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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA452 it is the complementary color #535BAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA452 shade: #B1A44D, #C2B660, #D3C873, #E4DA86 and #F5EC99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA452 shade: #ACA452, #9B923F, #8A802C, #796E19 and #685C06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA452 shade: #ACA452, #AC8C52, #AC7452, #AC5B52 and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA452 shade: #ACA452, #9BAC52, #83AC52, #6BAC52 and #53AC52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA452 shade matches the following richer shades: #ACA452, #C0B53E, #D5C629, #EAD714 and #FEE800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA452 shade: #ACA452, #979367, #82827C, #6E7190 and #5960A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA452 shade: #AC7352, #AC8B52, #ACA352, #9DAC52 and #85AC52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA452 shade: #746F38, #908945, #ACA452, #B9B26E and #C6C18A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA452 shade: #ACA452, #52AC5B and #7F52AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA452 shade: #ACA452, #52ACA3 and #A352AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA452 shade: #ACA452, #52AC5B, #525BAC and #AC52A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA452 shade: #ACA452, #52AC76, #525BAC and #AC5288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

Complementary color

CMYK 52 / 47 / 0 / 32

HEX #535BAD

RGB 83 91 173

HSL 234.67, 0.35%, 0.5%

LAB 41.75, 20.39, -45.01

 

CMYK 0 / 7 / 56 / 31

HEX #B1A44D

RGB 177 164 77

HSL 52.2, 0.39%, 0.5%

LAB 66.85, -6.59, 46.09

 

CMYK 0 / 6 / 51 / 24

HEX #C2B660

RGB 194 182 96

HSL 52.65, 0.45%, 0.57%

LAB 73.4, -7.27, 44.91

 

CMYK 0 / 5 / 45 / 17

HEX #D3C873

RGB 211 200 115

HSL 53.13, 0.52%, 0.64%

LAB 79.84, -7.83, 43.7

 

CMYK 0 / 4 / 41 / 11

HEX #E4DA86

RGB 228 218 134

HSL 53.62, 0.64%, 0.71%

LAB 86.19, -8.3, 42.5

 

CMYK 0 / 4 / 38 / 4

HEX #F5EC99

RGB 245 236 153

HSL 54.13, 0.82%, 0.78%

LAB 92.44, -8.7, 41.34

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 0 / 6 / 59 / 39

HEX #9B923F

RGB 155 146 63

HSL 54.13, 0.42%, 0.43%

LAB 59.78, -7.61, 44.25

 

CMYK 0 / 7 / 68 / 46

HEX #8A802C

RGB 138 128 44

HSL 53.62, 0.52%, 0.36%

LAB 52.98, -6.73, 45.18

 

CMYK 0 / 9 / 79 / 53

HEX #796E19

RGB 121 110 25

HSL 53.13, 0.66%, 0.29%

LAB 46.02, -5.6, 45.53

 

CMYK 0 / 12 / 94 / 59

HEX #685C06

RGB 104 92 6

HSL 52.65, 0.89%, 0.22%

LAB 38.92, -4.11, 44.54

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 0 / 19 / 52 / 33

HEX #AC8C52

RGB 172 140 82

HSL 38.67, 0.35%, 0.5%

LAB 60.01, 4.72, 35.32

 

CMYK 0 / 33 / 52 / 33

HEX #AC7452

RGB 172 116 82

HSL 22.67, 0.35%, 0.5%

LAB 53.89, 18.18, 27.64

 

CMYK 0 / 47 / 52 / 33

HEX #AC5B52

RGB 172 91 82

HSL 6, 0.35%, 0.5%

LAB 48.09, 32.05, 20.07

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 10 / 0 / 52 / 33

HEX #9BAC52

RGB 155 172 82

HSL 71.33, 0.35%, 0.5%

LAB 67.34, -19.57, 43.79

 

CMYK 24 / 0 / 52 / 33

HEX #83AC52

RGB 131 172 82

HSL 87.33, 0.35%, 0.5%

LAB 65.7, -29.11, 41.44

 

CMYK 38 / 0 / 52 / 33

HEX #6BAC52

RGB 107 172 82

HSL 103.33, 0.35%, 0.5%

LAB 64.35, -37.79, 39.51

 

CMYK 52 / 0 / 52 / 33

HEX #53AC52

RGB 83 172 82

HSL 119.33, 0.35%, 0.5%

LAB 63.3, -45.21, 37.99

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 0 / 6 / 68 / 25

HEX #C0B53E

RGB 192 181 62

HSL 54.92, 0.51%, 0.5%

LAB 72.63, -10.06, 59.37

 

CMYK 0 / 7 / 81 / 16

HEX #D5C629

RGB 213 198 41

HSL 54.77, 0.68%, 0.5%

LAB 78.86, -10.63, 72.96

 

CMYK 0 / 8 / 91 / 8

HEX #EAD714

RGB 234 215 20

HSL 54.67, 0.84%, 0.5%

LAB 85.07, -10.68, 82.97

 

CMYK 0 / 9 / 100 / 0

HEX #FEE800

RGB 254 232 0

HSL 54.8, 1%, 0.5%

LAB 91.14, -10.84, 90.09

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 0 / 3 / 32 / 41

HEX #979367

RGB 151 147 103

HSL 55, 0.19%, 0.5%

LAB 60.27, -5.67, 23.88

 

CMYK 0 / 0 / 5 / 49

HEX #82827C

RGB 130 130 124

HSL 60, 0.02%, 0.5%

LAB 54.2, -1.16, 3.24

 

CMYK 24 / 22 / 0 / 44

HEX #6E7190

RGB 110 113 144

HSL 234.71, 0.13%, 0.5%

LAB 48.43, 6, -17.26

 

CMYK 46 / 42 / 0 / 35

HEX #5960A5

RGB 89 96 165

HSL 234.47, 0.3%, 0.5%

LAB 43.07, 16.14, -38.16

 

CMYK 0 / 33 / 52 / 33

HEX #AC7352

RGB 172 115 82

HSL 22, 0.35%, 0.5%

LAB 53.64, 18.74, 27.33

 

CMYK 0 / 19 / 52 / 33

HEX #AC8B52

RGB 172 139 82

HSL 38, 0.35%, 0.5%

LAB 59.75, 5.27, 35

 

CMYK 0 / 5 / 52 / 33

HEX #ACA352

RGB 172 163 82

HSL 54, 0.35%, 0.5%

LAB 66.19, -7.78, 42.77

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 23 / 0 / 52 / 33

HEX #85AC52

RGB 133 172 82

HSL 86, 0.35%, 0.5%

LAB 65.83, -28.34, 41.62

 

CMYK 0 / 4 / 52 / 55

HEX #746F38

RGB 116 111 56

HSL 55, 0.35%, 0.34%

LAB 46.13, -6.29, 31.06

 

CMYK 0 / 5 / 52 / 44

HEX #908945

RGB 144 137 69

HSL 54.4, 0.35%, 0.42%

LAB 56.34, -7.05, 37.03

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 0 / 4 / 41 / 27

HEX #B9B26E

RGB 185 178 110

HSL 54.4, 0.35%, 0.58%

LAB 71.75, -7.49, 35.61

 

CMYK 0 / 3 / 30 / 22

HEX #C6C18A

RGB 198 193 138

HSL 55, 0.34%, 0.66%

LAB 77.27, -6.79, 28.39

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 0 / 47 / 33

HEX #52AC5B

RGB 82 172 91

HSL 126, 0.35%, 0.5%

LAB 63.39, -44.2, 33.53

 

CMYK 26 / 52 / 0 / 33

HEX #7F52AC

RGB 127 82 172

HSL 270, 0.35%, 0.5%

LAB 43.54, 36.8, -41.32

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 0 / 5 / 33

HEX #52ACA3

RGB 82 172 163

HSL 174, 0.35%, 0.5%

LAB 64.92, -29.09, -3.6

 

CMYK 5 / 52 / 0 / 33

HEX #A352AC

RGB 163 82 172

HSL 294, 0.35%, 0.5%

LAB 48.01, 46.88, -33.98

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 0 / 47 / 33

HEX #52AC5B

RGB 82 172 91

HSL 126, 0.35%, 0.5%

LAB 63.39, -44.2, 33.53

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 5 / 33

HEX #AC52A3

RGB 172 82 163

HSL 306, 0.35%, 0.5%

LAB 48.82, 47.82, -27.32

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 0 / 31 / 33

HEX #52AC76

RGB 82 172 118

HSL 144, 0.35%, 0.5%

LAB 63.84, -39.48, 19.77

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 21 / 33

HEX #AC5288

RGB 172 82 136

HSL 324, 0.35%, 0.5%

LAB 47.73, 43.4, -12.92

 

Description

Color code: HEX #ACA452 | qconv.com Color code: HEX #ACA452 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 164 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 164 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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