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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE9F1 it is the complementary color #53160E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE9F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE9F1 shade: #B1E9EC, #C2FBFF, #D3FFFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE9F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE9F1 shade: #ACE9F1, #9BD7DE, #8AC5CB, #79B3B8 and #68A1A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE9F1 shade: #ACE8F0, #ACD6F0, #ACC3F0, #ACB1F0 and #B9ACF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE9F1 shade: #ACE8F0, #ACD6F0, #ACC3F0, #ACB1F0 and #ACACF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE9F1 shade matches the following richer shades: #ACE8F0 and #A4EEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE9F1 shade: #ACE8F0, #B3E2E9, #BBDCE1, #C3D6D9 and #CBD0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE9F1 shade: #ACF0D3, #ACF0E5, #ACEAF0, #ACD7F0 and #ACC5F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE9F1 shade: #65D6E4, #88DFEA, #ACE8F0, #CFF2F6 and #F2FBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE9F1 shade: #ACE9F1, #C0ACF0 and #F0DCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE9F1 shade: #ACE9F1, #F0ACEA and #EAF0AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE9F1 shade: #ACE9F1, #C0ACF0, #F0B3AC and #DCF0AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE9F1 shade: #ACE9F1, #D5ACF0, #F0B3AC and #C7F0AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

Complementary color

CMYK 0 / 73 / 83 / 67

HEX #53160E

RGB 83 22 14

HSL 6.96, 0.71%, 0.19%

LAB 17.67, 27.84, 20.73

 

CMYK 25 / 1 / 0 / 7

HEX #B1E9EC

RGB 177 233 236

HSL 183.05, 0.61%, 0.81%

LAB 88.77, -17.01, -7.26

 

CMYK 24 / 2 / 0 / 0

HEX #C2FBFF

RGB 194 251 255

HSL 183.93, 1%, 0.88%

LAB 95.03, -16.95, -7.78

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

CMYK 30 / 3 / 0 / 13

HEX #9BD7DE

RGB 155 215 222

HSL 186.27, 0.5%, 0.74%

LAB 82.29, -17.38, -9.61

 

CMYK 32 / 3 / 0 / 20

HEX #8AC5CB

RGB 138 197 203

HSL 185.54, 0.38%, 0.67%

LAB 75.85, -17.43, -9.09

 

CMYK 34 / 3 / 0 / 28

HEX #79B3B8

RGB 121 179 184

HSL 184.76, 0.31%, 0.6%

LAB 69.3, -17.48, -8.55

 

CMYK 37 / 2 / 0 / 35

HEX #68A1A5

RGB 104 161 165

HSL 183.93, 0.25%, 0.53%

LAB 62.63, -17.53, -8

 

CMYK 28 / 3 / 0 / 6

HEX #ACE8F0

RGB 172 232 240

HSL 187.06, 0.69%, 0.81%

LAB 88.34, -17.05, -10.02

 

CMYK 28 / 11 / 0 / 6

HEX #ACD6F0

RGB 172 214 240

HSL 202.94, 0.69%, 0.81%

LAB 83.52, -7.86, -17.23

 

CMYK 28 / 19 / 0 / 6

HEX #ACC3F0

RGB 172 195 240

HSL 219.71, 0.69%, 0.81%

LAB 78.52, 2.22, -24.83

 

CMYK 28 / 26 / 0 / 6

HEX #ACB1F0

RGB 172 177 240

HSL 235.59, 0.69%, 0.81%

LAB 73.87, 12.07, -31.95

 

CMYK 23 / 28 / 0 / 6

HEX #B9ACF0

RGB 185 172 240

HSL 251.47, 0.69%, 0.81%

LAB 73.62, 18.66, -32.26

 

CMYK 28 / 3 / 0 / 6

HEX #ACE8F0

RGB 172 232 240

HSL 187.06, 0.69%, 0.81%

LAB 88.34, -17.05, -10.02

 

CMYK 28 / 11 / 0 / 6

HEX #ACD6F0

RGB 172 214 240

HSL 202.94, 0.69%, 0.81%

LAB 83.52, -7.86, -17.23

 

CMYK 28 / 19 / 0 / 6

HEX #ACC3F0

RGB 172 195 240

HSL 219.71, 0.69%, 0.81%

LAB 78.52, 2.22, -24.83

 

CMYK 28 / 26 / 0 / 6

HEX #ACB1F0

RGB 172 177 240

HSL 235.59, 0.69%, 0.81%

LAB 73.87, 12.07, -31.95

 

CMYK 28 / 28 / 0 / 6

HEX #ACACF0

RGB 172 172 240

HSL 240, 0.69%, 0.81%

LAB 72.61, 14.85, -33.91

 

CMYK 28 / 3 / 0 / 6

HEX #ACE8F0

RGB 172 232 240

HSL 187.06, 0.69%, 0.81%

LAB 88.34, -17.05, -10.02

 

CMYK 34 / 4 / 0 / 3

HEX #A4EEF8

RGB 164 238 248

HSL 187.14, 0.86%, 0.81%

LAB 89.78, -20.37, -12.12

 

CMYK 28 / 3 / 0 / 6

HEX #ACE8F0

RGB 172 232 240

HSL 187.06, 0.69%, 0.81%

LAB 88.34, -17.05, -10.02

 

CMYK 23 / 3 / 0 / 9

HEX #B3E2E9

RGB 179 226 233

HSL 187.78, 0.55%, 0.81%

LAB 86.93, -13.56, -8.4

 

CMYK 17 / 2 / 0 / 12

HEX #BBDCE1

RGB 187 220 225

HSL 187.89, 0.39%, 0.81%

LAB 85.6, -9.78, -6.09

 

CMYK 10 / 1 / 0 / 15

HEX #C3D6D9

RGB 195 214 217

HSL 188.18, 0.22%, 0.81%

LAB 84.33, -5.76, -3.66

 

CMYK 3 / 0 / 0 / 18

HEX #CBD0D1

RGB 203 208 209

HSL 190, 0.06%, 0.81%

LAB 83.13, -1.51, -1.1

 

CMYK 28 / 0 / 12 / 6

HEX #ACF0D3

RGB 172 240 211

HSL 154.41, 0.69%, 0.81%

LAB 89.76, -27.12, 7.23

 

CMYK 28 / 0 / 5 / 6

HEX #ACF0E5

RGB 172 240 229

HSL 170.29, 0.69%, 0.81%

LAB 90.21, -23.41, -1.52

 

CMYK 28 / 3 / 0 / 6

HEX #ACEAF0

RGB 172 234 240

HSL 185.29, 0.69%, 0.81%

LAB 88.88, -18.05, -9.22

 

CMYK 28 / 10 / 0 / 6

HEX #ACD7F0

RGB 172 215 240

HSL 202.06, 0.69%, 0.81%

LAB 83.79, -8.38, -16.83

 

CMYK 28 / 18 / 0 / 6

HEX #ACC5F0

RGB 172 197 240

HSL 217.94, 0.69%, 0.81%

LAB 79.04, 1.14, -24.03

 

CMYK 56 / 6 / 0 / 11

HEX #65D6E4

RGB 101 214 228

HSL 186.61, 0.7%, 0.65%

LAB 79.88, -28.18, -16.67

 

CMYK 42 / 5 / 0 / 8

HEX #88DFEA

RGB 136 223 234

HSL 186.73, 0.7%, 0.73%

LAB 83.94, -23.44, -13.62

 

CMYK 28 / 3 / 0 / 6

HEX #ACE8F0

RGB 172 232 240

HSL 187.06, 0.69%, 0.81%

LAB 88.34, -17.05, -10.02

 

CMYK 16 / 2 / 0 / 4

HEX #CFF2F6

RGB 207 242 246

HSL 186.15, 0.68%, 0.89%

LAB 93.2, -10.47, -5.73

 

CMYK 4 / 0 / 0 / 1

HEX #F2FBFC

RGB 242 251 252

HSL 186, 0.63%, 0.97%

LAB 97.99, -2.76, -1.52

 

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

CMYK 20 / 28 / 0 / 6

HEX #C0ACF0

RGB 192 172 240

HSL 257.65, 0.69%, 0.81%

LAB 74.19, 20.76, -31.33

 

CMYK 0 / 8 / 28 / 6

HEX #F0DCAC

RGB 240 220 172

HSL 42.35, 0.69%, 0.81%

LAB 88.3, -0.25, 26.12

 

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

CMYK 0 / 28 / 3 / 6

HEX #F0ACEA

RGB 240 172 234

HSL 305.29, 0.69%, 0.81%

LAB 78.44, 34.64, -21.18

 

CMYK 3 / 0 / 28 / 6

HEX #EAF0AC

RGB 234 240 172

HSL 65.29, 0.69%, 0.81%

LAB 92.92, -12.57, 32.29

 

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

CMYK 20 / 28 / 0 / 6

HEX #C0ACF0

RGB 192 172 240

HSL 257.65, 0.69%, 0.81%

LAB 74.19, 20.76, -31.33

 

CMYK 0 / 25 / 28 / 6

HEX #F0B3AC

RGB 240 179 172

HSL 6.18, 0.69%, 0.81%

LAB 78.31, 21.21, 12.25

 

CMYK 8 / 0 / 28 / 6

HEX #DCF0AC

RGB 220 240 172

HSL 77.65, 0.69%, 0.81%

LAB 91.92, -17.69, 30.76

 

CMYK 29 / 3 / 0 / 5

HEX #ACE9F1

RGB 172 233 241

HSL 186.96, 0.71%, 0.81%

LAB 88.64, -17.32, -10.11

 

CMYK 11 / 28 / 0 / 6

HEX #D5ACF0

RGB 213 172 240

HSL 276.18, 0.69%, 0.81%

LAB 76.03, 27.21, -28.34

 

CMYK 0 / 25 / 28 / 6

HEX #F0B3AC

RGB 240 179 172

HSL 6.18, 0.69%, 0.81%

LAB 78.31, 21.21, 12.25

 

CMYK 17 / 0 / 28 / 6

HEX #C7F0AC

RGB 199 240 172

HSL 96.18, 0.69%, 0.81%

LAB 90.52, -25.15, 28.64

 

Description

Color code: HEX #ACE9F1 | qconv.com Color code: HEX #ACE9F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 233 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 233 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 3 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 3% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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