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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACAAA5 it is the complementary color #53555A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACAAA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACAAA5 shade: #B1AAA0, #C2BCB3, #D3CEC6, #E4E0D9 and #F5F2EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACAAA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACAAA5 shade: #ACAAA5, #9B9892, #8A867F, #79746C and #686259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACAAA5 shade: #ABA9A4, #ABA7A4, #ABA6A4 and #ABA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACAAA5 shade: #ABA9A4, #ABABA4, #AAABA4, #A8ABA4 and #A6ABA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACAAA5 shade matches the following richer shades: #ABA9A4, #B9AF96, #C7B588, #D5BB7A and #E3C16C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACAAA5 shade: #ABA9A4, #9DA3B2, #8F9DC0, #8197CE and #7391DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACAAA5 shade: #ABA5A4, #ABA7A4, #ABA9A4, #ABABA4 and #AAABA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACAAA5 shade: #848179, #97958F, #ABA9A4, #BFBEBA and #D3D2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACAAA5 shade: #ACAAA5, #A5ABA4 and #A6A4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACAAA5 shade: #ACAAA5, #A4ABA9 and #A9A4AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACAAA5 shade: #ACAAA5, #A5ABA4, #A4A6AB and #ABA4AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACAAA5 shade: #ACAAA5, #A4ABA6, #A4A6AB and #ABA4AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

Complementary color

CMYK 8 / 6 / 0 / 65

HEX #53555A

RGB 83 85 90

HSL 222.86, 0.04%, 0.34%

LAB 36.13, 0.32, -3.18

 

CMYK 0 / 4 / 10 / 31

HEX #B1AAA0

RGB 177 170 160

HSL 35.29, 0.1%, 0.66%

LAB 69.92, 0.73, 6.04

 

CMYK 0 / 3 / 8 / 24

HEX #C2BCB3

RGB 194 188 179

HSL 36, 0.11%, 0.73%

LAB 76.49, 0.52, 5.29

 

CMYK 0 / 2 / 6 / 17

HEX #D3CEC6

RGB 211 206 198

HSL 36.92, 0.13%, 0.8%

LAB 82.95, 0.32, 4.57

 

CMYK 0 / 2 / 5 / 11

HEX #E4E0D9

RGB 228 224 217

HSL 38.18, 0.17%, 0.87%

LAB 89.31, 0.14, 3.89

 

CMYK 0 / 1 / 4 / 4

HEX #F5F2EC

RGB 245 242 236

HSL 40, 0.31%, 0.94%

LAB 95.57, -0.03, 3.23

 

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

CMYK 0 / 2 / 6 / 39

HEX #9B9892

RGB 155 152 146

HSL 40, 0.04%, 0.59%

LAB 62.93, -0.02, 3.53

 

CMYK 0 / 3 / 8 / 46

HEX #8A867F

RGB 138 134 127

HSL 38.18, 0.04%, 0.52%

LAB 56.07, 0.18, 4.29

 

CMYK 0 / 4 / 11 / 53

HEX #79746C

RGB 121 116 108

HSL 36.92, 0.06%, 0.45%

LAB 49.05, 0.4, 5.1

 

CMYK 0 / 6 / 14 / 59

HEX #686259

RGB 104 98 89

HSL 36, 0.08%, 0.38%

LAB 41.84, 0.66, 5.97

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 0 / 2 / 4 / 33

HEX #ABA7A4

RGB 171 167 164

HSL 25.71, 0.04%, 0.66%

LAB 68.73, 0.88, 2.05

 

CMYK 0 / 3 / 4 / 33

HEX #ABA6A4

RGB 171 166 164

HSL 17.14, 0.04%, 0.66%

LAB 68.47, 1.43, 1.66

 

CMYK 0 / 4 / 4 / 33

HEX #ABA4A4

RGB 171 164 164

HSL 0, 0.04%, 0.66%

LAB 67.94, 2.52, 0.89

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 0 / 0 / 4 / 33

HEX #ABABA4

RGB 171 171 164

HSL 60, 0.04%, 0.66%

LAB 69.8, -1.29, 3.59

 

CMYK 1 / 0 / 4 / 33

HEX #AAABA4

RGB 170 171 164

HSL 68.57, 0.04%, 0.66%

LAB 69.72, -1.65, 3.47

 

CMYK 2 / 0 / 4 / 33

HEX #A8ABA4

RGB 168 171 164

HSL 85.71, 0.04%, 0.66%

LAB 69.56, -2.37, 3.22

 

CMYK 3 / 0 / 4 / 33

HEX #A6ABA4

RGB 166 171 164

HSL 102.86, 0.04%, 0.66%

LAB 69.41, -3.09, 2.98

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 0 / 5 / 19 / 27

HEX #B9AF96

RGB 185 175 150

HSL 42.86, 0.2%, 0.66%

LAB 71.67, -0.6, 14.11

 

CMYK 0 / 9 / 32 / 22

HEX #C7B588

RGB 199 181 136

HSL 42.86, 0.36%, 0.66%

LAB 74.17, -0.35, 25.3

 

CMYK 0 / 12 / 43 / 16

HEX #D5BB7A

RGB 213 187 122

HSL 42.86, 0.52%, 0.66%

LAB 76.73, 0.45, 36.28

 

CMYK 0 / 15 / 52 / 11

HEX #E3C16C

RGB 227 193 108

HSL 42.86, 0.68%, 0.66%

LAB 79.36, 1.69, 46.89

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 12 / 8 / 0 / 30

HEX #9DA3B2

RGB 157 163 178

HSL 222.86, 0.12%, 0.66%

LAB 66.96, 0.93, -8.47

 

CMYK 26 / 18 / 0 / 25

HEX #8F9DC0

RGB 143 157 192

HSL 222.86, 0.28%, 0.66%

LAB 64.77, 2.91, -19.68

 

CMYK 37 / 27 / 0 / 19

HEX #8197CE

RGB 129 151 206

HSL 222.86, 0.44%, 0.66%

LAB 62.72, 5.81, -30.73

 

CMYK 48 / 34 / 0 / 14

HEX #7391DC

RGB 115 145 220

HSL 222.86, 0.6%, 0.66%

LAB 60.84, 9.67, -41.55

 

CMYK 0 / 4 / 4 / 33

HEX #ABA5A4

RGB 171 165 164

HSL 8.57, 0.04%, 0.66%

LAB 68.2, 1.97, 1.28

 

CMYK 0 / 2 / 4 / 33

HEX #ABA7A4

RGB 171 167 164

HSL 25.71, 0.04%, 0.66%

LAB 68.73, 0.88, 2.05

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 0 / 0 / 4 / 33

HEX #ABABA4

RGB 171 171 164

HSL 60, 0.04%, 0.66%

LAB 69.8, -1.29, 3.59

 

CMYK 1 / 0 / 4 / 33

HEX #AAABA4

RGB 170 171 164

HSL 68.57, 0.04%, 0.66%

LAB 69.72, -1.65, 3.47

 

CMYK 0 / 2 / 8 / 48

HEX #848179

RGB 132 129 121

HSL 43.64, 0.04%, 0.5%

LAB 54.01, -0.39, 4.73

 

CMYK 0 / 1 / 5 / 41

HEX #97958F

RGB 151 149 143

HSL 45, 0.04%, 0.58%

LAB 61.7, -0.39, 3.42

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A4

RGB 171 169 164

HSL 42.86, 0.04%, 0.66%

LAB 69.27, -0.21, 2.82

 

CMYK 0 / 1 / 3 / 25

HEX #BFBEBA

RGB 191 190 186

HSL 48, 0.04%, 0.74%

LAB 76.95, -0.38, 2.13

 

CMYK 0 / 0 / 2 / 17

HEX #D3D2CF

RGB 211 210 207

HSL 45, 0.04%, 0.82%

LAB 84.2, -0.19, 1.59

 

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

CMYK 4 / 0 / 4 / 33

HEX #A5ABA4

RGB 165 171 164

HSL 111.43, 0.04%, 0.66%

LAB 69.33, -3.44, 2.86

 

CMYK 3 / 4 / 0 / 33

HEX #A6A4AB

RGB 166 164 171

HSL 257.14, 0.04%, 0.66%

LAB 67.72, 2.06, -3.37

 

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

CMYK 4 / 0 / 1 / 33

HEX #A4ABA9

RGB 164 171 169

HSL 162.86, 0.04%, 0.66%

LAB 69.39, -2.85, 0.16

 

CMYK 1 / 4 / 0 / 33

HEX #A9A4AB

RGB 169 164 171

HSL 282.86, 0.04%, 0.66%

LAB 67.97, 3.12, -2.98

 

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

CMYK 4 / 0 / 4 / 33

HEX #A5ABA4

RGB 165 171 164

HSL 111.43, 0.04%, 0.66%

LAB 69.33, -3.44, 2.86

 

CMYK 4 / 3 / 0 / 33

HEX #A4A6AB

RGB 164 166 171

HSL 222.86, 0.04%, 0.66%

LAB 68.1, 0.26, -2.83

 

CMYK 0 / 4 / 0 / 33

HEX #ABA4AB

RGB 171 164 171

HSL 300, 0.04%, 0.66%

LAB 68.13, 3.83, -2.72

 

CMYK 0 / 1 / 4 / 33

HEX #ACAAA5

RGB 172 170 165

HSL 42.86, 0.04%, 0.66%

LAB 69.64, -0.21, 2.82

 

CMYK 4 / 0 / 3 / 33

HEX #A4ABA6

RGB 164 171 166

HSL 137.14, 0.04%, 0.66%

LAB 69.31, -3.42, 1.7

 

CMYK 4 / 3 / 0 / 33

HEX #A4A6AB

RGB 164 166 171

HSL 222.86, 0.04%, 0.66%

LAB 68.1, 0.26, -2.83

 

CMYK 0 / 4 / 1 / 33

HEX #ABA4AA

RGB 171 164 170

HSL 308.57, 0.04%, 0.66%

LAB 68.1, 3.64, -2.21

 

Description

Color code: HEX #ACAAA5 | qconv.com Color code: HEX #ACAAA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 170 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 170 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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