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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCDEC it is the complementary color #533213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCDEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCDEC shade: #B1CDE7, #C2DFFA, #D3F1FF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCDEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCDEC shade: #ACCDEC, #9BBBD9, #8AA9C6, #7997B3 and #6885A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCDEC shade: #ABCDEC, #ABBBEC, #ADABEC, #BEABEC and #D0ABEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCDEC shade: #ABCDEC, #ABBBEC and #ABABEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCDEC shade matches the following richer shades: #ABCDEC, #A3CDF4 and #9BCDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCDEC shade: #ABCDEC, #B4CCE3, #BCCCDB, #C4CCD3 and #CCCBCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCDEC shade: #ABECE8, #ABDEEC, #ABCDEC, #ABBBEC and #ACABEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCDEC shade: #68A4DC, #8AB8E4, #ABCDEC, #CDE1F3 and #EFF5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCDEC shade: #ACCDEC, #D7ABEC and #E6ECAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCDEC shade: #ACCDEC, #ECABCD and #CDECAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCDEC shade: #ACCDEC, #D7ABEC, #ECCAAB and #C0ECAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCDEC shade: #ACCDEC, #EBABEC, #ECCAAB and #ACECAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

Complementary color

CMYK 0 / 40 / 77 / 67

HEX #533213

RGB 83 50 19

HSL 29.06, 0.63%, 0.2%

LAB 24.22, 11.79, 25.25

 

CMYK 23 / 11 / 0 / 9

HEX #B1CDE7

RGB 177 205 231

HSL 208.89, 0.53%, 0.8%

LAB 81.17, -3.74, -15.95

 

CMYK 22 / 11 / 0 / 2

HEX #C2DFFA

RGB 194 223 250

HSL 208.93, 0.85%, 0.87%

LAB 87.56, -3.84, -16.31

 

CMYK 17 / 5 / 0 / 0

HEX #D3F1FF

RGB 211 241 255

HSL 199.09, 1%, 0.91%

LAB 93.44, -6.9, -10.02

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

CMYK 29 / 14 / 0 / 15

HEX #9BBBD9

RGB 155 187 217

HSL 209.03, 0.45%, 0.73%

LAB 74.52, -3.94, -18.58

 

CMYK 30 / 15 / 0 / 22

HEX #8AA9C6

RGB 138 169 198

HSL 209, 0.34%, 0.66%

LAB 67.91, -3.79, -18.28

 

CMYK 32 / 16 / 0 / 30

HEX #7997B3

RGB 121 151 179

HSL 208.97, 0.28%, 0.59%

LAB 61.18, -3.63, -17.98

 

CMYK 35 / 17 / 0 / 37

HEX #6885A0

RGB 104 133 160

HSL 208.93, 0.23%, 0.52%

LAB 54.3, -3.44, -17.7

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 28 / 21 / 0 / 7

HEX #ABBBEC

RGB 171 187 236

HSL 225.23, 0.63%, 0.8%

LAB 76.23, 5.31, -26.18

 

CMYK 27 / 28 / 0 / 7

HEX #ADABEC

RGB 173 171 236

HSL 241.85, 0.63%, 0.8%

LAB 72.27, 14.72, -32.24

 

CMYK 19 / 28 / 0 / 7

HEX #BEABEC

RGB 190 171 236

HSL 257.54, 0.63%, 0.8%

LAB 73.63, 19.8, -30.04

 

CMYK 12 / 28 / 0 / 7

HEX #D0ABEC

RGB 208 171 236

HSL 274.15, 0.63%, 0.8%

LAB 75.2, 25.37, -27.49

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 28 / 21 / 0 / 7

HEX #ABBBEC

RGB 171 187 236

HSL 225.23, 0.63%, 0.8%

LAB 76.23, 5.31, -26.18

 

CMYK 28 / 28 / 0 / 7

HEX #ABABEC

RGB 171 171 236

HSL 240, 0.63%, 0.8%

LAB 72.12, 14.14, -32.49

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 33 / 16 / 0 / 4

HEX #A3CDF4

RGB 163 205 244

HSL 208.89, 0.79%, 0.8%

LAB 80.73, -4.7, -23.65

 

CMYK 38 / 19 / 0 / 1

HEX #9BCDFC

RGB 155 205 252

HSL 209.07, 0.94%, 0.8%

LAB 80.55, -4.82, -28.22

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 21 / 10 / 0 / 11

HEX #B4CCE3

RGB 180 204 227

HSL 209.36, 0.46%, 0.8%

LAB 80.98, -3.19, -14.08

 

CMYK 14 / 7 / 0 / 14

HEX #BCCCDB

RGB 188 204 219

HSL 209.03, 0.3%, 0.8%

LAB 81.29, -2.39, -9.28

 

CMYK 7 / 3 / 0 / 17

HEX #C4CCD3

RGB 196 204 211

HSL 208, 0.15%, 0.8%

LAB 81.63, -1.38, -4.43

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCB

RGB 204 203 203

HSL 0, 0.01%, 0.8%

LAB 81.76, 0.35, 0.11

 

CMYK 28 / 0 / 2 / 7

HEX #ABECE8

RGB 171 236 232

HSL 176.31, 0.63%, 0.8%

LAB 89.15, -21.09, -4.65

 

CMYK 28 / 6 / 0 / 7

HEX #ABDEEC

RGB 171 222 236

HSL 192.92, 0.63%, 0.8%

LAB 85.48, -13.19, -12.18

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 28 / 21 / 0 / 7

HEX #ABBBEC

RGB 171 187 236

HSL 225.23, 0.63%, 0.8%

LAB 76.23, 5.31, -26.18

 

CMYK 27 / 28 / 0 / 7

HEX #ACABEC

RGB 172 171 236

HSL 240.92, 0.63%, 0.8%

LAB 72.2, 14.43, -32.36

 

CMYK 53 / 25 / 0 / 14

HEX #68A4DC

RGB 104 164 220

HSL 208.97, 0.62%, 0.64%

LAB 65.48, -3.74, -34.33

 

CMYK 39 / 19 / 0 / 11

HEX #8AB8E4

RGB 138 184 228

HSL 209.33, 0.63%, 0.72%

LAB 73.08, -4.26, -26.84

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 16 / 7 / 0 / 5

HEX #CDE1F3

RGB 205 225 243

HSL 208.42, 0.61%, 0.88%

LAB 88.59, -3.02, -11.01

 

CMYK 5 / 2 / 0 / 2

HEX #EFF5FB

RGB 239 245 251

HSL 210, 0.6%, 0.96%

LAB 96.25, -0.88, -3.58

 

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

CMYK 9 / 28 / 0 / 7

HEX #D7ABEC

RGB 215 171 236

HSL 280.62, 0.63%, 0.8%

LAB 75.84, 27.57, -26.45

 

CMYK 3 / 0 / 28 / 7

HEX #E6ECAB

RGB 230 236 171

HSL 65.54, 0.63%, 0.8%

LAB 91.57, -12.19, 30.93

 

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

CMYK 0 / 28 / 13 / 7

HEX #ECABCD

RGB 236 171 205

HSL 328.62, 0.63%, 0.8%

LAB 76.9, 28.9, -7.8

 

CMYK 13 / 0 / 28 / 7

HEX #CDECAB

RGB 205 236 171

HSL 88.62, 0.63%, 0.8%

LAB 89.82, -21.26, 28.26

 

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

CMYK 9 / 28 / 0 / 7

HEX #D7ABEC

RGB 215 171 236

HSL 280.62, 0.63%, 0.8%

LAB 75.84, 27.57, -26.45

 

CMYK 0 / 14 / 28 / 7

HEX #ECCAAB

RGB 236 202 171

HSL 28.62, 0.63%, 0.8%

LAB 83.45, 7.43, 19.92

 

CMYK 19 / 0 / 28 / 7

HEX #C0ECAB

RGB 192 236 171

HSL 100.62, 0.63%, 0.8%

LAB 88.99, -25.81, 27

 

CMYK 27 / 13 / 0 / 7

HEX #ACCDEC

RGB 172 205 236

HSL 209.06, 0.63%, 0.8%

LAB 81.01, -4.07, -18.9

 

CMYK 0 / 28 / 0 / 7

HEX #EBABEC

RGB 235 171 236

HSL 299.08, 0.63%, 0.8%

LAB 77.78, 33.93, -23.31

 

CMYK 0 / 14 / 28 / 7

HEX #ECCAAB

RGB 236 202 171

HSL 28.62, 0.63%, 0.8%

LAB 83.45, 7.43, 19.92

 

CMYK 27 / 0 / 28 / 7

HEX #ACECAB

RGB 172 236 171

HSL 119.08, 0.63%, 0.8%

LAB 87.82, -32.49, 25.22

 

Description

Color code: HEX #ACCDEC | qconv.com Color code: HEX #ACCDEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 205 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 205 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 13 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 13% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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