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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACBEAF it is the complementary color #534150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACBEAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACBEAF shade: #B1BEAA, #C2D0BD, #D3E2D0, #E4F4E3 and #F5FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACBEAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACBEAF shade: #ACBEAF, #9BAC9C, #8A9A89, #798876 and #687663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACBEAF shade: #ACBDAF, #AEBDAC, #B2BDAC, #B7BDAC and #BCBDAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACBEAF shade: #ACBDAF, #ACBDB3, #ACBDB8, #ACBDBD and #ACB9BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACBEAF shade matches the following richer shades: #ACBDAF, #A0C9A7, #94D59F, #88E197 and #7CED8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACBEAF shade: #ACBDAF, #B8B1B7, #C4A5BF, #D09AC7 and #DC8ECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACBEAF shade: #B2BDAC, #ADBDAC, #ACBDAF, #ACBDB3 and #ACBDB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACBEAF shade: #7D9982, #95AB98, #ACBDAF, #C3D0C5 and #DAE2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACBEAF shade: #ACBEAF, #ACB7BD and #BDACB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACBEAF shade: #ACBEAF, #AFACBD and #BDAFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACBEAF shade: #ACBEAF, #ACB7BD, #BDACBA and #BDB2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACBEAF shade: #ACBEAF, #ACB2BD, #BDACBA and #BDB8AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

Complementary color

CMYK 0 / 22 / 4 / 67

HEX #534150

RGB 83 65 80

HSL 310, 0.12%, 0.29%

LAB 29.91, 10.75, -6.06

 

CMYK 7 / 0 / 11 / 25

HEX #B1BEAA

RGB 177 190 170

HSL 99, 0.13%, 0.71%

LAB 75.5, -8.19, 8.57

 

CMYK 7 / 0 / 9 / 18

HEX #C2D0BD

RGB 194 208 189

HSL 104.21, 0.17%, 0.78%

LAB 81.98, -8.22, 7.8

 

CMYK 7 / 0 / 8 / 11

HEX #D3E2D0

RGB 211 226 208

HSL 110, 0.24%, 0.85%

LAB 88.35, -8.27, 7.07

 

CMYK 7 / 0 / 7 / 4

HEX #E4F4E3

RGB 228 244 227

HSL 116.47, 0.44%, 0.92%

LAB 94.63, -8.31, 6.37

 

CMYK 4 / 0 / 4 / 0

HEX #F5FFF6

RGB 245 255 246

HSL 126, 1%, 0.98%

LAB 99.06, -4.86, 3.15

 

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

CMYK 10 / 0 / 9 / 33

HEX #9BAC9C

RGB 155 172 156

HSL 123.53, 0.09%, 0.64%

LAB 68.66, -9.04, 6.21

 

CMYK 10 / 0 / 11 / 40

HEX #8A9A89

RGB 138 154 137

HSL 116.47, 0.08%, 0.57%

LAB 61.93, -9.05, 7

 

CMYK 11 / 0 / 13 / 47

HEX #798876

RGB 121 136 118

HSL 110, 0.07%, 0.5%

LAB 55.05, -9.07, 7.83

 

CMYK 12 / 0 / 16 / 54

HEX #687663

RGB 104 118 99

HSL 104.21, 0.09%, 0.43%

LAB 48.01, -9.1, 8.73

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 8 / 0 / 9 / 26

HEX #AEBDAC

RGB 174 189 172

HSL 112.94, 0.11%, 0.71%

LAB 75.06, -8.36, 6.82

 

CMYK 6 / 0 / 9 / 26

HEX #B2BDAC

RGB 178 189 172

HSL 98.82, 0.11%, 0.71%

LAB 75.35, -6.95, 7.28

 

CMYK 3 / 0 / 9 / 26

HEX #B7BDAC

RGB 183 189 172

HSL 81.18, 0.11%, 0.71%

LAB 75.72, -5.17, 7.87

 

CMYK 1 / 0 / 9 / 26

HEX #BCBDAC

RGB 188 189 172

HSL 63.53, 0.11%, 0.71%

LAB 76.11, -3.37, 8.47

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 9 / 0 / 5 / 26

HEX #ACBDB3

RGB 172 189 179

HSL 144.71, 0.11%, 0.71%

LAB 75.09, -7.76, 3.05

 

CMYK 9 / 0 / 3 / 26

HEX #ACBDB8

RGB 172 189 184

HSL 162.35, 0.11%, 0.71%

LAB 75.22, -6.8, 0.52

 

CMYK 9 / 0 / 0 / 26

HEX #ACBDBD

RGB 172 189 189

HSL 180, 0.11%, 0.71%

LAB 75.35, -5.81, -2

 

CMYK 9 / 2 / 0 / 26

HEX #ACB9BD

RGB 172 185 189

HSL 194.12, 0.11%, 0.71%

LAB 74.28, -3.68, -3.57

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 20 / 0 / 17 / 21

HEX #A0C9A7

RGB 160 201 167

HSL 130.24, 0.28%, 0.71%

LAB 77.3, -20.25, 12.59

 

CMYK 31 / 0 / 25 / 16

HEX #94D59F

RGB 148 213 159

HSL 130.15, 0.44%, 0.71%

LAB 79.83, -31.44, 20.27

 

CMYK 40 / 0 / 33 / 12

HEX #88E197

RGB 136 225 151

HSL 130.11, 0.6%, 0.71%

LAB 82.55, -41.95, 28.04

 

CMYK 48 / 0 / 40 / 7

HEX #7CED8F

RGB 124 237 143

HSL 130.09, 0.76%, 0.71%

LAB 85.42, -51.68, 35.81

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 0 / 4 / 1 / 28

HEX #B8B1B7

RGB 184 177 183

HSL 308.57, 0.05%, 0.71%

LAB 72.93, 3.59, -2.18

 

CMYK 0 / 16 / 3 / 23

HEX #C4A5BF

RGB 196 165 191

HSL 309.68, 0.21%, 0.71%

LAB 71.15, 15.84, -9.09

 

CMYK 0 / 26 / 4 / 18

HEX #D09AC7

RGB 208 154 199

HSL 310, 0.36%, 0.71%

LAB 69.93, 27.46, -15.23

 

CMYK 0 / 35 / 6 / 14

HEX #DC8ECF

RGB 220 142 207

HSL 310, 0.53%, 0.71%

LAB 68.8, 39.32, -21.25

 

CMYK 6 / 0 / 9 / 26

HEX #B2BDAC

RGB 178 189 172

HSL 98.82, 0.11%, 0.71%

LAB 75.35, -6.95, 7.28

 

CMYK 8 / 0 / 9 / 26

HEX #ADBDAC

RGB 173 189 172

HSL 116.47, 0.11%, 0.71%

LAB 74.99, -8.71, 6.71

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 9 / 0 / 5 / 26

HEX #ACBDB3

RGB 172 189 179

HSL 144.71, 0.11%, 0.71%

LAB 75.09, -7.76, 3.05

 

CMYK 9 / 0 / 3 / 26

HEX #ACBDB8

RGB 172 189 184

HSL 162.35, 0.11%, 0.71%

LAB 75.22, -6.8, 0.52

 

CMYK 18 / 0 / 15 / 40

HEX #7D9982

RGB 125 153 130

HSL 130.71, 0.12%, 0.55%

LAB 60.56, -14.52, 8.87

 

CMYK 13 / 0 / 11 / 33

HEX #95AB98

RGB 149 171 152

HSL 128.18, 0.12%, 0.63%

LAB 67.86, -11.38, 7.22

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDAF

RGB 172 189 175

HSL 130.59, 0.11%, 0.71%

LAB 74.99, -8.51, 5.08

 

CMYK 6 / 0 / 5 / 18

HEX #C3D0C5

RGB 195 208 197

HSL 129.23, 0.12%, 0.79%

LAB 82.24, -6.45, 3.93

 

CMYK 4 / 0 / 3 / 11

HEX #DAE2DB

RGB 218 226 219

HSL 127.5, 0.12%, 0.87%

LAB 89.12, -3.94, 2.47

 

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

CMYK 9 / 3 / 0 / 26

HEX #ACB7BD

RGB 172 183 189

HSL 201.18, 0.11%, 0.71%

LAB 73.75, -2.61, -4.36

 

CMYK 0 / 9 / 7 / 26

HEX #BDACB0

RGB 189 172 176

HSL 345.88, 0.11%, 0.71%

LAB 71.87, 6.81, 0.16

 

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

CMYK 7 / 9 / 0 / 26

HEX #AFACBD

RGB 175 172 189

HSL 250.59, 0.11%, 0.71%

LAB 71.07, 4.36, -8.3

 

CMYK 0 / 7 / 9 / 26

HEX #BDAFAC

RGB 189 175 172

HSL 10.59, 0.11%, 0.71%

LAB 72.53, 4.48, 3.33

 

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

CMYK 9 / 3 / 0 / 26

HEX #ACB7BD

RGB 172 183 189

HSL 201.18, 0.11%, 0.71%

LAB 73.75, -2.61, -4.36

 

CMYK 0 / 9 / 2 / 26

HEX #BDACBA

RGB 189 172 186

HSL 310.59, 0.11%, 0.71%

LAB 72.14, 8.63, -4.93

 

CMYK 0 / 6 / 9 / 26

HEX #BDB2AC

RGB 189 178 172

HSL 21.18, 0.11%, 0.71%

LAB 73.31, 2.86, 4.46

 

CMYK 9 / 0 / 8 / 25

HEX #ACBEAF

RGB 172 190 175

HSL 130, 0.12%, 0.71%

LAB 75.26, -9.04, 5.47

 

CMYK 9 / 6 / 0 / 26

HEX #ACB2BD

RGB 172 178 189

HSL 218.82, 0.11%, 0.71%

LAB 72.42, 0.08, -6.32

 

CMYK 0 / 9 / 2 / 26

HEX #BDACBA

RGB 189 172 186

HSL 310.59, 0.11%, 0.71%

LAB 72.14, 8.63, -4.93

 

CMYK 0 / 3 / 9 / 26

HEX #BDB8AC

RGB 189 184 172

HSL 42.35, 0.11%, 0.71%

LAB 74.87, -0.35, 6.71

 

Description

Color code: HEX #ACBEAF | qconv.com Color code: HEX #ACBEAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 190 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 190 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 8 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 8% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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