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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACC672 it is the complementary color #53398D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACC672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACC672 shade: #B1C66D, #C2D880, #D3EA93, #E4FCA6 and #F5FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACC672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACC672 shade: #ACC672, #9BB45F, #8AA24C, #799039 and #687E26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACC672 shade: #ABC571, #C1C571, #C5B271, #C59B71 and #C58571

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACC672 shade: #ABC571, #94C571, #7EC571, #71C57B and #71C592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACC672 shade matches the following richer shades: #ABC571, #B1D561, #B7E551 and #BDF541

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACC672 shade: #ABC571, #A5B581, #9FA591, #9995A2 and #9284B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACC672 shade: #C5B171, #C2C571, #ACC571, #95C571 and #7FC571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACC672 shade: #84A242, #9AB954, #ABC571, #BCD18F and #CEDDAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACC672 shade: #ACC672, #71C59B and #BC71C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACC672 shade: #ACC672, #71ACC5 and #C571AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACC672 shade: #ACC672, #71C59B, #8A71C5 and #C5719B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACC672 shade: #ACC672, #71C5B4, #8A71C5 and #C57182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

Complementary color

CMYK 41 / 60 / 0 / 45

HEX #53398D

RGB 83 57 141

HSL 258.57, 0.42%, 0.39%

LAB 31.09, 31.8, -42.85

 

CMYK 11 / 0 / 45 / 22

HEX #B1C66D

RGB 177 198 109

HSL 74.16, 0.44%, 0.6%

LAB 76.58, -21, 42.06

 

CMYK 10 / 0 / 41 / 15

HEX #C2D880

RGB 194 216 128

HSL 75, 0.53%, 0.67%

LAB 82.99, -21.17, 40.9

 

CMYK 10 / 0 / 37 / 8

HEX #D3EA93

RGB 211 234 147

HSL 75.86, 0.67%, 0.75%

LAB 89.3, -21.29, 39.76

 

CMYK 10 / 0 / 34 / 1

HEX #E4FCA6

RGB 228 252 166

HSL 76.74, 0.93%, 0.82%

LAB 95.53, -21.38, 38.66

 

CMYK 4 / 0 / 27 / 0

HEX #F5FFB9

RGB 245 255 185

HSL 68.57, 1%, 0.86%

LAB 97.81, -14.23, 32.44

 

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

CMYK 14 / 0 / 47 / 29

HEX #9BB45F

RGB 155 180 95

HSL 77.65, 0.36%, 0.54%

LAB 69.78, -22.25, 40.31

 

CMYK 15 / 0 / 53 / 36

HEX #8AA24C

RGB 138 162 76

HSL 76.74, 0.36%, 0.47%

LAB 63.15, -22.06, 41.47

 

CMYK 16 / 0 / 60 / 44

HEX #799039

RGB 121 144 57

HSL 75.86, 0.43%, 0.39%

LAB 56.39, -21.77, 42.53

 

CMYK 17 / 0 / 70 / 51

HEX #687E26

RGB 104 126 38

HSL 75, 0.54%, 0.32%

LAB 49.5, -21.33, 43.3

 

CMYK 13 / 0 / 43 / 23

HEX #ABC571

RGB 171 197 113

HSL 78.57, 0.42%, 0.61%

LAB 75.94, -22.39, 39.16

 

CMYK 2 / 0 / 43 / 23

HEX #C1C571

RGB 193 197 113

HSL 62.86, 0.42%, 0.61%

LAB 77.56, -13.74, 41.54

 

CMYK 0 / 10 / 43 / 23

HEX #C5B271

RGB 197 178 113

HSL 46.43, 0.42%, 0.61%

LAB 72.83, -2.26, 35.65

 

CMYK 0 / 21 / 43 / 23

HEX #C59B71

RGB 197 155 113

HSL 30, 0.42%, 0.61%

LAB 66.9, 10.12, 27.97

 

CMYK 0 / 32 / 43 / 23

HEX #C58571

RGB 197 133 113

HSL 14.29, 0.42%, 0.61%

LAB 61.51, 22.19, 20.78

 

CMYK 13 / 0 / 43 / 23

HEX #ABC571

RGB 171 197 113

HSL 78.57, 0.42%, 0.61%

LAB 75.94, -22.39, 39.16

 

CMYK 25 / 0 / 43 / 23

HEX #94C571

RGB 148 197 113

HSL 95, 0.42%, 0.61%

LAB 74.46, -30.98, 36.98

 

CMYK 36 / 0 / 43 / 23

HEX #7EC571

RGB 126 197 113

HSL 110.71, 0.42%, 0.61%

LAB 73.26, -38.54, 35.21

 

CMYK 43 / 0 / 38 / 23

HEX #71C57B

RGB 113 197 123

HSL 127.14, 0.42%, 0.61%

LAB 72.81, -41.04, 29.36

 

CMYK 43 / 0 / 26 / 23

HEX #71C592

RGB 113 197 146

HSL 143.57, 0.42%, 0.61%

LAB 73.23, -36.91, 17.77

 

CMYK 13 / 0 / 43 / 23

HEX #ABC571

RGB 171 197 113

HSL 78.57, 0.42%, 0.61%

LAB 75.94, -22.39, 39.16

 

CMYK 17 / 0 / 54 / 16

HEX #B1D561

RGB 177 213 97

HSL 78.62, 0.58%, 0.61%

LAB 80.63, -29.46, 52.64

 

CMYK 20 / 0 / 65 / 10

HEX #B7E551

RGB 183 229 81

HSL 78.65, 0.74%, 0.61%

LAB 85.35, -35.85, 64.83

 

CMYK 23 / 0 / 73 / 4

HEX #BDF541

RGB 189 245 65

HSL 78.67, 0.9%, 0.61%

LAB 90.09, -41.67, 75.46

 

CMYK 13 / 0 / 43 / 23

HEX #ABC571

RGB 171 197 113

HSL 78.57, 0.42%, 0.61%

LAB 75.94, -22.39, 39.16

 

CMYK 9 / 0 / 29 / 29

HEX #A5B581

RGB 165 181 129

HSL 78.46, 0.26%, 0.61%

LAB 71.3, -14.54, 24.72

 

CMYK 4 / 0 / 12 / 35

HEX #9FA591

RGB 159 165 145

HSL 78, 0.1%, 0.61%

LAB 66.77, -5.82, 9.64

 

CMYK 6 / 8 / 0 / 36

HEX #9995A2

RGB 153 149 162

HSL 258.46, 0.07%, 0.61%

LAB 62.4, 4.02, -6.3

 

CMYK 18 / 26 / 0 / 30

HEX #9284B2

RGB 146 132 178

HSL 258.26, 0.23%, 0.61%

LAB 57.87, 14.83, -22.29

 

CMYK 0 / 10 / 43 / 23

HEX #C5B171

RGB 197 177 113

HSL 45.71, 0.42%, 0.61%

LAB 72.57, -1.73, 35.32

 

CMYK 2 / 0 / 43 / 23

HEX #C2C571

RGB 194 197 113

HSL 62.14, 0.42%, 0.61%

LAB 77.63, -13.34, 41.65

 

CMYK 13 / 0 / 43 / 23

HEX #ACC571

RGB 172 197 113

HSL 77.86, 0.42%, 0.61%

LAB 76.01, -22, 39.26

 

CMYK 24 / 0 / 43 / 23

HEX #95C571

RGB 149 197 113

HSL 94.29, 0.42%, 0.61%

LAB 74.52, -30.62, 37.07

 

CMYK 36 / 0 / 43 / 23

HEX #7FC571

RGB 127 197 113

HSL 110, 0.42%, 0.61%

LAB 73.31, -38.21, 35.28

 

CMYK 19 / 0 / 59 / 36

HEX #84A242

RGB 132 162 66

HSL 78.75, 0.42%, 0.45%

LAB 62.63, -25.44, 45.54

 

CMYK 17 / 0 / 55 / 27

HEX #9AB954

RGB 154 185 84

HSL 78.42, 0.42%, 0.53%

LAB 71.01, -26.23, 47.11

 

CMYK 13 / 0 / 43 / 23

HEX #ABC571

RGB 171 197 113

HSL 78.57, 0.42%, 0.61%

LAB 75.94, -22.39, 39.16

 

CMYK 10 / 0 / 32 / 18

HEX #BCD18F

RGB 188 209 143

HSL 79.09, 0.42%, 0.69%

LAB 80.89, -18.09, 30.47

 

CMYK 7 / 0 / 22 / 13

HEX #CEDDAC

RGB 206 221 172

HSL 78.37, 0.42%, 0.77%

LAB 85.91, -13.35, 22.42

 

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

CMYK 43 / 0 / 21 / 23

HEX #71C59B

RGB 113 197 155

HSL 150, 0.42%, 0.61%

LAB 73.42, -35.11, 13.2

 

CMYK 5 / 43 / 0 / 23

HEX #BC71C5

RGB 188 113 197

HSL 293.57, 0.42%, 0.61%

LAB 58.54, 42.88, -31.73

 

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

CMYK 43 / 13 / 0 / 23

HEX #71ACC5

RGB 113 172 197

HSL 197.86, 0.42%, 0.61%

LAB 67.31, -12.58, -18.77

 

CMYK 0 / 43 / 13 / 23

HEX #C571AC

RGB 197 113 172

HSL 317.86, 0.42%, 0.61%

LAB 58.66, 41.22, -17.17

 

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

CMYK 43 / 0 / 21 / 23

HEX #71C59B

RGB 113 197 155

HSL 150, 0.42%, 0.61%

LAB 73.42, -35.11, 13.2

 

CMYK 30 / 43 / 0 / 23

HEX #8A71C5

RGB 138 113 197

HSL 257.86, 0.42%, 0.61%

LAB 53.22, 28.15, -40.45

 

CMYK 0 / 43 / 21 / 23

HEX #C5719B

RGB 197 113 155

HSL 330, 0.42%, 0.61%

LAB 58.08, 38.54, -8.23

 

CMYK 13 / 0 / 42 / 22

HEX #ACC672

RGB 172 198 114

HSL 78.57, 0.42%, 0.61%

LAB 76.3, -22.38, 39.13

 

CMYK 43 / 0 / 9 / 23

HEX #71C5B4

RGB 113 197 180

HSL 167.86, 0.42%, 0.61%

LAB 74.02, -29.59, 0.55

 

CMYK 30 / 43 / 0 / 23

HEX #8A71C5

RGB 138 113 197

HSL 257.86, 0.42%, 0.61%

LAB 53.22, 28.15, -40.45

 

CMYK 0 / 43 / 34 / 23

HEX #C57182

RGB 197 113 130

HSL 347.86, 0.42%, 0.61%

LAB 57.36, 35.08, 5.23

 

Description

Color code: HEX #ACC672 | qconv.com Color code: HEX #ACC672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 198 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 198 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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