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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE499 it is the complementary color #531B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE499 shade: #B1E494, #C2F6A7, #D3FFBA, #E4FFCD and #F5FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE499 shade: #ACE499, #9BD286, #8AC073, #79AE60 and #689C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE499 shade: #ADE49A, #C0E49A, #D4E49A, #E4DF9A and #E4CB9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE499 shade: #ADE49A, #9AE49B, #9AE4AF, #9AE4C3 and #9AE4D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE499 shade matches the following richer shades: #ADE49A, #A7EE8F and #A2F885

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE499 shade: #ADE49A, #B2D9A4, #B7CFAE, #BCC5B9 and #C1BAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE499 shade: #D5E49A, #C1E49A, #ADE49A, #9AE49A and #9AE4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE499 shade: #77D259, #92DB79, #ADE49A, #C7ECBA and #E2F5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE499 shade: #ACE499, #9AE4DF and #E49ACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE499 shade: #ACE499, #9AADE4 and #E49AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE499 shade: #ACE499, #9AE4DF, #D09AE4 and #E49A9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE499 shade: #ACE499, #9AD2E4, #D09AE4 and #E4AB9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

Complementary color

CMYK 19 / 74 / 0 / 60

HEX #531B66

RGB 83 27 102

HSL 284.8, 0.58%, 0.25%

LAB 22.24, 38.14, -32.37

 

CMYK 22 / 0 / 35 / 11

HEX #B1E494

RGB 177 228 148

HSL 98.25, 0.6%, 0.74%

LAB 85.49, -30.57, 33.87

 

CMYK 21 / 0 / 32 / 4

HEX #C2F6A7

RGB 194 246 167

HSL 99.49, 0.81%, 0.81%

LAB 91.76, -30.44, 32.79

 

CMYK 17 / 0 / 27 / 0

HEX #D3FFBA

RGB 211 255 186

HSL 98.26, 1%, 0.86%

LAB 95.54, -26.09, 28.49

 

CMYK 11 / 0 / 20 / 0

HEX #E4FFCD

RGB 228 255 205

HSL 92.4, 1%, 0.9%

LAB 96.99, -17.37, 21.02

 

CMYK 4 / 0 / 12 / 0

HEX #F5FFE0

RGB 245 255 224

HSL 79.35, 1%, 0.94%

LAB 98.56, -8.55, 13.7

 

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

CMYK 26 / 0 / 36 / 18

HEX #9BD286

RGB 155 210 134

HSL 103.42, 0.46%, 0.67%

LAB 78.92, -31.74, 32.11

 

CMYK 28 / 0 / 40 / 25

HEX #8AC073

RGB 138 192 115

HSL 102.08, 0.38%, 0.6%

LAB 72.46, -31.9, 33.28

 

CMYK 30 / 0 / 45 / 32

HEX #79AE60

RGB 121 174 96

HSL 100.77, 0.33%, 0.53%

LAB 65.89, -32.05, 34.49

 

CMYK 33 / 0 / 51 / 39

HEX #689C4D

RGB 104 156 77

HSL 99.49, 0.34%, 0.46%

LAB 59.21, -32.15, 35.73

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 16 / 0 / 32 / 11

HEX #C0E49A

RGB 192 228 154

HSL 89.19, 0.58%, 0.75%

LAB 86.52, -24.44, 32.35

 

CMYK 7 / 0 / 32 / 11

HEX #D4E49A

RGB 212 228 154

HSL 72.97, 0.58%, 0.75%

LAB 87.88, -17.12, 34.41

 

CMYK 0 / 2 / 32 / 11

HEX #E4DF9A

RGB 228 223 154

HSL 55.95, 0.58%, 0.75%

LAB 87.78, -8.58, 34.49

 

CMYK 0 / 11 / 32 / 11

HEX #E4CB9A

RGB 228 203 154

HSL 39.73, 0.58%, 0.75%

LAB 82.67, 1.67, 27.68

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 32 / 0 / 32 / 11

HEX #9AE49B

RGB 154 228 155

HSL 120.81, 0.58%, 0.75%

LAB 84.34, -37.16, 28.55

 

CMYK 32 / 0 / 23 / 11

HEX #9AE4AF

RGB 154 228 175

HSL 137.03, 0.58%, 0.75%

LAB 84.72, -33.73, 18.71

 

CMYK 32 / 0 / 14 / 11

HEX #9AE4C3

RGB 154 228 195

HSL 153.24, 0.58%, 0.75%

LAB 85.15, -29.89, 8.85

 

CMYK 32 / 0 / 6 / 11

HEX #9AE4D7

RGB 154 228 215

HSL 169.46, 0.58%, 0.75%

LAB 85.64, -25.68, -0.97

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 30 / 0 / 40 / 7

HEX #A7EE8F

RGB 167 238 143

HSL 104.84, 0.74%, 0.75%

LAB 87.65, -39.24, 39.09

 

CMYK 35 / 0 / 46 / 3

HEX #A2F885

RGB 162 248 133

HSL 104.87, 0.89%, 0.75%

LAB 90.1, -46.54, 47

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 18 / 0 / 24 / 15

HEX #B2D9A4

RGB 178 217 164

HSL 104.15, 0.41%, 0.75%

LAB 82.79, -22.54, 22

 

CMYK 12 / 0 / 16 / 19

HEX #B7CFAE

RGB 183 207 174

HSL 103.64, 0.26%, 0.75%

LAB 80.6, -14.15, 13.72

 

CMYK 5 / 0 / 6 / 23

HEX #BCC5B9

RGB 188 197 185

HSL 105, 0.09%, 0.75%

LAB 78.54, -5.31, 4.94

 

CMYK 1 / 5 / 0 / 24

HEX #C1BAC3

RGB 193 186 195

HSL 286.67, 0.07%, 0.75%

LAB 76.31, 4.12, -3.67

 

CMYK 7 / 0 / 32 / 11

HEX #D5E49A

RGB 213 228 154

HSL 72.16, 0.58%, 0.75%

LAB 87.95, -16.74, 34.52

 

CMYK 15 / 0 / 32 / 11

HEX #C1E49A

RGB 193 228 154

HSL 88.38, 0.58%, 0.75%

LAB 86.58, -24.08, 32.45

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 32 / 0 / 32 / 11

HEX #9AE49A

RGB 154 228 154

HSL 120, 0.58%, 0.75%

LAB 84.32, -37.32, 29.04

 

CMYK 32 / 0 / 24 / 11

HEX #9AE4AD

RGB 154 228 173

HSL 135.41, 0.58%, 0.75%

LAB 84.68, -34.09, 19.7

 

CMYK 43 / 0 / 58 / 18

HEX #77D259

RGB 119 210 89

HSL 105.12, 0.57%, 0.59%

LAB 76.52, -49.3, 50.71

 

CMYK 33 / 0 / 45 / 14

HEX #92DB79

RGB 146 219 121

HSL 104.69, 0.58%, 0.67%

LAB 80.82, -40.68, 41.02

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 16 / 0 / 21 / 7

HEX #C7ECBA

RGB 199 236 186

HSL 104.4, 0.57%, 0.83%

LAB 89.71, -21.06, 20.34

 

CMYK 8 / 0 / 11 / 4

HEX #E2F5DB

RGB 226 245 219

HSL 103.85, 0.57%, 0.91%

LAB 94.56, -10.86, 10.39

 

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

CMYK 32 / 0 / 2 / 11

HEX #9AE4DF

RGB 154 228 223

HSL 175.95, 0.58%, 0.75%

LAB 85.85, -23.89, -4.88

 

CMYK 0 / 32 / 11 / 11

HEX #E49ACB

RGB 228 154 203

HSL 320.27, 0.58%, 0.75%

LAB 72.17, 34.9, -13.85

 

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

CMYK 32 / 24 / 0 / 11

HEX #9AADE4

RGB 154 173 228

HSL 224.59, 0.58%, 0.75%

LAB 71.12, 6.16, -29.78

 

CMYK 0 / 32 / 24 / 11

HEX #E49AAD

RGB 228 154 173

HSL 344.59, 0.58%, 0.75%

LAB 71.3, 30.26, 1.46

 

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

CMYK 32 / 0 / 2 / 11

HEX #9AE4DF

RGB 154 228 223

HSL 175.95, 0.58%, 0.75%

LAB 85.85, -23.89, -4.88

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 0 / 32 / 30 / 11

HEX #E49A9F

RGB 228 154 159

HSL 355.95, 0.58%, 0.75%

LAB 70.95, 28.35, 8.72

 

CMYK 25 / 0 / 33 / 11

HEX #ACE499

RGB 172 228 153

HSL 104.8, 0.58%, 0.75%

LAB 85.28, -31.57, 31

 

CMYK 32 / 8 / 0 / 11

HEX #9AD2E4

RGB 154 210 228

HSL 194.59, 0.58%, 0.75%

LAB 81.05, -13.69, -14.67

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 0 / 25 / 32 / 11

HEX #E4AB9A

RGB 228 171 154

HSL 13.78, 0.58%, 0.75%

LAB 74.8, 18.6, 16.89

 

Description

Color code: HEX #ACE499 | qconv.com Color code: HEX #ACE499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 228 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 228 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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