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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E4F3 it is the complementary color #561B0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E4F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E4F3 shade: #AEE4EE, #BFF6FF, #D0FFFF, #E1FFFF and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E4F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E4F3 shade: #A9E4F3, #98D2E0, #87C0CD, #76AEBA and #659CA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E4F3 shade: #A9E4F3, #A9D0F3, #A9BCF3, #AAA9F3 and #BEA9F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E4F3 shade: #A9E4F3, #A9D0F3, #A9BCF3 and #A9A9F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E4F3 shade matches the following richer shades: #A9E4F3 and #A1E9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E4F3 shade: #A9E4F3, #B1DFEB, #B9DBE3, #C1D6DB and #C9D1D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E4F3 shade: #A9F3DA, #A9F3EE, #A9E4F3, #A9D1F3 and #A9BDF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E4F3 shade: #61CDE9, #85D9EE, #A9E4F3, #CEEFF8 and #F2FBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E4F3 shade: #A9E4F3, #C7A9F3 and #F3E4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E4F3 shade: #A9E4F3, #F3A9E4 and #E4F3A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E4F3 shade: #A9E4F3, #C7A9F3, #F3B8A9 and #D5F3A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E4F3 shade: #A9E4F3, #DDA9F3, #F3B8A9 and #BFF3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

Complementary color

CMYK 0 / 69 / 86 / 66

HEX #561B0C

RGB 86 27 12

HSL 12.16, 0.76%, 0.19%

LAB 19.18, 26.48, 23.63

 

CMYK 27 / 4 / 0 / 7

HEX #AEE4EE

RGB 174 228 238

HSL 189.38, 0.65%, 0.81%

LAB 87.32, -14.92, -10.48

 

CMYK 25 / 4 / 0 / 0

HEX #BFF6FF

RGB 191 246 255

HSL 188.44, 1%, 0.87%

LAB 93.54, -15.33, -10

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 32 / 6 / 0 / 12

HEX #98D2E0

RGB 152 210 224

HSL 191.67, 0.54%, 0.74%

LAB 80.82, -15.2, -12.89

 

CMYK 34 / 6 / 0 / 20

HEX #87C0CD

RGB 135 192 205

HSL 191.14, 0.41%, 0.67%

LAB 74.35, -15.2, -12.43

 

CMYK 37 / 6 / 0 / 27

HEX #76AEBA

RGB 118 174 186

HSL 190.59, 0.33%, 0.6%

LAB 67.78, -15.2, -11.96

 

CMYK 40 / 7 / 0 / 35

HEX #659CA7

RGB 101 156 167

HSL 190, 0.27%, 0.53%

LAB 61.07, -15.18, -11.47

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 30 / 14 / 0 / 5

HEX #A9D0F3

RGB 169 208 243

HSL 208.38, 0.76%, 0.81%

LAB 81.85, -4.86, -21.38

 

CMYK 30 / 23 / 0 / 5

HEX #A9BCF3

RGB 169 188 243

HSL 224.59, 0.76%, 0.81%

LAB 76.6, 5.88, -29.39

 

CMYK 30 / 30 / 0 / 5

HEX #AAA9F3

RGB 170 169 243

HSL 240.81, 0.76%, 0.81%

LAB 71.82, 16.69, -36.76

 

CMYK 22 / 30 / 0 / 5

HEX #BEA9F3

RGB 190 169 243

HSL 257.03, 0.76%, 0.81%

LAB 73.41, 22.49, -34.17

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 30 / 14 / 0 / 5

HEX #A9D0F3

RGB 169 208 243

HSL 208.38, 0.76%, 0.81%

LAB 81.85, -4.86, -21.38

 

CMYK 30 / 23 / 0 / 5

HEX #A9BCF3

RGB 169 188 243

HSL 224.59, 0.76%, 0.81%

LAB 76.6, 5.88, -29.39

 

CMYK 30 / 30 / 0 / 5

HEX #A9A9F3

RGB 169 169 243

HSL 240, 0.76%, 0.81%

LAB 71.75, 16.41, -36.89

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 36 / 7 / 0 / 2

HEX #A1E9FB

RGB 161 233 251

HSL 192, 0.92%, 0.81%

LAB 88.36, -17.96, -15.82

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 25 / 5 / 0 / 8

HEX #B1DFEB

RGB 177 223 235

HSL 192.41, 0.59%, 0.81%

LAB 86.07, -12.18, -10.75

 

CMYK 19 / 4 / 0 / 11

HEX #B9DBE3

RGB 185 219 227

HSL 191.43, 0.43%, 0.81%

LAB 85.26, -9.46, -7.66

 

CMYK 12 / 2 / 0 / 14

HEX #C1D6DB

RGB 193 214 219

HSL 191.54, 0.27%, 0.81%

LAB 84.25, -6.01, -4.86

 

CMYK 5 / 1 / 0 / 17

HEX #C9D1D4

RGB 201 209 212

HSL 196.36, 0.11%, 0.81%

LAB 83.32, -2.14, -2.44

 

CMYK 30 / 0 / 10 / 5

HEX #A9F3DA

RGB 169 243 218

HSL 159.73, 0.76%, 0.81%

LAB 90.6, -28.02, 4.76

 

CMYK 30 / 0 / 2 / 5

HEX #A9F3EE

RGB 169 243 238

HSL 175.95, 0.76%, 0.81%

LAB 91.1, -23.76, -4.91

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 30 / 14 / 0 / 5

HEX #A9D1F3

RGB 169 209 243

HSL 207.57, 0.76%, 0.81%

LAB 82.11, -5.39, -20.98

 

CMYK 30 / 22 / 0 / 5

HEX #A9BDF3

RGB 169 189 243

HSL 223.78, 0.76%, 0.81%

LAB 76.86, 5.34, -28.99

 

CMYK 58 / 12 / 0 / 9

HEX #61CDE9

RGB 97 205 233

HSL 192.35, 0.76%, 0.65%

LAB 77.33, -23.07, -23.21

 

CMYK 44 / 9 / 0 / 7

HEX #85D9EE

RGB 133 217 238

HSL 192, 0.76%, 0.73%

LAB 82.26, -20.14, -18.27

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 17 / 4 / 0 / 3

HEX #CEEFF8

RGB 206 239 248

HSL 192.86, 0.75%, 0.89%

LAB 92.41, -8.85, -7.94

 

CMYK 4 / 1 / 0 / 1

HEX #F2FBFD

RGB 242 251 253

HSL 190.91, 0.73%, 0.97%

LAB 98.02, -2.58, -1.99

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 18 / 30 / 0 / 5

HEX #C7A9F3

RGB 199 169 243

HSL 264.32, 0.76%, 0.81%

LAB 74.18, 25.19, -32.92

 

CMYK 0 / 6 / 30 / 5

HEX #F3E4A9

RGB 243 228 169

HSL 47.84, 0.76%, 0.81%

LAB 90.51, -3.57, 30.69

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 0 / 30 / 6 / 5

HEX #F3A9E4

RGB 243 169 228

HSL 312.16, 0.76%, 0.81%

LAB 77.89, 36.15, -18.74

 

CMYK 6 / 0 / 30 / 5

HEX #E4F3A9

RGB 228 243 169

HSL 72.16, 0.76%, 0.81%

LAB 93.22, -16.64, 34.11

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 18 / 30 / 0 / 5

HEX #C7A9F3

RGB 199 169 243

HSL 264.32, 0.76%, 0.81%

LAB 74.18, 25.19, -32.92

 

CMYK 0 / 24 / 30 / 5

HEX #F3B8A9

RGB 243 184 169

HSL 12.16, 0.76%, 0.81%

LAB 79.73, 19.29, 15.9

 

CMYK 12 / 0 / 30 / 5

HEX #D5F3A9

RGB 213 243 169

HSL 84.32, 0.76%, 0.81%

LAB 92.18, -22.08, 32.55

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 9 / 30 / 0 / 5

HEX #DDA9F3

RGB 221 169 243

HSL 282.16, 0.76%, 0.81%

LAB 76.2, 31.93, -29.64

 

CMYK 0 / 24 / 30 / 5

HEX #F3B8A9

RGB 243 184 169

HSL 12.16, 0.76%, 0.81%

LAB 79.73, 19.29, 15.9

 

CMYK 21 / 0 / 30 / 5

HEX #BFF3A9

RGB 191 243 169

HSL 102.16, 0.76%, 0.81%

LAB 90.8, -29.77, 30.46

 

Description

Color code: HEX #A9E4F3 | qconv.com Color code: HEX #A9E4F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 228 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 228 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 6 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 6% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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