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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA9AF it is the complementary color #535650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA9AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA9AF shade: #B1A9AA, #C2BBBD, #D3CDD0, #E4DFE3 and #F5F1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA9AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA9AF shade: #ACA9AF, #9B979C, #8A8589, #797376 and #686163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA9AF shade: #AAA7AE, #ACA7AE, #AEA7AD, #AEA7AC and #AEA7AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA9AF shade: #AAA7AE, #A9A7AE and #A7A7AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA9AF shade matches the following richer shades: #AAA7AE, #AA99BB, #AA8CC9, #AA7ED7 and #AA71E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA9AF shade: #AAA7AE, #AAB5A0, #AAC292, #AAD085 and #AADD77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA9AF shade: #A7A7AE, #A9A7AE, #AAA7AE, #ACA7AE and #AEA7AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA9AF shade: #817C86, #96929A, #AAA7AE, #BFBCC2 and #D4D2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA9AF shade: #ACA9AF, #AEA7A9 and #A7AEA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA9AF shade: #ACA9AF, #AEAAA7 and #A7AEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA9AF shade: #ACA9AF, #AEA7A9, #AAAEA7 and #A7AEAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA9AF shade: #ACA9AF, #AEA7A7, #AAAEA7 and #A7AEAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

Complementary color

CMYK 3 / 0 / 7 / 66

HEX #535650

RGB 83 86 80

HSL 90, 0.04%, 0.33%

LAB 36.13, -2.47, 3.07

 

CMYK 0 / 5 / 4 / 31

HEX #B1A9AA

RGB 177 169 170

HSL 352.5, 0.05%, 0.68%

LAB 69.91, 3.05, 0.5

 

CMYK 0 / 4 / 3 / 24

HEX #C2BBBD

RGB 194 187 189

HSL 342.86, 0.05%, 0.75%

LAB 76.49, 2.82, -0.14

 

CMYK 0 / 3 / 1 / 17

HEX #D3CDD0

RGB 211 205 208

HSL 330, 0.06%, 0.82%

LAB 82.95, 2.61, -0.76

 

CMYK 0 / 2 / 0 / 11

HEX #E4DFE3

RGB 228 223 227

HSL 312, 0.08%, 0.88%

LAB 89.31, 2.41, -1.36

 

CMYK 0 / 2 / 0 / 4

HEX #F5F1F6

RGB 245 241 246

HSL 288, 0.22%, 0.95%

LAB 95.57, 2.22, -1.94

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 1 / 3 / 0 / 39

HEX #9B979C

RGB 155 151 156

HSL 288, 0.02%, 0.6%

LAB 62.93, 2.42, -2.11

 

CMYK 0 / 4 / 1 / 46

HEX #8A8589

RGB 138 133 137

HSL 312, 0.02%, 0.53%

LAB 56.07, 2.65, -1.49

 

CMYK 0 / 5 / 2 / 53

HEX #797376

RGB 121 115 118

HSL 330, 0.03%, 0.46%

LAB 49.05, 2.9, -0.83

 

CMYK 0 / 7 / 5 / 59

HEX #686163

RGB 104 97 99

HSL 342.86, 0.03%, 0.39%

LAB 41.83, 3.18, -0.14

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 1 / 4 / 0 / 32

HEX #ACA7AE

RGB 172 167 174

HSL 282.86, 0.04%, 0.67%

LAB 69.09, 3.11, -2.97

 

CMYK 0 / 4 / 1 / 32

HEX #AEA7AD

RGB 174 167 173

HSL 308.57, 0.04%, 0.67%

LAB 69.22, 3.63, -2.2

 

CMYK 0 / 4 / 1 / 32

HEX #AEA7AC

RGB 174 167 172

HSL 317.14, 0.04%, 0.67%

LAB 69.19, 3.44, -1.69

 

CMYK 0 / 4 / 2 / 32

HEX #AEA7AA

RGB 174 167 170

HSL 334.29, 0.04%, 0.67%

LAB 69.14, 3.07, -0.66

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 3 / 4 / 0 / 32

HEX #A9A7AE

RGB 169 167 174

HSL 257.14, 0.04%, 0.67%

LAB 68.84, 2.05, -3.36

 

CMYK 4 / 4 / 0 / 32

HEX #A7A7AE

RGB 167 167 174

HSL 240, 0.04%, 0.67%

LAB 68.69, 1.35, -3.61

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 9 / 18 / 0 / 27

HEX #AA99BB

RGB 170 153 187

HSL 270, 0.2%, 0.67%

LAB 65.68, 12.8, -15.3

 

CMYK 15 / 30 / 0 / 21

HEX #AA8CC9

RGB 170 140 201

HSL 269.51, 0.36%, 0.67%

LAB 62.94, 23.15, -27.33

 

CMYK 21 / 41 / 0 / 16

HEX #AA7ED7

RGB 170 126 215

HSL 269.66, 0.53%, 0.67%

LAB 60.23, 34.22, -39.41

 

CMYK 25 / 50 / 0 / 11

HEX #AA71E4

RGB 170 113 228

HSL 269.74, 0.68%, 0.67%

LAB 58, 44.43, -50.21

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 6 / 0 / 12 / 29

HEX #AAB5A0

RGB 170 181 160

HSL 91.43, 0.12%, 0.67%

LAB 72.32, -7.72, 9.39

 

CMYK 12 / 0 / 25 / 24

HEX #AAC292

RGB 170 194 146

HSL 90, 0.28%, 0.67%

LAB 75.58, -16.77, 21.51

 

CMYK 18 / 0 / 36 / 18

HEX #AAD085

RGB 170 208 133

HSL 90.4, 0.44%, 0.67%

LAB 79.24, -25.6, 33.23

 

CMYK 23 / 0 / 46 / 13

HEX #AADD77

RGB 170 221 119

HSL 90, 0.6%, 0.67%

LAB 82.7, -33.52, 44.62

 

CMYK 4 / 4 / 0 / 32

HEX #A7A7AE

RGB 167 167 174

HSL 240, 0.04%, 0.67%

LAB 68.69, 1.35, -3.61

 

CMYK 3 / 4 / 0 / 32

HEX #A9A7AE

RGB 169 167 174

HSL 257.14, 0.04%, 0.67%

LAB 68.84, 2.05, -3.36

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 1 / 4 / 0 / 32

HEX #ACA7AE

RGB 172 167 174

HSL 282.86, 0.04%, 0.67%

LAB 69.09, 3.11, -2.97

 

CMYK 0 / 4 / 1 / 32

HEX #AEA7AD

RGB 174 167 173

HSL 308.57, 0.04%, 0.67%

LAB 69.22, 3.63, -2.2

 

CMYK 4 / 7 / 0 / 47

HEX #817C86

RGB 129 124 134

HSL 270, 0.04%, 0.51%

LAB 52.73, 3.9, -4.75

 

CMYK 3 / 5 / 0 / 40

HEX #96929A

RGB 150 146 154

HSL 270, 0.04%, 0.59%

LAB 61.11, 3.03, -3.7

 

CMYK 2 / 4 / 0 / 32

HEX #AAA7AE

RGB 170 167 174

HSL 265.71, 0.04%, 0.67%

LAB 68.92, 2.41, -3.23

 

CMYK 2 / 3 / 0 / 24

HEX #BFBCC2

RGB 191 188 194

HSL 270, 0.05%, 0.75%

LAB 76.64, 2.17, -2.66

 

CMYK 0 / 1 / 0 / 16

HEX #D4D2D5

RGB 212 210 213

HSL 280, 0.03%, 0.83%

LAB 84.43, 1.23, -1.25

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 0 / 4 / 3 / 32

HEX #AEA7A9

RGB 174 167 169

HSL 342.86, 0.04%, 0.67%

LAB 69.11, 2.88, -0.14

 

CMYK 4 / 0 / 3 / 32

HEX #A7AEA8

RGB 167 174 168

HSL 128.57, 0.04%, 0.67%

LAB 70.4, -3.6, 2.21

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 0 / 2 / 4 / 32

HEX #AEAAA7

RGB 174 170 167

HSL 25.71, 0.04%, 0.67%

LAB 69.85, 0.88, 2.04

 

CMYK 4 / 0 / 2 / 32

HEX #A7AEAA

RGB 167 174 170

HSL 145.71, 0.04%, 0.67%

LAB 70.45, -3.22, 1.19

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 0 / 4 / 3 / 32

HEX #AEA7A9

RGB 174 167 169

HSL 342.86, 0.04%, 0.67%

LAB 69.11, 2.88, -0.14

 

CMYK 2 / 0 / 4 / 32

HEX #AAAEA7

RGB 170 174 167

HSL 94.29, 0.04%, 0.67%

LAB 70.6, -2.72, 3.09

 

CMYK 4 / 0 / 1 / 32

HEX #A7AEAC

RGB 167 174 172

HSL 162.86, 0.04%, 0.67%

LAB 70.5, -2.84, 0.16

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 0 / 4 / 4 / 32

HEX #AEA7A7

RGB 174 167 167

HSL 0, 0.04%, 0.67%

LAB 69.06, 2.51, 0.89

 

CMYK 2 / 0 / 4 / 32

HEX #AAAEA7

RGB 170 174 167

HSL 94.29, 0.04%, 0.67%

LAB 70.6, -2.72, 3.09

 

CMYK 4 / 0 / 0 / 32

HEX #A7AEAE

RGB 167 174 174

HSL 180, 0.04%, 0.67%

LAB 70.56, -2.45, -0.86

 

Description

Color code: HEX #ACA9AF | qconv.com Color code: HEX #ACA9AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 169 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 169 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 3 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 3% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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