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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE867 it is the complementary color #531798. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE867. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE867 shade: #B1E862, #C2FA75, #D3FF88, #E4FF9B and #F5FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE867. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE867 shade: #ACE867, #9BD654, #8AC441, #79B22E and #68A01B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE867 shade: #ACE868, #CFE868, #E8DE68, #E8BC68 and #E89968

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE867 shade: #ACE868, #8AE868, #68E868, #68E88B and #68E8AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE867 shade matches the following richer shades: #ACE868 and #ADF65A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE867 shade: #ACE868, #ABDA76, #AACC84, #A9BE92 and #A8B0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE867 shade: #E8DD68, #D0E868, #AEE868, #8CE868 and #6AE868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE867 shade: #85DD21, #99E344, #ACE868, #C0ED8C and #D3F3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE867 shade: #ACE867, #68E8BB and #E868E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE867 shade: #ACE867, #68AEE8 and #E868AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE867 shade: #ACE867, #68E8BB, #A168E8 and #E86895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE867 shade: #ACE867, #68E8E2, #A168E8 and #E8686E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

Complementary color

CMYK 45 / 85 / 0 / 40

HEX #531798

RGB 83 23 152

HSL 267.91, 0.74%, 0.34%

LAB 25.92, 51.69, -58.03

 

CMYK 24 / 0 / 58 / 9

HEX #B1E862

RGB 177 232 98

HSL 84.63, 0.74%, 0.65%

LAB 85.98, -38.12, 58.33

 

CMYK 22 / 0 / 53 / 2

HEX #C2FA75

RGB 194 250 117

HSL 85.26, 0.93%, 0.72%

LAB 92.19, -38.25, 57.34

 

CMYK 17 / 0 / 47 / 0

HEX #D3FF88

RGB 211 255 136

HSL 82.18, 1%, 0.77%

LAB 94.8, -32.45, 52

 

CMYK 11 / 0 / 39 / 0

HEX #E4FF9B

RGB 228 255 155

HSL 76.2, 1%, 0.8%

LAB 96.15, -24.13, 44.87

 

CMYK 4 / 0 / 32 / 0

HEX #F5FFAE

RGB 245 255 174

HSL 67.41, 1%, 0.84%

LAB 97.63, -15.62, 37.68

 

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

CMYK 28 / 0 / 61 / 16

HEX #9BD654

RGB 155 214 84

HSL 87.23, 0.61%, 0.58%

LAB 79.44, -39.33, 56.71

 

CMYK 30 / 0 / 67 / 23

HEX #8AC441

RGB 138 196 65

HSL 86.56, 0.53%, 0.51%

LAB 73.07, -39.08, 57.42

 

CMYK 32 / 0 / 74 / 30

HEX #79B22E

RGB 121 178 46

HSL 85.91, 0.59%, 0.44%

LAB 66.6, -38.69, 57.7

 

CMYK 35 / 0 / 83 / 37

HEX #68A01B

RGB 104 160 27

HSL 85.26, 0.71%, 0.37%

LAB 60.04, -38.09, 57.17

 

CMYK 26 / 0 / 55 / 9

HEX #ACE868

RGB 172 232 104

HSL 88.13, 0.74%, 0.66%

LAB 85.75, -39.38, 55.33

 

CMYK 11 / 0 / 55 / 9

HEX #CFE868

RGB 207 232 104

HSL 71.72, 0.74%, 0.66%

LAB 87.96, -26.23, 58.46

 

CMYK 0 / 4 / 55 / 9

HEX #E8DE68

RGB 232 222 104

HSL 55.31, 0.74%, 0.66%

LAB 87.19, -11.4, 58.08

 

CMYK 0 / 19 / 55 / 9

HEX #E8BC68

RGB 232 188 104

HSL 39.38, 0.74%, 0.66%

LAB 78.53, 6.03, 47.97

 

CMYK 0 / 34 / 55 / 9

HEX #E89968

RGB 232 153 104

HSL 22.97, 0.74%, 0.66%

LAB 70.13, 24.6, 37.71

 

CMYK 26 / 0 / 55 / 9

HEX #ACE868

RGB 172 232 104

HSL 88.13, 0.74%, 0.66%

LAB 85.75, -39.38, 55.33

 

CMYK 41 / 0 / 55 / 9

HEX #8AE868

RGB 138 232 104

HSL 104.06, 0.74%, 0.66%

LAB 84.03, -50.8, 52.89

 

CMYK 55 / 0 / 55 / 9

HEX #68E868

RGB 104 232 104

HSL 120, 0.74%, 0.66%

LAB 82.73, -60.27, 51.04

 

CMYK 55 / 0 / 40 / 9

HEX #68E88B

RGB 104 232 139

HSL 136.41, 0.74%, 0.66%

LAB 83.19, -55.28, 34.77

 

CMYK 55 / 0 / 25 / 9

HEX #68E8AD

RGB 104 232 173

HSL 152.34, 0.74%, 0.66%

LAB 83.8, -48.99, 18.17

 

CMYK 26 / 0 / 55 / 9

HEX #ACE868

RGB 172 232 104

HSL 88.13, 0.74%, 0.66%

LAB 85.75, -39.38, 55.33

 

CMYK 30 / 0 / 63 / 4

HEX #ADF65A

RGB 173 246 90

HSL 88.08, 0.9%, 0.66%

LAB 89.64, -46.33, 65.66

 

CMYK 26 / 0 / 55 / 9

HEX #ACE868

RGB 172 232 104

HSL 88.13, 0.74%, 0.66%

LAB 85.75, -39.38, 55.33

 

CMYK 22 / 0 / 46 / 15

HEX #ABDA76

RGB 171 218 118

HSL 88.2, 0.57%, 0.66%

LAB 81.9, -31.88, 44.13

 

CMYK 17 / 0 / 35 / 20

HEX #AACC84

RGB 170 204 132

HSL 88.33, 0.41%, 0.66%

LAB 78.11, -23.79, 32.25

 

CMYK 11 / 0 / 23 / 25

HEX #A9BE92

RGB 169 190 146

HSL 88.64, 0.25%, 0.66%

LAB 74.4, -15.09, 19.89

 

CMYK 5 / 0 / 9 / 31

HEX #A8B0A0

RGB 168 176 160

HSL 90, 0.09%, 0.66%

LAB 70.81, -5.78, 7.22

 

CMYK 0 / 5 / 55 / 9

HEX #E8DD68

RGB 232 221 104

HSL 54.84, 0.74%, 0.66%

LAB 86.93, -10.9, 57.78

 

CMYK 10 / 0 / 55 / 9

HEX #D0E868

RGB 208 232 104

HSL 71.25, 0.74%, 0.66%

LAB 88.03, -25.84, 58.55

 

CMYK 25 / 0 / 55 / 9

HEX #AEE868

RGB 174 232 104

HSL 87.19, 0.74%, 0.66%

LAB 85.86, -38.66, 55.5

 

CMYK 40 / 0 / 55 / 9

HEX #8CE868

RGB 140 232 104

HSL 103.13, 0.74%, 0.66%

LAB 84.12, -50.18, 53.02

 

CMYK 54 / 0 / 55 / 9

HEX #6AE868

RGB 106 232 104

HSL 119.06, 0.74%, 0.66%

LAB 82.79, -59.77, 51.13

 

CMYK 40 / 0 / 85 / 13

HEX #85DD21

RGB 133 221 33

HSL 88.09, 0.74%, 0.5%

LAB 80.07, -53, 73.88

 

CMYK 33 / 0 / 70 / 11

HEX #99E344

RGB 153 227 68

HSL 87.92, 0.74%, 0.58%

LAB 82.98, -46.87, 66.76

 

CMYK 26 / 0 / 55 / 9

HEX #ACE868

RGB 172 232 104

HSL 88.13, 0.74%, 0.66%

LAB 85.75, -39.38, 55.33

 

CMYK 19 / 0 / 41 / 7

HEX #C0ED8C

RGB 192 237 140

HSL 87.84, 0.73%, 0.74%

LAB 88.77, -30.53, 42.28

 

CMYK 13 / 0 / 28 / 5

HEX #D3F3AF

RGB 211 243 175

HSL 88.24, 0.74%, 0.82%

LAB 92.15, -21.95, 29.45

 

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

CMYK 55 / 0 / 19 / 9

HEX #68E8BB

RGB 104 232 187

HSL 158.91, 0.74%, 0.66%

LAB 84.09, -46.01, 11.27

 

CMYK 0 / 55 / 3 / 9

HEX #E868E2

RGB 232 104 226

HSL 302.81, 0.74%, 0.66%

LAB 63.79, 64.89, -39.44

 

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

CMYK 55 / 25 / 0 / 9

HEX #68AEE8

RGB 104 174 232

HSL 207.19, 0.74%, 0.66%

LAB 68.78, -5.66, -35.8

 

CMYK 0 / 55 / 25 / 9

HEX #E868AE

RGB 232 104 174

HSL 327.19, 0.74%, 0.66%

LAB 61.75, 57.06, -13.18

 

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

CMYK 55 / 0 / 19 / 9

HEX #68E8BB

RGB 104 232 187

HSL 158.91, 0.74%, 0.66%

LAB 84.09, -46.01, 11.27

 

CMYK 31 / 55 / 0 / 9

HEX #A168E8

RGB 161 104 232

HSL 266.72, 0.74%, 0.66%

LAB 55.38, 47.99, -56.67

 

CMYK 0 / 55 / 36 / 9

HEX #E86895

RGB 232 104 149

HSL 338.91, 0.74%, 0.66%

LAB 60.98, 53.96, 0.07

 

CMYK 26 / 0 / 56 / 9

HEX #ACE867

RGB 172 232 103

HSL 87.91, 0.74%, 0.66%

LAB 85.74, -39.47, 55.77

 

CMYK 55 / 0 / 3 / 9

HEX #68E8E2

RGB 104 232 226

HSL 177.19, 0.74%, 0.66%

LAB 85.07, -36.67, -7.83

 

CMYK 31 / 55 / 0 / 9

HEX #A168E8

RGB 161 104 232

HSL 266.72, 0.74%, 0.66%

LAB 55.38, 47.99, -56.67

 

CMYK 0 / 55 / 53 / 9

HEX #E8686E

RGB 232 104 110

HSL 357.19, 0.74%, 0.66%

LAB 60.05, 50.11, 21.3

 

Description

Color code: HEX #ACE867 | qconv.com Color code: HEX #ACE867 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 232 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 232 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 56 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 56% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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