AB

RGB 168 193 171

HSL 127.2, 0.17%, 0.71%

LAB 75.7, -12.72, 8.23

 

CMYK 9 / 0 / 8 / 18

HEX #C0D2C2

RGB 192 210 194

HSL 126.67, 0.17%, 0.79%

LAB 82.48, -9.05, 5.85

 

CMYK 5 / 0 / 4 / 11

HEX #D8E3DA

RGB 216 227 218

HSL 130.91, 0.16%, 0.87%

LAB 89.2, -5.31, 3.11

 

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

CMYK 13 / 4 / 0 / 24

HEX #A8B9C1

RGB 168 185 193

HSL 199.2, 0.17%, 0.71%

LAB 74.11, -4.2, -6.04

 

CMYK 0 / 13 / 9 / 24

HEX #C1A8AF

RGB 193 168 175

HSL 343.2, 0.17%, 0.71%

LAB 71.17, 10.26, -0.26

 

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

CMYK 11 / 13 / 0 / 24

HEX #ABA8C1

RGB 171 168 193

HSL 247.2, 0.17%, 0.71%

LAB 69.83, 6.04, -12.39

 

CMYK 0 / 11 / 13 / 24

HEX #C1ABA8

RGB 193 171 168

HSL 7.2, 0.17%, 0.71%

LAB 71.75, 7.44, 4.44

 

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

CMYK 13 / 4 / 0 / 24

HEX #A8B9C1

RGB 168 185 193

HSL 199.2, 0.17%, 0.71%

LAB 74.11, -4.2, -6.04

 

CMYK 0 / 13 / 2 / 24

HEX #C1A8BE

RGB 193 168 190

HSL 307.2, 0.17%, 0.71%

LAB 71.6, 12.96, -7.9

 

CMYK 0 / 9 / 13 / 24

HEX #C1B0A8

RGB 193 176 168

HSL 19.2, 0.17%, 0.71%

LAB 73.03, 4.73, 6.29

 

CMYK 13 / 0 / 11 / 24

HEX #A9C2AC

RGB 169 194 172

HSL 127.2, 0.17%, 0.71%

LAB 76.07, -12.71, 8.22

 

CMYK 13 / 8 / 0 / 24

HEX #A8B2C1

RGB 168 178 193

HSL 216, 0.17%, 0.71%

LAB 72.24, -0.43, -8.82

 

CMYK 0 / 13 / 2 / 24

HEX #C1A8BE

RGB 193 168 190

HSL 307.2, 0.17%, 0.71%

LAB 71.6, 12.96, -7.9

 

CMYK 0 / 5 / 13 / 24

HEX #C1B7A8

RGB 193 183 168

HSL 36, 0.17%, 0.71%

LAB 74.84, 0.97, 8.89

 

Description

Color code: HEX #A9C2AC | qconv.com Color code: HEX #A9C2AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 194 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 194 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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