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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9EB46 it is the complementary color #5614B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9EB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9EB46 shade: #AEEB41, #BFFD54, #D0FF67, #E1FF7A and #F2FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9EB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9EB46 shade: #A9EB46, #98D933, #87C720, #76B50D and #65A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9EB46 shade: #A9EA47, #D5EA47, #EAD347, #EAA747 and #EA7B47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9EB46 shade: #A9EA47, #7DEA47, #51EA47, #47EA69 and #47EA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9EB46 shade matches the following richer shades: #A9EA47 and #ACFB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9EB46 shade: #A9EA47, #A6DA57, #A2C968, #9FB978 and #9CA889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9EB46 shade: #EAD447, #D4EA47, #A9EA47, #7DEA47 and #52EA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9EB46 shade: #81C916, #97E622, #A9EA47, #BAEE6C and #CBF291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9EB46 shade: #A9EB46, #47EAA9 and #EA47EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9EB46 shade: #A9EB46, #47A9EA and #EA47A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9EB46 shade: #A9EB46, #47EAA9, #8847EA and #EA4788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9EB46 shade: #A9EB46, #47EADA, #8847EA and #EA4757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

Complementary color

CMYK 54 / 89 / 0 / 27

HEX #5614B9

RGB 86 20 185

HSL 264, 0.8%, 0.4%

LAB 29.37, 61.04, -72.26

 

CMYK 26 / 0 / 72 / 8

HEX #AEEB41

RGB 174 235 65

HSL 81.53, 0.81%, 0.59%

LAB 86.4, -42.9, 71.58

 

CMYK 25 / 0 / 67 / 1

HEX #BFFD54

RGB 191 253 84

HSL 82.01, 0.98%, 0.66%

LAB 92.56, -43.32, 71.36

 

CMYK 18 / 0 / 60 / 0

HEX #D0FF67

RGB 208 255 103

HSL 78.55, 1%, 0.7%

LAB 94.27, -36.57, 66

 

CMYK 12 / 0 / 52 / 0

HEX #E1FF7A

RGB 225 255 122

HSL 73.53, 1%, 0.74%

LAB 95.55, -28.6, 59.54

 

CMYK 5 / 0 / 45 / 0

HEX #F2FF8D

RGB 242 255 141

HSL 66.84, 1%, 0.78%

LAB 96.95, -20.37, 52.77

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

CMYK 30 / 0 / 76 / 15

HEX #98D933

RGB 152 217 51

HSL 83.49, 0.69%, 0.53%

LAB 79.92, -43.95, 69.43

 

CMYK 32 / 0 / 84 / 22

HEX #87C720

RGB 135 199 32

HSL 82.99, 0.72%, 0.45%

LAB 73.61, -43.29, 68.53

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 38 / 0 / 100 / 36

HEX #65A300

RGB 101 163 0

HSL 82.82, 1%, 0.32%

LAB 60.75, -41.23, 62.58

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 9 / 0 / 70 / 8

HEX #D5EA47

RGB 213 234 71

HSL 67.73, 0.8%, 0.6%

LAB 88.66, -27.02, 72.58

 

CMYK 0 / 10 / 70 / 8

HEX #EAD347

RGB 234 211 71

HSL 51.53, 0.8%, 0.6%

LAB 84.24, -7.1, 68.76

 

CMYK 0 / 29 / 70 / 8

HEX #EAA747

RGB 234 167 71

HSL 35.34, 0.8%, 0.6%

LAB 73.28, 15.8, 57.55

 

CMYK 0 / 47 / 70 / 8

HEX #EA7B47

RGB 234 123 71

HSL 19.14, 0.8%, 0.6%

LAB 63.44, 38.9, 46.91

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 47 / 0 / 70 / 8

HEX #7DEA47

RGB 125 234 71

HSL 100.12, 0.8%, 0.6%

LAB 83.79, -58.52, 66.09

 

CMYK 65 / 0 / 70 / 8

HEX #51EA47

RGB 81 234 71

HSL 116.32, 0.8%, 0.6%

LAB 82.41, -69.39, 64.22

 

CMYK 70 / 0 / 55 / 8

HEX #47EA69

RGB 71 234 105

HSL 132.52, 0.8%, 0.6%

LAB 82.49, -67.61, 50.09

 

CMYK 70 / 0 / 36 / 8

HEX #47EA95

RGB 71 234 149

HSL 148.71, 0.8%, 0.6%

LAB 83.1, -60.62, 29.44

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 31 / 0 / 78 / 2

HEX #ACFB36

RGB 172 251 54

HSL 84.06, 0.96%, 0.6%

LAB 90.79, -50.92, 79.03

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 24 / 0 / 60 / 15

HEX #A6DA57

RGB 166 218 87

HSL 83.82, 0.64%, 0.6%

LAB 81.26, -36.82, 57.61

 

CMYK 19 / 0 / 48 / 21

HEX #A2C968

RGB 162 201 104

HSL 84.12, 0.47%, 0.6%

LAB 76.35, -28.79, 44

 

CMYK 14 / 0 / 35 / 27

HEX #9FB978

RGB 159 185 120

HSL 84, 0.32%, 0.6%

LAB 71.84, -20.12, 30.13

 

CMYK 7 / 0 / 18 / 34

HEX #9CA889

RGB 156 168 137

HSL 83.23, 0.15%, 0.6%

LAB 67.19, -9.9, 14.62

 

CMYK 0 / 9 / 70 / 8

HEX #EAD447

RGB 234 212 71

HSL 51.9, 0.8%, 0.6%

LAB 84.5, -7.61, 69.02

 

CMYK 9 / 0 / 70 / 8

HEX #D4EA47

RGB 212 234 71

HSL 68.1, 0.8%, 0.6%

LAB 88.59, -27.42, 72.49

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 47 / 0 / 70 / 8

HEX #7DEA47

RGB 125 234 71

HSL 100.12, 0.8%, 0.6%

LAB 83.79, -58.52, 66.09

 

CMYK 65 / 0 / 70 / 8

HEX #52EA47

RGB 82 234 71

HSL 115.95, 0.8%, 0.6%

LAB 82.43, -69.19, 64.26

 

CMYK 36 / 0 / 89 / 21

HEX #81C916

RGB 129 201 22

HSL 84.13, 0.8%, 0.44%

LAB 73.87, -46.61, 70.66

 

CMYK 34 / 0 / 85 / 10

HEX #97E622

RGB 151 230 34

HSL 84.18, 0.8%, 0.52%

LAB 83.59, -50.43, 77.04

 

CMYK 28 / 0 / 70 / 8

HEX #A9EA47

RGB 169 234 71

HSL 83.93, 0.8%, 0.6%

LAB 85.87, -43.94, 68.88

 

CMYK 22 / 0 / 55 / 7

HEX #BAEE6C

RGB 186 238 108

HSL 84, 0.79%, 0.68%

LAB 88.29, -36.61, 56.7

 

CMYK 16 / 0 / 40 / 5

HEX #CBF291

RGB 203 242 145

HSL 84.12, 0.79%, 0.76%

LAB 90.89, -28.3, 42.69

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

CMYK 70 / 0 / 28 / 8

HEX #47EAA9

RGB 71 234 169

HSL 156.07, 0.8%, 0.6%

LAB 83.47, -56.62, 19.66

 

CMYK 0 / 70 / 0 / 8

HEX #EA47EA

RGB 234 71 234

HSL 300, 0.8%, 0.6%

LAB 59.83, 79.53, -50.13

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

CMYK 70 / 28 / 0 / 8

HEX #47A9EA

RGB 71 169 234

HSL 203.93, 0.8%, 0.6%

LAB 66.26, -8.03, -40.92

 

CMYK 0 / 70 / 28 / 8

HEX #EA47A9

RGB 234 71 169

HSL 323.93, 0.8%, 0.6%

LAB 56.94, 70.46, -17.54

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

CMYK 70 / 0 / 28 / 8

HEX #47EAA9

RGB 71 234 169

HSL 156.07, 0.8%, 0.6%

LAB 83.47, -56.62, 19.66

 

CMYK 42 / 70 / 0 / 8

HEX #8847EA

RGB 136 71 234

HSL 263.93, 0.8%, 0.6%

LAB 46.55, 60.1, -72.19

 

CMYK 0 / 70 / 42 / 8

HEX #EA4788

RGB 234 71 136

HSL 336.07, 0.8%, 0.6%

LAB 55.86, 66.89, 0.24

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB46

RGB 169 235 70

HSL 84, 0.8%, 0.6%

LAB 86.15, -44.43, 69.52

 

CMYK 70 / 0 / 7 / 8

HEX #47EADA

RGB 71 234 218

HSL 174.11, 0.8%, 0.6%

LAB 84.61, -44.91, -4.39

 

CMYK 42 / 70 / 0 / 8

HEX #8847EA

RGB 136 71 234

HSL 263.93, 0.8%, 0.6%

LAB 46.55, 60.1, -72.19

 

CMYK 0 / 70 / 63 / 8

HEX #EA4757

RGB 234 71 87

HSL 354.11, 0.8%, 0.6%

LAB 54.75, 63.09, 27.72

 

Description

Color code: HEX #A9EB46 | qconv.com Color code: HEX #A9EB46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 235 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 235 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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