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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB7F0 it is the complementary color #53480F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB7F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB7F0 shade: #B1B7EB, #C2C9FE, #D3DBFF, #E4EDFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB7F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB7F0 shade: #ACB7F0, #9BA5DD, #8A93CA, #7981B7 and #686FA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB7F0 shade: #ADB7EF, #B4ADEF, #C6ADEF, #D8ADEF and #EAADEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB7F0 shade: #ADB7EF and #ADADEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB7F0 shade matches the following richer shades: #ADB7EF and #A5B2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB7F0 shade: #ADB7EF, #B4BDE8, #BCC2E0, #C4C7D8 and #CCCDD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB7F0 shade: #ADDBEF, #ADCAEF, #ADB8EF, #B3ADEF and #C5ADEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB7F0 shade: #677BE3, #8A99E9, #ADB7EF, #CFD6F6 and #F2F4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB7F0 shade: #ACB7F0, #EFADED and #D3EFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB7F0 shade: #ACB7F0, #EFADB8 and #B8EFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB7F0 shade: #ACB7F0, #EFADED, #EFE4AD and #ADEFAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB7F0 shade: #ACB7F0, #EFADD9, #EFE4AD and #ADEFC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

Complementary color

CMYK 0 / 13 / 82 / 67

HEX #53480F

RGB 83 72 15

HSL 50.29, 0.69%, 0.19%

LAB 30.66, -2.36, 33.67

 

CMYK 25 / 22 / 0 / 8

HEX #B1B7EB

RGB 177 183 235

HSL 233.79, 0.59%, 0.81%

LAB 75.58, 9.03, -26.58

 

CMYK 24 / 21 / 0 / 0

HEX #C2C9FE

RGB 194 201 254

HSL 233, 0.97%, 0.88%

LAB 82.05, 8.7, -26.77

 

CMYK 17 / 14 / 0 / 0

HEX #D3DBFF

RGB 211 219 255

HSL 229.09, 1%, 0.91%

LAB 87.84, 4.48, -18.4

 

CMYK 11 / 7 / 0 / 0

HEX #E4EDFF

RGB 228 237 255

HSL 220, 1%, 0.95%

LAB 93.57, 0.43, -9.7

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

CMYK 30 / 25 / 0 / 13

HEX #9BA5DD

RGB 155 165 221

HSL 230.91, 0.49%, 0.74%

LAB 68.82, 9.15, -29.47

 

CMYK 32 / 27 / 0 / 21

HEX #8A93CA

RGB 138 147 202

HSL 231.56, 0.38%, 0.67%

LAB 62.11, 9.6, -29.39

 

CMYK 34 / 30 / 0 / 28

HEX #7981B7

RGB 121 129 183

HSL 232.26, 0.3%, 0.6%

LAB 55.26, 10.1, -29.34

 

CMYK 37 / 32 / 0 / 36

HEX #686FA4

RGB 104 111 164

HSL 233, 0.25%, 0.53%

LAB 48.25, 10.69, -29.35

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 25 / 28 / 0 / 6

HEX #B4ADEF

RGB 180 173 239

HSL 246.36, 0.67%, 0.81%

LAB 73.43, 16.38, -32.04

 

CMYK 17 / 28 / 0 / 6

HEX #C6ADEF

RGB 198 173 239

HSL 262.73, 0.67%, 0.81%

LAB 74.9, 21.81, -29.65

 

CMYK 10 / 28 / 0 / 6

HEX #D8ADEF

RGB 216 173 239

HSL 279.09, 0.67%, 0.81%

LAB 76.51, 27.4, -27.05

 

CMYK 2 / 28 / 0 / 6

HEX #EAADEF

RGB 234 173 239

HSL 295.45, 0.67%, 0.81%

LAB 78.23, 33.1, -24.25

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 28 / 28 / 0 / 6

HEX #ADADEF

RGB 173 173 239

HSL 240, 0.67%, 0.81%

LAB 72.89, 14.34, -32.91

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 33 / 28 / 0 / 3

HEX #A5B2F7

RGB 165 178 247

HSL 230.49, 0.84%, 0.81%

LAB 73.9, 11.28, -35.73

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 22 / 19 / 0 / 9

HEX #B4BDE8

RGB 180 189 232

HSL 229.62, 0.53%, 0.81%

LAB 77.24, 5.97, -22.42

 

CMYK 16 / 13 / 0 / 12

HEX #BCC2E0

RGB 188 194 224

HSL 230, 0.37%, 0.81%

LAB 78.84, 3.99, -15.62

 

CMYK 9 / 8 / 0 / 15

HEX #C4C7D8

RGB 196 199 216

HSL 231, 0.2%, 0.81%

LAB 80.48, 2.25, -8.81

 

CMYK 2 / 1 / 0 / 18

HEX #CCCDD0

RGB 204 205 208

HSL 225, 0.04%, 0.81%

LAB 82.41, 0.21, -1.62

 

CMYK 28 / 8 / 0 / 6

HEX #ADDBEF

RGB 173 219 239

HSL 198.18, 0.67%, 0.81%

LAB 84.88, -10.39, -14.65

 

CMYK 28 / 15 / 0 / 6

HEX #ADCAEF

RGB 173 202 239

HSL 213.64, 0.67%, 0.81%

LAB 80.38, -1.48, -21.45

 

CMYK 28 / 23 / 0 / 6

HEX #ADB8EF

RGB 173 184 239

HSL 230, 0.67%, 0.81%

LAB 75.7, 8.25, -28.59

 

CMYK 25 / 28 / 0 / 6

HEX #B3ADEF

RGB 179 173 239

HSL 245.45, 0.67%, 0.81%

LAB 73.35, 16.09, -32.17

 

CMYK 18 / 28 / 0 / 6

HEX #C5ADEF

RGB 197 173 239

HSL 261.82, 0.67%, 0.81%

LAB 74.82, 21.5, -29.78

 

CMYK 55 / 46 / 0 / 11

HEX #677BE3

RGB 103 123 227

HSL 230.32, 0.69%, 0.65%

LAB 54.65, 22.27, -55.31

 

CMYK 41 / 34 / 0 / 9

HEX #8A99E9

RGB 138 153 233

HSL 230.53, 0.68%, 0.73%

LAB 65.02, 14.49, -42.08

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 16 / 13 / 0 / 4

HEX #CFD6F6

RGB 207 214 246

HSL 229.23, 0.68%, 0.89%

LAB 86.01, 3.98, -16.44

 

CMYK 4 / 3 / 0 / 1

HEX #F2F4FC

RGB 242 244 252

HSL 228, 0.63%, 0.97%

LAB 96.25, 0.79, -4.08

 

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

CMYK 0 / 28 / 1 / 6

HEX #EFADED

RGB 239 173 237

HSL 301.82, 0.67%, 0.81%

LAB 78.67, 34.33, -22.47

 

CMYK 12 / 0 / 28 / 6

HEX #D3EFAD

RGB 211 239 173

HSL 85.45, 0.67%, 0.81%

LAB 91.05, -20.3, 28.98

 

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

CMYK 0 / 28 / 23 / 6

HEX #EFADB8

RGB 239 173 184

HSL 350, 0.67%, 0.81%

LAB 77.1, 25.69, 3.98

 

CMYK 23 / 0 / 28 / 6

HEX #B8EFAD

RGB 184 239 173

HSL 110, 0.67%, 0.81%

LAB 89.37, -29.63, 26.41

 

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

CMYK 0 / 28 / 1 / 6

HEX #EFADED

RGB 239 173 237

HSL 301.82, 0.67%, 0.81%

LAB 78.67, 34.33, -22.47

 

CMYK 0 / 5 / 28 / 6

HEX #EFE4AD

RGB 239 228 173

HSL 50, 0.67%, 0.81%

LAB 90.25, -4.57, 28.25

 

CMYK 28 / 0 / 27 / 6

HEX #ADEFAF

RGB 173 239 175

HSL 121.82, 0.67%, 0.81%

LAB 88.79, -32.9, 24.49

 

CMYK 28 / 24 / 0 / 6

HEX #ACB7F0

RGB 172 183 240

HSL 230.29, 0.69%, 0.81%

LAB 75.41, 8.75, -29.59

 

CMYK 0 / 28 / 9 / 6

HEX #EFADD9

RGB 239 173 217

HSL 320, 0.67%, 0.81%

LAB 78.02, 30.84, -12.62

 

CMYK 0 / 5 / 28 / 6

HEX #EFE4AD

RGB 239 228 173

HSL 50, 0.67%, 0.81%

LAB 90.25, -4.57, 28.25

 

CMYK 28 / 0 / 18 / 6

HEX #ADEFC3

RGB 173 239 195

HSL 140, 0.67%, 0.81%

LAB 89.19, -29.41, 14.73

 

Description

Color code: HEX #ACB7F0 | qconv.com Color code: HEX #ACB7F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 183 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 183 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 24 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 24% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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