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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACC373 it is the complementary color #533C8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACC373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACC373 shade: #B1C36E, #C2D581, #D3E794, #E4F9A7 and #F5FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACC373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACC373 shade: #ACC373, #9BB160, #8A9F4D, #798D3A and #687B27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACC373 shade: #ACC373, #C1C373, #C3AF73, #C39973 and #C38473

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACC373 shade: #ACC373, #97C373, #81C373, #73C37B and #73C390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACC373 shade matches the following richer shades: #ACC373, #B3D363, #BAE353 and #C0F343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACC373 shade: #ACC373, #A5B383, #9EA393, #9793A4 and #9182B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACC373 shade: #C3AF73, #C2C373, #ACC373, #97C373 and #82C373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACC373 shade: #85A044, #9BB656, #ACC373, #BDCF90 and #CEDCAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACC373 shade: #ACC373, #73C39A and #BA73C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACC373 shade: #ACC373, #73ACC3 and #C373AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACC373 shade: #ACC373, #73C39A, #8A73C3 and #C3739C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACC373 shade: #ACC373, #73C3B2, #8A73C3 and #C37385

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

Complementary color

CMYK 41 / 57 / 0 / 45

HEX #533C8C

RGB 83 60 140

HSL 257.25, 0.4%, 0.39%

LAB 31.73, 29.67, -41.21

 

CMYK 9 / 0 / 44 / 24

HEX #B1C36E

RGB 177 195 110

HSL 72.71, 0.41%, 0.6%

LAB 75.76, -19.4, 40.54

 

CMYK 9 / 0 / 39 / 16

HEX #C2D581

RGB 194 213 129

HSL 73.57, 0.5%, 0.67%

LAB 82.19, -19.58, 39.38

 

CMYK 9 / 0 / 36 / 9

HEX #D3E794

RGB 211 231 148

HSL 74.46, 0.63%, 0.74%

LAB 88.51, -19.71, 38.24

 

CMYK 8 / 0 / 33 / 2

HEX #E4F9A7

RGB 228 249 167

HSL 75.37, 0.87%, 0.82%

LAB 94.75, -19.81, 37.15

 

CMYK 4 / 0 / 27 / 0

HEX #F5FFBA

RGB 245 255 186

HSL 68.7, 1%, 0.86%

LAB 97.82, -14.09, 31.96

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 12 / 0 / 46 / 31

HEX #9BB160

RGB 155 177 96

HSL 76.3, 0.34%, 0.54%

LAB 68.94, -20.64, 38.77

 

CMYK 13 / 0 / 52 / 38

HEX #8A9F4D

RGB 138 159 77

HSL 75.37, 0.35%, 0.46%

LAB 62.28, -20.44, 39.95

 

CMYK 14 / 0 / 59 / 45

HEX #798D3A

RGB 121 141 58

HSL 74.46, 0.42%, 0.39%

LAB 55.5, -20.15, 41.06

 

CMYK 15 / 0 / 68 / 52

HEX #687B27

RGB 104 123 39

HSL 73.57, 0.52%, 0.32%

LAB 48.58, -19.71, 41.91

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 1 / 0 / 41 / 24

HEX #C1C373

RGB 193 195 115

HSL 61.5, 0.4%, 0.61%

LAB 77.04, -12.51, 39.89

 

CMYK 0 / 10 / 41 / 24

HEX #C3AF73

RGB 195 175 115

HSL 45, 0.4%, 0.61%

LAB 71.89, -1.27, 33.37

 

CMYK 0 / 22 / 41 / 24

HEX #C39973

RGB 195 153 115

HSL 28.5, 0.4%, 0.61%

LAB 66.23, 10.61, 25.96

 

CMYK 0 / 32 / 41 / 24

HEX #C38473

RGB 195 132 115

HSL 12.75, 0.4%, 0.61%

LAB 61.08, 22.17, 19.02

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 23 / 0 / 41 / 24

HEX #97C373

RGB 151 195 115

HSL 93, 0.4%, 0.61%

LAB 74.09, -28.68, 35.54

 

CMYK 34 / 0 / 41 / 24

HEX #81C373

RGB 129 195 115

HSL 109.5, 0.4%, 0.61%

LAB 72.85, -36.36, 33.69

 

CMYK 41 / 0 / 37 / 24

HEX #73C37B

RGB 115 195 123

HSL 126, 0.4%, 0.61%

LAB 72.3, -39.56, 28.7

 

CMYK 41 / 0 / 26 / 24

HEX #73C390

RGB 115 195 144

HSL 141.75, 0.4%, 0.61%

LAB 72.69, -35.82, 18.1

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 15 / 0 / 53 / 17

HEX #B3D363

RGB 179 211 99

HSL 77.14, 0.56%, 0.61%

LAB 80.22, -27.55, 51.28

 

CMYK 18 / 0 / 63 / 11

HEX #BAE353

RGB 186 227 83

HSL 77.08, 0.72%, 0.61%

LAB 85, -33.65, 63.71

 

CMYK 21 / 0 / 72 / 5

HEX #C0F343

RGB 192 243 67

HSL 77.39, 0.88%, 0.61%

LAB 89.73, -39.56, 74.52

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 8 / 0 / 27 / 30

HEX #A5B383

RGB 165 179 131

HSL 77.5, 0.24%, 0.61%

LAB 70.79, -13.21, 22.95

 

CMYK 3 / 0 / 10 / 36

HEX #9EA393

RGB 158 163 147

HSL 78.75, 0.08%, 0.61%

LAB 66.19, -4.76, 7.69

 

CMYK 8 / 10 / 0 / 36

HEX #9793A4

RGB 151 147 164

HSL 254.12, 0.09%, 0.61%

LAB 61.76, 4.85, -8.4

 

CMYK 19 / 28 / 0 / 29

HEX #9182B4

RGB 145 130 180

HSL 258, 0.25%, 0.61%

LAB 57.35, 16.13, -24.25

 

CMYK 0 / 10 / 41 / 24

HEX #C3AF73

RGB 195 175 115

HSL 45, 0.4%, 0.61%

LAB 71.89, -1.27, 33.37

 

CMYK 1 / 0 / 41 / 24

HEX #C2C373

RGB 194 195 115

HSL 60.75, 0.4%, 0.61%

LAB 77.12, -12.11, 40.01

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 23 / 0 / 41 / 24

HEX #97C373

RGB 151 195 115

HSL 93, 0.4%, 0.61%

LAB 74.09, -28.68, 35.54

 

CMYK 33 / 0 / 41 / 24

HEX #82C373

RGB 130 195 115

HSL 108.75, 0.4%, 0.61%

LAB 72.9, -36.03, 33.77

 

CMYK 17 / 0 / 58 / 37

HEX #85A044

RGB 133 160 68

HSL 77.61, 0.4%, 0.45%

LAB 62.12, -23.86, 44.05

 

CMYK 15 / 0 / 53 / 29

HEX #9BB656

RGB 155 182 86

HSL 76.88, 0.4%, 0.53%

LAB 70.24, -24.17, 45.28

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 6 / 0 / 21 / 14

HEX #CEDCAD

RGB 206 220 173

HSL 77.87, 0.4%, 0.77%

LAB 85.67, -12.69, 21.57

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 41 / 0 / 21 / 24

HEX #73C39A

RGB 115 195 154

HSL 149.25, 0.4%, 0.61%

LAB 72.9, -33.83, 13.02

 

CMYK 5 / 41 / 0 / 24

HEX #BA73C3

RGB 186 115 195

HSL 293.25, 0.4%, 0.61%

LAB 58.64, 40.81, -30.46

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 41 / 12 / 0 / 24

HEX #73ACC3

RGB 115 172 195

HSL 197.25, 0.4%, 0.61%

LAB 67.34, -12.6, -17.6

 

CMYK 0 / 41 / 12 / 24

HEX #C373AC

RGB 195 115 172

HSL 317.25, 0.4%, 0.61%

LAB 58.83, 39.51, -16.93

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 41 / 0 / 21 / 24

HEX #73C39A

RGB 115 195 154

HSL 149.25, 0.4%, 0.61%

LAB 72.9, -33.83, 13.02

 

CMYK 29 / 41 / 0 / 24

HEX #8A73C3

RGB 138 115 195

HSL 257.25, 0.4%, 0.61%

LAB 53.61, 26.46, -38.7

 

CMYK 0 / 41 / 20 / 24

HEX #C3739C

RGB 195 115 156

HSL 329.25, 0.4%, 0.61%

LAB 58.29, 36.94, -8.53

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 41 / 0 / 9 / 24

HEX #73C3B2

RGB 115 195 178

HSL 167.25, 0.4%, 0.61%

LAB 73.47, -28.58, 0.84

 

CMYK 29 / 41 / 0 / 24

HEX #8A73C3

RGB 138 115 195

HSL 257.25, 0.4%, 0.61%

LAB 53.61, 26.46, -38.7

 

CMYK 0 / 41 / 32 / 24

HEX #C37385

RGB 195 115 133

HSL 346.5, 0.4%, 0.61%

LAB 57.61, 33.66, 3.82

 

Description

Color code: HEX #ACC373 | qconv.com Color code: HEX #ACC373 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 195 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 195 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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