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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9D363 it is the complementary color #562C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9D363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9D363 shade: #AED35E, #BFE571, #D0F784, #E1FF97 and #F2FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9D363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9D363 shade: #A9D363, #98C150, #87AF3D, #769D2A and #658B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9D363 shade: #A9D363, #C7D363, #D3C063, #D3A263 and #D38463

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9D363 shade: #A9D363, #8BD363, #6DD363, #63D378 and #63D396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9D363 shade matches the following richer shades: #A9D363, #ADE353 and #B1F343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9D363 shade: #A9D363, #A5C373, #A1B384, #9DA294 and #9992A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9D363 shade: #D3C063, #C8D363, #AAD363, #8CD363 and #6ED363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9D363 shade: #82B232, #97CA43, #A9D363, #BBDC84 and #CCE5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9D363 shade: #A9D363, #63D3A2 and #CF63D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9D363 shade: #A9D363, #63AAD3 and #D363AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9D363 shade: #A9D363, #63D3A2, #8C63D3 and #D36394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9D363 shade: #A9D363, #63D3C4, #8C63D3 and #D36372

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

Complementary color

CMYK 45 / 72 / 0 / 39

HEX #562C9C

RGB 86 44 156

HSL 262.5, 0.56%, 0.39%

LAB 29.86, 44.04, -54.01

 

CMYK 18 / 0 / 55 / 17

HEX #AED35E

RGB 174 211 94

HSL 78.97, 0.57%, 0.6%

LAB 79.84, -29.94, 53.05

 

CMYK 17 / 0 / 51 / 10

HEX #BFE571

RGB 191 229 113

HSL 79.66, 0.69%, 0.67%

LAB 86.16, -30.14, 51.99

 

CMYK 16 / 0 / 47 / 3

HEX #D0F784

RGB 208 247 132

HSL 80.35, 0.88%, 0.74%

LAB 92.4, -30.27, 50.89

 

CMYK 12 / 0 / 41 / 0

HEX #E1FF97

RGB 225 255 151

HSL 77.31, 1%, 0.8%

LAB 95.9, -25.69, 46.43

 

CMYK 5 / 0 / 33 / 0

HEX #F2FFAA

RGB 242 255 170

HSL 69.18, 1%, 0.83%

LAB 97.35, -17.21, 39.26

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 21 / 0 / 59 / 24

HEX #98C150

RGB 152 193 80

HSL 81.77, 0.48%, 0.54%

LAB 73.15, -31.2, 51.37

 

CMYK 23 / 0 / 65 / 31

HEX #87AF3D

RGB 135 175 61

HSL 81.05, 0.48%, 0.46%

LAB 66.63, -30.92, 52.2

 

CMYK 25 / 0 / 73 / 38

HEX #769D2A

RGB 118 157 42

HSL 80.35, 0.58%, 0.39%

LAB 60.01, -30.49, 52.61

 

CMYK 27 / 0 / 83 / 45

HEX #658B17

RGB 101 139 23

HSL 79.66, 0.72%, 0.32%

LAB 53.27, -29.86, 52.16

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 6 / 0 / 53 / 17

HEX #C7D363

RGB 199 211 99

HSL 66.43, 0.56%, 0.61%

LAB 81.64, -19.66, 53.29

 

CMYK 0 / 9 / 53 / 17

HEX #D3C063

RGB 211 192 99

HSL 49.82, 0.56%, 0.61%

LAB 77.55, -5.15, 48.75

 

CMYK 0 / 23 / 53 / 17

HEX #D3A263

RGB 211 162 99

HSL 33.75, 0.56%, 0.61%

LAB 69.89, 10.74, 39.5

 

CMYK 0 / 37 / 53 / 17

HEX #D38463

RGB 211 132 99

HSL 17.68, 0.56%, 0.61%

LAB 62.72, 26.98, 30.48

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 34 / 0 / 53 / 17

HEX #8BD363

RGB 139 211 99

HSL 98.57, 0.56%, 0.61%

LAB 77.86, -42.17, 47.91

 

CMYK 48 / 0 / 53 / 17

HEX #6DD363

RGB 109 211 99

HSL 114.64, 0.56%, 0.61%

LAB 76.52, -51.5, 45.98

 

CMYK 53 / 0 / 43 / 17

HEX #63D378

RGB 99 211 120

HSL 131.25, 0.56%, 0.61%

LAB 76.43, -51.21, 35.52

 

CMYK 53 / 0 / 29 / 17

HEX #63D396

RGB 99 211 150

HSL 147.32, 0.56%, 0.61%

LAB 76.95, -45.89, 20.69

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 24 / 0 / 63 / 11

HEX #ADE353

RGB 173 227 83

HSL 82.5, 0.72%, 0.61%

LAB 84.2, -38.57, 62.61

 

CMYK 27 / 0 / 72 / 5

HEX #B1F343

RGB 177 243 67

HSL 82.5, 0.88%, 0.61%

LAB 88.85, -45.14, 73.37

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 15 / 0 / 41 / 24

HEX #A5C373

RGB 165 195 115

HSL 82.5, 0.4%, 0.61%

LAB 74.99, -23.46, 36.87

 

CMYK 10 / 0 / 26 / 30

HEX #A1B384

RGB 161 179 132

HSL 82.98, 0.24%, 0.61%

LAB 70.51, -14.58, 21.99

 

CMYK 3 / 0 / 9 / 36

HEX #9DA294

RGB 157 162 148

HSL 81.43, 0.07%, 0.61%

LAB 65.86, -4.41, 6.66

 

CMYK 7 / 11 / 0 / 36

HEX #9992A4

RGB 153 146 164

HSL 263.33, 0.09%, 0.61%

LAB 61.66, 6.12, -8.53

 

CMYK 0 / 9 / 53 / 17

HEX #D3C063

RGB 211 192 99

HSL 49.82, 0.56%, 0.61%

LAB 77.55, -5.15, 48.75

 

CMYK 5 / 0 / 53 / 17

HEX #C8D363

RGB 200 211 99

HSL 65.89, 0.56%, 0.61%

LAB 81.71, -19.26, 53.4

 

CMYK 19 / 0 / 53 / 17

HEX #AAD363

RGB 170 211 99

HSL 81.96, 0.56%, 0.61%

LAB 79.63, -31, 50.44

 

CMYK 34 / 0 / 53 / 17

HEX #8CD363

RGB 140 211 99

HSL 98.04, 0.56%, 0.61%

LAB 77.91, -41.83, 47.98

 

CMYK 48 / 0 / 53 / 17

HEX #6ED363

RGB 110 211 99

HSL 114.11, 0.56%, 0.61%

LAB 76.56, -51.22, 46.04

 

CMYK 27 / 0 / 72 / 30

HEX #82B232

RGB 130 178 50

HSL 82.5, 0.56%, 0.45%

LAB 67.14, -35.03, 56.97

 

CMYK 25 / 0 / 67 / 21

HEX #97CA43

RGB 151 202 67

HSL 82.67, 0.56%, 0.53%

LAB 75.59, -36.76, 59.5

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 15 / 0 / 40 / 14

HEX #BBDC84

RGB 187 220 132

HSL 82.5, 0.56%, 0.69%

LAB 83.66, -25.27, 39.66

 

CMYK 11 / 0 / 28 / 10

HEX #CCE5A4

RGB 204 229 164

HSL 83.08, 0.56%, 0.77%

LAB 87.75, -19.2, 29.04

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 53 / 0 / 23 / 17

HEX #63D3A2

RGB 99 211 162

HSL 153.75, 0.56%, 0.61%

LAB 77.19, -43.43, 14.69

 

CMYK 2 / 53 / 0 / 17

HEX #CF63D3

RGB 207 99 211

HSL 297.86, 0.56%, 0.61%

LAB 58.87, 57.96, -38.97

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 53 / 19 / 0 / 17

HEX #63AAD3

RGB 99 170 211

HSL 201.96, 0.56%, 0.61%

LAB 66.6, -10.84, -27.65

 

CMYK 0 / 53 / 19 / 17

HEX #D363AA

RGB 211 99 170

HSL 321.96, 0.56%, 0.61%

LAB 57.73, 52.42, -17.25

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 53 / 0 / 23 / 17

HEX #63D3A2

RGB 99 211 162

HSL 153.75, 0.56%, 0.61%

LAB 77.19, -43.43, 14.69

 

CMYK 34 / 53 / 0 / 17

HEX #8C63D3

RGB 140 99 211

HSL 261.96, 0.56%, 0.61%

LAB 50.92, 40.36, -52.07

 

CMYK 0 / 53 / 30 / 17

HEX #D36394

RGB 211 99 148

HSL 333.75, 0.56%, 0.61%

LAB 56.99, 49.39, -5.58

 

CMYK 20 / 0 / 53 / 17

HEX #A9D363

RGB 169 211 99

HSL 82.5, 0.56%, 0.61%

LAB 79.57, -31.38, 50.35

 

CMYK 53 / 0 / 7 / 17

HEX #63D3C4

RGB 99 211 196

HSL 171.96, 0.56%, 0.61%

LAB 78.01, -35.57, -2.32

 

CMYK 34 / 53 / 0 / 17

HEX #8C63D3

RGB 140 99 211

HSL 261.96, 0.56%, 0.61%

LAB 50.92, 40.36, -52.07

 

CMYK 0 / 53 / 46 / 17

HEX #D36372

RGB 211 99 114

HSL 351.96, 0.56%, 0.61%

LAB 56.08, 45.53, 13.02

 

Description

Color code: HEX #A9D363 | qconv.com Color code: HEX #A9D363 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 211 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 211 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 53 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 53% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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