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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACDDB2 it is the complementary color #53224D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACDDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACDDB2 shade: #B1DDAD, #C2EFC0, #D3FFD3, #E4FFE6 and #F5FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACDDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACDDB2 shade: #ACDDB2, #9BCB9F, #8AB98C, #79A779 and #689566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACDDB2 shade: #ABDCB1, #B2DCAB, #C0DCAB, #CDDCAB and #DADCAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACDDB2 shade: #ABDCB1, #ABDCBF, #ABDCCC, #ABDCD9 and #ABD3DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACDDB2 shade matches the following richer shades: #ABDCB1, #A2E6AA, #98EFA3 and #8FF99C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACDDB2 shade: #ABDCB1, #B5D3B8, #BECAC0, #C8C0C7 and #D1B7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACDDB2 shade: #C0DCAB, #B3DCAB, #ABDCB1, #ABDCBE and #ABDCCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACDDB2 shade: #71C57B, #8ED196, #ABDCB1, #C9E8CC and #E6F4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACDDB2 shade: #ACDDB2, #ABCDDC and #DCABB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACDDB2 shade: #ACDDB2, #B1ABDC and #DCB1AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACDDB2 shade: #ACDDB2, #ABCDDC, #DCABD7 and #DCBBAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACDDB2 shade: #ACDDB2, #ABBEDC, #DCABD7 and #DCCAAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

Complementary color

CMYK 0 / 59 / 7 / 67

HEX #53224D

RGB 83 34 77

HSL 307.35, 0.42%, 0.23%

LAB 22.01, 29.3, -16.12

 

CMYK 20 / 0 / 22 / 13

HEX #B1DDAD

RGB 177 221 173

HSL 115, 0.41%, 0.77%

LAB 84.01, -23.36, 18.96

 

CMYK 19 / 0 / 20 / 6

HEX #C2EFC0

RGB 194 239 192

HSL 117.45, 0.59%, 0.85%

LAB 90.33, -23.21, 18.06

 

CMYK 17 / 0 / 17 / 0

HEX #D3FFD3

RGB 211 255 211

HSL 120, 1%, 0.91%

LAB 96.03, -22.11, 16.45

 

CMYK 11 / 0 / 10 / 0

HEX #E4FFE6

RGB 228 255 230

HSL 124.44, 1%, 0.95%

LAB 97.52, -13.26, 8.99

 

CMYK 4 / 0 / 2 / 0

HEX #F5FFF9

RGB 245 255 249

HSL 144, 1%, 0.98%

LAB 99.13, -4.34, 1.71

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 24 / 0 / 22 / 20

HEX #9BCB9F

RGB 155 203 159

HSL 125, 0.32%, 0.7%

LAB 77.39, -24.35, 16.94

 

CMYK 25 / 0 / 24 / 27

HEX #8AB98C

RGB 138 185 140

HSL 122.55, 0.25%, 0.63%

LAB 70.87, -24.56, 17.92

 

CMYK 28 / 0 / 28 / 35

HEX #79A779

RGB 121 167 121

HSL 120, 0.21%, 0.56%

LAB 64.23, -24.79, 18.96

 

CMYK 30 / 0 / 32 / 42

HEX #689566

RGB 104 149 102

HSL 117.45, 0.19%, 0.49%

LAB 57.46, -25.03, 20.07

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 19 / 0 / 22 / 14

HEX #B2DCAB

RGB 178 220 171

HSL 111.43, 0.41%, 0.77%

LAB 83.75, -22.86, 19.67

 

CMYK 13 / 0 / 22 / 14

HEX #C0DCAB

RGB 192 220 171

HSL 94.29, 0.41%, 0.77%

LAB 84.66, -18.01, 21.06

 

CMYK 7 / 0 / 22 / 14

HEX #CDDCAB

RGB 205 220 171

HSL 78.37, 0.41%, 0.77%

LAB 85.56, -13.35, 22.44

 

CMYK 1 / 0 / 22 / 14

HEX #DADCAB

RGB 218 220 171

HSL 62.45, 0.41%, 0.77%

LAB 86.52, -8.6, 23.92

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 22 / 0 / 13 / 14

HEX #ABDCBF

RGB 171 220 191

HSL 144.49, 0.41%, 0.77%

LAB 83.76, -21.61, 9.1

 

CMYK 22 / 0 / 7 / 14

HEX #ABDCCC

RGB 171 220 204

HSL 160.41, 0.41%, 0.77%

LAB 84.07, -19.06, 2.67

 

CMYK 22 / 0 / 1 / 14

HEX #ABDCD9

RGB 171 220 217

HSL 176.33, 0.41%, 0.77%

LAB 84.41, -16.36, -3.72

 

CMYK 22 / 4 / 0 / 14

HEX #ABD3DC

RGB 171 211 220

HSL 191.02, 0.41%, 0.77%

LAB 82.06, -11.12, -8.79

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 30 / 0 / 26 / 10

HEX #A2E6AA

RGB 162 230 170

HSL 127.06, 0.58%, 0.77%

LAB 85.59, -33.06, 22.59

 

CMYK 36 / 0 / 32 / 6

HEX #98EFA3

RGB 152 239 163

HSL 127.59, 0.73%, 0.77%

LAB 87.51, -41.4, 28.72

 

CMYK 43 / 0 / 37 / 2

HEX #8FF99C

RGB 143 249 156

HSL 127.36, 0.9%, 0.77%

LAB 89.86, -49.43, 35.3

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 14 / 0 / 13 / 17

HEX #B5D3B8

RGB 181 211 184

HSL 126, 0.25%, 0.77%

LAB 81.77, -15.11, 10.05

 

CMYK 6 / 0 / 5 / 21

HEX #BECAC0

RGB 190 202 192

HSL 130, 0.1%, 0.77%

LAB 80.18, -5.95, 3.57

 

CMYK 0 / 4 / 0 / 22

HEX #C8C0C7

RGB 200 192 199

HSL 307.5, 0.07%, 0.77%

LAB 78.52, 4.07, -2.52

 

CMYK 0 / 12 / 1 / 18

HEX #D1B7CE

RGB 209 183 206

HSL 306.92, 0.22%, 0.77%

LAB 77.21, 13.3, -8.16

 

CMYK 13 / 0 / 22 / 14

HEX #C0DCAB

RGB 192 220 171

HSL 94.29, 0.41%, 0.77%

LAB 84.66, -18.01, 21.06

 

CMYK 19 / 0 / 22 / 14

HEX #B3DCAB

RGB 179 220 171

HSL 110.2, 0.41%, 0.77%

LAB 83.81, -22.52, 19.76

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 22 / 0 / 14 / 14

HEX #ABDCBE

RGB 171 220 190

HSL 143.27, 0.41%, 0.77%

LAB 83.74, -21.8, 9.59

 

CMYK 22 / 0 / 8 / 14

HEX #ABDCCB

RGB 171 220 203

HSL 159.18, 0.41%, 0.77%

LAB 84.05, -19.26, 3.16

 

CMYK 43 / 0 / 38 / 23

HEX #71C57B

RGB 113 197 123

HSL 127.14, 0.42%, 0.61%

LAB 72.81, -41.04, 29.36

 

CMYK 32 / 0 / 28 / 18

HEX #8ED196

RGB 142 209 150

HSL 127.16, 0.42%, 0.69%

LAB 78.2, -33.03, 22.71

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB1

RGB 171 220 177

HSL 127.35, 0.41%, 0.77%

LAB 83.45, -24.18, 16.04

 

CMYK 13 / 0 / 12 / 9

HEX #C9E8CC

RGB 201 232 204

HSL 125.81, 0.4%, 0.85%

LAB 89.15, -15.36, 10.23

 

CMYK 6 / 0 / 5 / 4

HEX #E6F4E8

RGB 230 244 232

HSL 128.57, 0.39%, 0.93%

LAB 94.89, -6.76, 4.18

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 22 / 7 / 0 / 14

HEX #ABCDDC

RGB 171 205 220

HSL 198.37, 0.41%, 0.77%

LAB 80.45, -8.01, -11.18

 

CMYK 0 / 22 / 16 / 14

HEX #DCABB9

RGB 220 171 185

HSL 342.86, 0.41%, 0.77%

LAB 74.73, 20.05, -0.25

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 20 / 22 / 0 / 14

HEX #B1ABDC

RGB 177 171 220

HSL 247.35, 0.41%, 0.77%

LAB 71.99, 12.2, -23.92

 

CMYK 0 / 20 / 22 / 14

HEX #DCB1AB

RGB 220 177 171

HSL 7.35, 0.41%, 0.77%

LAB 75.82, 14.68, 8.98

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 22 / 7 / 0 / 14

HEX #ABCDDC

RGB 171 205 220

HSL 198.37, 0.41%, 0.77%

LAB 80.45, -8.01, -11.18

 

CMYK 0 / 22 / 2 / 14

HEX #DCABD7

RGB 220 171 215

HSL 306.12, 0.41%, 0.77%

LAB 75.61, 25.17, -15.35

 

CMYK 0 / 15 / 22 / 14

HEX #DCBBAB

RGB 220 187 171

HSL 19.59, 0.41%, 0.77%

LAB 78.28, 9.34, 12.47

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 22 / 14 / 0 / 14

HEX #ABBEDC

RGB 171 190 220

HSL 216.73, 0.41%, 0.77%

LAB 76.47, -0.05, -17.16

 

CMYK 0 / 22 / 2 / 14

HEX #DCABD7

RGB 220 171 215

HSL 306.12, 0.41%, 0.77%

LAB 75.61, 25.17, -15.35

 

CMYK 0 / 8 / 22 / 14

HEX #DCCAAB

RGB 220 202 171

HSL 37.96, 0.41%, 0.77%

LAB 82.05, 1.42, 17.77

 

Description

Color code: HEX #ACDDB2 | qconv.com Color code: HEX #ACDDB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 221 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 221 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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