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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA3E5 it is the complementary color #535C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA3E5 shade: #B1A3E0, #C2B5F3, #D3C7FF, #E4D9FF and #F5EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA3E5 shade: #ACA3E5, #9B91D2, #8A7FBF, #796DAC and #685B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA3E5 shade: #ACA3E5, #BEA3E5, #CFA3E5, #E1A3E5 and #E5A3D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA3E5 shade: #ACA3E5 and #A3A3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA3E5 shade matches the following richer shades: #ACA3E5, #A59AEE and #9E90F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA3E5 shade: #ACA3E5, #B3ACDB, #BAB6D2, #C1BFC8 and #C8C9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA3E5 shade: #A3BDE5, #A3ACE5, #ACA3E5, #BDA3E5 and #CFA3E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA3E5 shade: #7263D3, #8F83DC, #ACA3E5, #C9C3EE and #E6E3F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA3E5 shade: #ACA3E5, #E5A3CF and #B5E5A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA3E5 shade: #ACA3E5, #E5ACA3 and #A3E5AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA3E5 shade: #ACA3E5, #E5A3CF, #DCE5A3 and #A3E5B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA3E5 shade: #ACA3E5, #E5A3BB, #DCE5A3 and #A3E5CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

Complementary color

CMYK 10 / 0 / 72 / 64

HEX #535C1A

RGB 83 92 26

HSL 68.18, 0.56%, 0.23%

LAB 37.06, -13.46, 35.21

 

CMYK 21 / 27 / 0 / 12

HEX #B1A3E0

RGB 177 163 224

HSL 253.77, 0.5%, 0.76%

LAB 70.12, 17.57, -28.98

 

CMYK 20 / 26 / 0 / 5

HEX #C2B5F3

RGB 194 181 243

HSL 252.58, 0.72%, 0.83%

LAB 76.67, 17.08, -29.12

 

CMYK 17 / 22 / 0 / 0

HEX #D3C7FF

RGB 211 199 255

HSL 252.86, 1%, 0.89%

LAB 82.87, 15.12, -25.94

 

CMYK 11 / 15 / 0 / 0

HEX #E4D9FF

RGB 228 217 255

HSL 257.37, 1%, 0.93%

LAB 88.61, 10.84, -17.12

 

CMYK 4 / 8 / 0 / 0

HEX #F5EBFF

RGB 245 235 255

HSL 270, 1%, 0.96%

LAB 94.33, 6.93, -8.43

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 26 / 31 / 0 / 18

HEX #9B91D2

RGB 155 145 210

HSL 249.23, 0.42%, 0.7%

LAB 63.24, 17.78, -32.02

 

CMYK 28 / 34 / 0 / 25

HEX #8A7FBF

RGB 138 127 191

HSL 250.31, 0.33%, 0.62%

LAB 56.43, 18.4, -31.99

 

CMYK 30 / 37 / 0 / 33

HEX #796DAC

RGB 121 109 172

HSL 251.43, 0.28%, 0.55%

LAB 49.47, 19.1, -32.01

 

CMYK 32 / 41 / 0 / 40

HEX #685B99

RGB 104 91 153

HSL 252.58, 0.25%, 0.48%

LAB 42.35, 19.9, -32.09

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 17 / 29 / 0 / 10

HEX #BEA3E5

RGB 190 163 229

HSL 264.55, 0.56%, 0.77%

LAB 71.42, 22.68, -29.63

 

CMYK 10 / 29 / 0 / 10

HEX #CFA3E5

RGB 207 163 229

HSL 280, 0.56%, 0.77%

LAB 72.97, 27.99, -27.11

 

CMYK 2 / 29 / 0 / 10

HEX #E1A3E5

RGB 225 163 229

HSL 296.36, 0.56%, 0.77%

LAB 74.74, 33.7, -24.25

 

CMYK 0 / 29 / 6 / 10

HEX #E5A3D7

RGB 229 163 215

HSL 312.73, 0.56%, 0.77%

LAB 74.67, 32.48, -16.67

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 31 / 35 / 0 / 7

HEX #A59AEE

RGB 165 154 238

HSL 247.86, 0.71%, 0.77%

LAB 67.49, 22.49, -40.82

 

CMYK 36 / 42 / 0 / 3

HEX #9E90F8

RGB 158 144 248

HSL 248.08, 0.88%, 0.77%

LAB 64.96, 28.89, -50.32

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 18 / 21 / 0 / 14

HEX #B3ACDB

RGB 179 172 219

HSL 248.94, 0.39%, 0.77%

LAB 72.36, 12.05, -22.79

 

CMYK 11 / 13 / 0 / 18

HEX #BAB6D2

RGB 186 182 210

HSL 248.57, 0.24%, 0.77%

LAB 75.17, 6.88, -13.58

 

CMYK 4 / 5 / 0 / 22

HEX #C1BFC8

RGB 193 191 200

HSL 253.33, 0.08%, 0.77%

LAB 77.74, 2.38, -4.28

 

CMYK 0 / 0 / 5 / 21

HEX #C8C9BF

RGB 200 201 191

HSL 66, 0.08%, 0.77%

LAB 80.64, -2.14, 4.86

 

CMYK 29 / 17 / 0 / 10

HEX #A3BDE5

RGB 163 189 229

HSL 216.36, 0.56%, 0.77%

LAB 75.97, 0.21, -22.83

 

CMYK 29 / 25 / 0 / 10

HEX #A3ACE5

RGB 163 172 229

HSL 231.82, 0.56%, 0.77%

LAB 71.52, 9.55, -29.65

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 17 / 29 / 0 / 10

HEX #BDA3E5

RGB 189 163 229

HSL 263.64, 0.56%, 0.77%

LAB 71.33, 22.37, -29.77

 

CMYK 10 / 29 / 0 / 10

HEX #CFA3E5

RGB 207 163 229

HSL 280, 0.56%, 0.77%

LAB 72.97, 27.99, -27.11

 

CMYK 46 / 53 / 0 / 17

HEX #7263D3

RGB 114 99 211

HSL 248.04, 0.56%, 0.61%

LAB 48.52, 34.21, -56.06

 

CMYK 35 / 40 / 0 / 14

HEX #8F83DC

RGB 143 131 220

HSL 248.09, 0.56%, 0.69%

LAB 59.2, 25.03, -44

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 16 / 18 / 0 / 7

HEX #C9C3EE

RGB 201 195 238

HSL 248.37, 0.56%, 0.85%

LAB 80.53, 10.54, -20.5

 

CMYK 7 / 8 / 0 / 3

HEX #E6E3F7

RGB 230 227 247

HSL 249, 0.56%, 0.93%

LAB 91, 4.69, -9.34

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 0 / 29 / 10 / 10

HEX #E5A3CF

RGB 229 163 207

HSL 320, 0.56%, 0.77%

LAB 74.42, 31.11, -12.67

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A3

RGB 181 229 163

HSL 103.64, 0.56%, 0.77%

LAB 86.26, -27.46, 27.29

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 0 / 25 / 29 / 10

HEX #E5ACA3

RGB 229 172 163

HSL 8.18, 0.56%, 0.77%

LAB 75.33, 19.62, 12.76

 

CMYK 29 / 0 / 25 / 10

HEX #A3E5AC

RGB 163 229 172

HSL 128.18, 0.56%, 0.77%

LAB 85.4, -31.93, 21.3

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 0 / 29 / 10 / 10

HEX #E5A3CF

RGB 229 163 207

HSL 320, 0.56%, 0.77%

LAB 74.42, 31.11, -12.67

 

CMYK 4 / 0 / 29 / 10

HEX #DCE5A3

RGB 220 229 163

HSL 68.18, 0.56%, 0.77%

LAB 88.87, -13.47, 31.26

 

CMYK 29 / 0 / 19 / 10

HEX #A3E5B9

RGB 163 229 185

HSL 140, 0.56%, 0.77%

LAB 85.67, -29.6, 14.9

 

CMYK 25 / 29 / 0 / 10

HEX #ACA3E5

RGB 172 163 229

HSL 248.18, 0.56%, 0.77%

LAB 69.91, 17.23, -32.08

 

CMYK 0 / 29 / 18 / 10

HEX #E5A3BB

RGB 229 163 187

HSL 338.18, 0.56%, 0.77%

LAB 73.83, 27.89, -2.56

 

CMYK 4 / 0 / 29 / 10

HEX #DCE5A3

RGB 220 229 163

HSL 68.18, 0.56%, 0.77%

LAB 88.87, -13.47, 31.26

 

CMYK 29 / 0 / 10 / 10

HEX #A3E5CD

RGB 163 229 205

HSL 158.18, 0.56%, 0.77%

LAB 86.12, -25.7, 5.06

 

Description

Color code: HEX #ACA3E5 | qconv.com Color code: HEX #ACA3E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 163 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 163 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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