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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF447 it is the complementary color #530BB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF447. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF447 shade: #B1F442, #C2FF55, #D3FF68, #E4FF7B and #F5FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF447. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF447 shade: #ACF447, #9BE234, #8AD021, #79BE0E and #68AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF447 shade: #ACF447, #DBF447, #F4DF47, #F4B047 and #F48247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF447 shade: #ACF447, #7EF447, #4FF447, #47F46E and #47F49D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF447 shade matches the following richer shades: #ACF447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF447 shade: #ACF447, #A9E457, #A7D467, #A4C576 and #A2B586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF447 shade: #F4DD47, #DDF447, #AFF447, #81F447 and #53F447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF447 shade: #86DC0C, #9BF220, #ACF447, #BEF66E and #CFF895

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF447 shade: #ACF447, #47F4AF and #F447F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF447 shade: #ACF447, #47AFF4 and #F447AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF447 shade: #ACF447, #47F4AF, #8C47F4 and #F4478C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF447 shade: #ACF447, #47F4E3, #8C47F4 and #F44759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

Complementary color

CMYK 55 / 94 / 0 / 28

HEX #530BB8

RGB 83 11 184

HSL 264.97, 0.89%, 0.38%

LAB 28.22, 62.57, -73.58

 

CMYK 27 / 0 / 73 / 4

HEX #B1F442

RGB 177 244 66

HSL 82.58, 0.89%, 0.61%

LAB 89.13, -45.62, 73.97

 

CMYK 24 / 0 / 67 / 0

HEX #C2FF55

RGB 194 255 85

HSL 81.53, 1%, 0.67%

LAB 93.3, -43.03, 71.81

 

CMYK 17 / 0 / 59 / 0

HEX #D3FF68

RGB 211 255 104

HSL 77.48, 1%, 0.7%

LAB 94.47, -35.37, 65.85

 

CMYK 11 / 0 / 52 / 0

HEX #E4FF7B

RGB 228 255 123

HSL 72.27, 1%, 0.74%

LAB 95.77, -27.37, 59.39

 

CMYK 4 / 0 / 44 / 0

HEX #F5FF8E

RGB 245 255 142

HSL 65.31, 1%, 0.78%

LAB 97.18, -19.13, 52.63

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 31 / 0 / 77 / 11

HEX #9BE234

RGB 155 226 52

HSL 84.48, 0.75%, 0.55%

LAB 82.71, -46.64, 71.8

 

CMYK 34 / 0 / 84 / 18

HEX #8AD021

RGB 138 208 33

HSL 84, 0.73%, 0.47%

LAB 76.45, -45.97, 70.83

 

CMYK 36 / 0 / 93 / 25

HEX #79BE0E

RGB 121 190 14

HSL 83.52, 0.86%, 0.4%

LAB 70.12, -45.08, 68.66

 

CMYK 40 / 0 / 100 / 33

HEX #68AC00

RGB 104 172 0

HSL 83.72, 1%, 0.34%

LAB 63.71, -43.92, 64.94

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 10 / 0 / 71 / 4

HEX #DBF447

RGB 219 244 71

HSL 68.67, 0.89%, 0.62%

LAB 91.78, -29.32, 75.78

 

CMYK 0 / 9 / 71 / 4

HEX #F4DF47

RGB 244 223 71

HSL 52.72, 0.89%, 0.62%

LAB 88.19, -8.96, 72.95

 

CMYK 0 / 28 / 71 / 4

HEX #F4B047

RGB 244 176 71

HSL 36.42, 0.89%, 0.62%

LAB 76.52, 15.25, 61.26

 

CMYK 0 / 47 / 71 / 4

HEX #F48247

RGB 244 130 71

HSL 20.46, 0.89%, 0.62%

LAB 66.25, 39.23, 50.41

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 48 / 0 / 71 / 4

HEX #7EF447

RGB 126 244 71

HSL 100.92, 0.89%, 0.62%

LAB 86.8, -61.97, 69.17

 

CMYK 68 / 0 / 71 / 4

HEX #4FF447

RGB 79 244 71

HSL 117.23, 0.89%, 0.62%

LAB 85.41, -72.99, 67.32

 

CMYK 71 / 0 / 55 / 4

HEX #47F46E

RGB 71 244 110

HSL 133.53, 0.89%, 0.62%

LAB 85.59, -70.3, 51.51

 

CMYK 71 / 0 / 36 / 4

HEX #47F49D

RGB 71 244 157

HSL 149.83, 0.89%, 0.62%

LAB 86.24, -62.81, 29.6

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 26 / 0 / 62 / 11

HEX #A9E457

RGB 169 228 87

HSL 85.11, 0.72%, 0.62%

LAB 84.28, -40.18, 61

 

CMYK 21 / 0 / 51 / 17

HEX #A7D467

RGB 167 212 103

HSL 84.77, 0.56%, 0.62%

LAB 79.77, -32.2, 48.69

 

CMYK 17 / 0 / 40 / 23

HEX #A4C576

RGB 164 197 118

HSL 85.06, 0.41%, 0.62%

LAB 75.53, -24.44, 36.02

 

CMYK 10 / 0 / 26 / 29

HEX #A2B586

RGB 162 181 134

HSL 84.26, 0.24%, 0.62%

LAB 71.18, -14.93, 21.83

 

CMYK 0 / 9 / 71 / 4

HEX #F4DD47

RGB 244 221 71

HSL 52.02, 0.89%, 0.62%

LAB 87.68, -7.96, 72.45

 

CMYK 9 / 0 / 71 / 4

HEX #DDF447

RGB 221 244 71

HSL 67.98, 0.89%, 0.62%

LAB 91.92, -28.52, 75.96

 

CMYK 28 / 0 / 71 / 4

HEX #AFF447

RGB 175 244 71

HSL 83.93, 0.89%, 0.62%

LAB 89.05, -46.06, 72.17

 

CMYK 47 / 0 / 71 / 4

HEX #81F447

RGB 129 244 71

HSL 99.88, 0.89%, 0.62%

LAB 86.91, -61.11, 69.32

 

CMYK 66 / 0 / 71 / 4

HEX #53F447

RGB 83 244 71

HSL 115.84, 0.89%, 0.62%

LAB 85.5, -72.24, 67.44

 

CMYK 39 / 0 / 95 / 14

HEX #86DC0C

RGB 134 220 12

HSL 84.81, 0.9%, 0.45%

LAB 79.77, -52.77, 76.92

 

CMYK 36 / 0 / 87 / 5

HEX #9BF220

RGB 155 242 32

HSL 84.86, 0.89%, 0.54%

LAB 87.28, -53.95, 80.63

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 23 / 0 / 55 / 4

HEX #BEF66E

RGB 190 246 110

HSL 84.71, 0.88%, 0.7%

LAB 90.77, -38.57, 58.75

 

CMYK 17 / 0 / 40 / 3

HEX #CFF895

RGB 207 248 149

HSL 84.85, 0.88%, 0.78%

LAB 92.83, -29.18, 43.25

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 71 / 0 / 28 / 4

HEX #47F4AF

RGB 71 244 175

HSL 156.07, 0.89%, 0.62%

LAB 86.57, -59.21, 20.87

 

CMYK 0 / 71 / 0 / 4

HEX #F447F4

RGB 244 71 244

HSL 300, 0.89%, 0.62%

LAB 61.89, 83.17, -52.35

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 71 / 28 / 0 / 4

HEX #47AFF4

RGB 71 175 244

HSL 203.93, 0.89%, 0.62%

LAB 68.41, -8.01, -43.01

 

CMYK 0 / 71 / 28 / 4

HEX #F447AF

RGB 244 71 175

HSL 323.93, 0.89%, 0.62%

LAB 58.82, 73.72, -18.01

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 71 / 0 / 28 / 4

HEX #47F4AF

RGB 71 244 175

HSL 156.07, 0.89%, 0.62%

LAB 86.57, -59.21, 20.87

 

CMYK 43 / 71 / 0 / 4

HEX #8C47F4

RGB 140 71 244

HSL 263.93, 0.89%, 0.62%

LAB 47.77, 63.27, -75.81

 

CMYK 0 / 71 / 43 / 4

HEX #F4478C

RGB 244 71 140

HSL 336.07, 0.89%, 0.62%

LAB 57.69, 70.04, 0.74

 

CMYK 30 / 0 / 71 / 4

HEX #ACF447

RGB 172 244 71

HSL 84.97, 0.89%, 0.62%

LAB 88.89, -47.13, 71.96

 

CMYK 71 / 0 / 7 / 4

HEX #47F4E3

RGB 71 244 227

HSL 174.1, 0.89%, 0.62%

LAB 87.77, -46.87, -4.46

 

CMYK 43 / 71 / 0 / 4

HEX #8C47F4

RGB 140 71 244

HSL 263.93, 0.89%, 0.62%

LAB 47.77, 63.27, -75.81

 

CMYK 0 / 71 / 64 / 4

HEX #F44759

RGB 244 71 89

HSL 353.76, 0.89%, 0.62%

LAB 56.55, 66.21, 29.21

 

Description

Color code: HEX #ACF447 | qconv.com Color code: HEX #ACF447 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 244 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 244 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 71 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 71% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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