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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF453 it is the complementary color #530BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF453 shade: #B1F44E, #C2FF61, #D3FF74, #E4FF87 and #F5FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF453 shade: #ACF453, #9BE240, #8AD02D, #79BE1A and #68AC07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF453 shade: #ABF352, #D7F352, #F3E552, #F3B952 and #F38D52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF453 shade: #ABF352, #80F352, #54F352, #52F37B and #52F3A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF453 shade matches the following richer shades: #ABF352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF453 shade: #ABF352, #AAE561, #A8D670, #A7C77E and #A5B88D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF453 shade: #F3E352, #D9F352, #ADF352, #82F352 and #57F352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF453 shade: #85E50E, #99F12B, #ABF352, #BEF679 and #D1F89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF453 shade: #ACF453, #52F3B8 and #F352EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF453 shade: #ACF453, #52ADF3 and #F352AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF453 shade: #ACF453, #52F3B8, #9852F3 and #F3528D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF453 shade: #ACF453, #52F3E9, #9852F3 and #F3525D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

Complementary color

CMYK 52 / 94 / 0 / 33

HEX #530BAC

RGB 83 11 172

HSL 266.83, 0.88%, 0.36%

LAB 26.9, 59.75, -68.58

 

CMYK 27 / 0 / 68 / 4

HEX #B1F44E

RGB 177 244 78

HSL 84.22, 0.88%, 0.63%

LAB 89.2, -44.9, 69.87

 

CMYK 24 / 0 / 62 / 0

HEX #C2FF61

RGB 194 255 97

HSL 83.16, 1%, 0.69%

LAB 93.39, -42.18, 67.24

 

CMYK 17 / 0 / 55 / 0

HEX #D3FF74

RGB 211 255 116

HSL 78.99, 1%, 0.73%

LAB 94.58, -34.38, 60.84

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF87

RGB 228 255 135

HSL 73.5, 1%, 0.76%

LAB 95.9, -26.26, 54.06

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF9A

RGB 245 255 154

HSL 65.94, 1%, 0.8%

LAB 97.34, -17.91, 47.1

 

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

CMYK 31 / 0 / 72 / 11

HEX #9BE240

RGB 155 226 64

HSL 86.3, 0.74%, 0.57%

LAB 82.77, -45.99, 67.99

 

CMYK 34 / 0 / 78 / 18

HEX #8AD02D

RGB 138 208 45

HSL 85.77, 0.64%, 0.5%

LAB 76.5, -45.48, 67.76

 

CMYK 36 / 0 / 86 / 25

HEX #79BE1A

RGB 121 190 26

HSL 85.24, 0.76%, 0.42%

LAB 70.15, -44.77, 66.6

 

CMYK 40 / 0 / 96 / 33

HEX #68AC07

RGB 104 172 7

HSL 84.73, 0.92%, 0.35%

LAB 63.72, -43.79, 64.04

 

CMYK 30 / 0 / 66 / 5

HEX #ABF352

RGB 171 243 82

HSL 86.83, 0.87%, 0.64%

LAB 88.62, -46.35, 67.67

 

CMYK 12 / 0 / 66 / 5

HEX #D7F352

RGB 215 243 82

HSL 70.43, 0.87%, 0.64%

LAB 91.31, -29.83, 71.29

 

CMYK 0 / 6 / 66 / 5

HEX #F3E552

RGB 243 229 82

HSL 54.78, 0.87%, 0.64%

LAB 89.72, -11.81, 70.34

 

CMYK 0 / 24 / 66 / 5

HEX #F3B952

RGB 243 185 82

HSL 38.39, 0.87%, 0.64%

LAB 78.67, 10.68, 58.73

 

CMYK 0 / 42 / 66 / 5

HEX #F38D52

RGB 243 141 82

HSL 21.99, 0.87%, 0.64%

LAB 68.54, 33.79, 47.47

 

CMYK 30 / 0 / 66 / 5

HEX #ABF352

RGB 171 243 82

HSL 86.83, 0.87%, 0.64%

LAB 88.62, -46.35, 67.67

 

CMYK 47 / 0 / 66 / 5

HEX #80F352

RGB 128 243 82

HSL 102.86, 0.87%, 0.64%

LAB 86.65, -60.2, 64.99

 

CMYK 65 / 0 / 66 / 5

HEX #54F352

RGB 84 243 82

HSL 119.25, 0.87%, 0.64%

LAB 85.3, -70.8, 63.14

 

CMYK 66 / 0 / 49 / 5

HEX #52F37B

RGB 82 243 123

HSL 135.28, 0.87%, 0.64%

LAB 85.67, -66.34, 45.62

 

CMYK 66 / 0 / 31 / 5

HEX #52F3A7

RGB 82 243 167

HSL 151.68, 0.87%, 0.64%

LAB 86.35, -58.8, 24.7

 

CMYK 30 / 0 / 66 / 5

HEX #ABF352

RGB 171 243 82

HSL 86.83, 0.87%, 0.64%

LAB 88.62, -46.35, 67.67

 

CMYK 30 / 0 / 66 / 5

HEX #ABF352

RGB 171 243 82

HSL 86.83, 0.87%, 0.64%

LAB 88.62, -46.35, 67.67

 

CMYK 26 / 0 / 58 / 10

HEX #AAE561

RGB 170 229 97

HSL 86.82, 0.72%, 0.64%

LAB 84.71, -39.41, 57.22

 

CMYK 21 / 0 / 48 / 16

HEX #A8D670

RGB 168 214 112

HSL 87.06, 0.55%, 0.64%

LAB 80.51, -31.79, 45.29

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 10 / 0 / 23 / 28

HEX #A5B88D

RGB 165 184 141

HSL 86.51, 0.23%, 0.64%

LAB 72.36, -14.27, 19.72

 

CMYK 0 / 7 / 66 / 5

HEX #F3E352

RGB 243 227 82

HSL 54.04, 0.87%, 0.64%

LAB 89.21, -10.81, 69.81

 

CMYK 11 / 0 / 66 / 5

HEX #D9F352

RGB 217 243 82

HSL 69.69, 0.87%, 0.64%

LAB 91.44, -29.04, 71.48

 

CMYK 29 / 0 / 66 / 5

HEX #ADF352

RGB 173 243 82

HSL 86.09, 0.87%, 0.64%

LAB 88.73, -45.64, 67.82

 

CMYK 47 / 0 / 66 / 5

HEX #82F352

RGB 130 243 82

HSL 102.11, 0.87%, 0.64%

LAB 86.73, -59.62, 65.09

 

CMYK 64 / 0 / 66 / 5

HEX #57F352

RGB 87 243 82

HSL 118.14, 0.87%, 0.64%

LAB 85.37, -70.21, 63.24

 

CMYK 42 / 0 / 94 / 10

HEX #85E50E

RGB 133 229 14

HSL 86.79, 0.88%, 0.48%

LAB 82.41, -56.58, 78.81

 

CMYK 37 / 0 / 82 / 5

HEX #99F12B

RGB 153 241 43

HSL 86.67, 0.88%, 0.56%

LAB 86.93, -53.87, 77.99

 

CMYK 30 / 0 / 66 / 5

HEX #ABF352

RGB 171 243 82

HSL 86.83, 0.87%, 0.64%

LAB 88.62, -46.35, 67.67

 

CMYK 23 / 0 / 51 / 4

HEX #BEF679

RGB 190 246 121

HSL 86.88, 0.87%, 0.72%

LAB 90.89, -37.5, 53.93

 

CMYK 16 / 0 / 36 / 3

HEX #D1F89F

RGB 209 248 159

HSL 86.29, 0.86%, 0.8%

LAB 93.1, -27.22, 38.71

 

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

CMYK 66 / 0 / 24 / 5

HEX #52F3B8

RGB 82 243 184

HSL 158.01, 0.87%, 0.64%

LAB 86.68, -55.26, 16.41

 

CMYK 0 / 66 / 2 / 5

HEX #F352EE

RGB 243 82 238

HSL 301.86, 0.87%, 0.64%

LAB 62.73, 78.35, -47.69

 

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

CMYK 66 / 29 / 0 / 5

HEX #52ADF3

RGB 82 173 243

HSL 206.09, 0.87%, 0.64%

LAB 68.13, -5.63, -42.87

 

CMYK 0 / 66 / 29 / 5

HEX #F352AD

RGB 243 82 173

HSL 326.09, 0.87%, 0.64%

LAB 59.98, 69.33, -15.1

 

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

CMYK 66 / 0 / 24 / 5

HEX #52F3B8

RGB 82 243 184

HSL 158.01, 0.87%, 0.64%

LAB 86.68, -55.26, 16.41

 

CMYK 37 / 66 / 0 / 5

HEX #9852F3

RGB 152 82 243

HSL 266.09, 0.87%, 0.64%

LAB 50.9, 60, -70.11

 

CMYK 0 / 66 / 42 / 5

HEX #F3528D

RGB 243 82 141

HSL 338.01, 0.87%, 0.64%

LAB 58.99, 65.87, 2.02

 

CMYK 30 / 0 / 66 / 4

HEX #ACF453

RGB 172 244 83

HSL 86.83, 0.88%, 0.64%

LAB 88.97, -46.35, 67.67

 

CMYK 66 / 0 / 4 / 5

HEX #52F3E9

RGB 82 243 233

HSL 176.27, 0.87%, 0.64%

LAB 87.86, -43.41, -7.43

 

CMYK 37 / 66 / 0 / 5

HEX #9852F3

RGB 152 82 243

HSL 266.09, 0.87%, 0.64%

LAB 50.9, 60, -70.11

 

CMYK 0 / 66 / 62 / 5

HEX #F3525D

RGB 243 82 93

HSL 355.9, 0.87%, 0.64%

LAB 57.92, 62.07, 28.62

 

Description

Color code: HEX #ACF453 | qconv.com Color code: HEX #ACF453 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 244 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 244 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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