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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF155 it is the complementary color #530EAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF155 shade: #B1F150, #C2FF63, #D3FF76, #E4FF89 and #F5FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF155 shade: #ACF155, #9BDF42, #8ACD2F, #79BB1C and #68A909

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF155 shade: #ACF155, #D6F155, #F1E255, #F1B855 and #F18D55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF155 shade: #ACF155, #82F155, #58F155, #55F17C and #55F1A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF155 shade matches the following richer shades: #ACF155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF155 shade: #ACF155, #AAE264, #A8D372, #A7C481 and #A5B590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF155 shade: #F1E155, #D7F155, #ADF155, #83F155 and #5AF155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF155 shade: #85E112, #99EE2F, #ACF155, #BEF47B and #D1F7A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF155 shade: #ACF155, #55F1B8 and #F155EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF155 shade: #ACF155, #55ADF1 and #F155AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF155 shade: #ACF155, #55F1B8, #9855F1 and #F1558E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF155 shade: #ACF155, #55F1E6, #9855F1 and #F1555F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

Complementary color

CMYK 51 / 92 / 0 / 33

HEX #530EAA

RGB 83 14 170

HSL 266.54, 0.85%, 0.36%

LAB 26.89, 58.64, -67.39

 

CMYK 27 / 0 / 67 / 5

HEX #B1F150

RGB 177 241 80

HSL 83.85, 0.85%, 0.63%

LAB 88.37, -43.48, 68.27

 

CMYK 24 / 0 / 61 / 0

HEX #C2FF63

RGB 194 255 99

HSL 83.46, 1%, 0.69%

LAB 93.4, -42.03, 66.45

 

CMYK 17 / 0 / 54 / 0

HEX #D3FF76

RGB 211 255 118

HSL 79.27, 1%, 0.73%

LAB 94.6, -34.2, 59.98

 

CMYK 11 / 0 / 46 / 0

HEX #E4FF89

RGB 228 255 137

HSL 73.73, 1%, 0.77%

LAB 95.92, -26.06, 53.16

 

CMYK 4 / 0 / 39 / 0

HEX #F5FF9C

RGB 245 255 156

HSL 66.06, 1%, 0.81%

LAB 97.36, -17.7, 46.17

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 30 / 0 / 70 / 13

HEX #9BDF42

RGB 155 223 66

HSL 85.99, 0.71%, 0.57%

LAB 81.91, -44.59, 66.43

 

CMYK 33 / 0 / 77 / 20

HEX #8ACD2F

RGB 138 205 47

HSL 85.44, 0.63%, 0.49%

LAB 75.62, -44.11, 66.34

 

CMYK 35 / 0 / 85 / 27

HEX #79BB1C

RGB 121 187 28

HSL 84.91, 0.74%, 0.42%

LAB 69.25, -43.43, 65.37

 

CMYK 38 / 0 / 95 / 34

HEX #68A909

RGB 104 169 9

HSL 84.38, 0.9%, 0.35%

LAB 62.79, -42.49, 63.03

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 11 / 0 / 65 / 5

HEX #D6F155

RGB 214 241 85

HSL 70.38, 0.85%, 0.64%

LAB 90.72, -29.11, 69.52

 

CMYK 0 / 6 / 65 / 5

HEX #F1E255

RGB 241 226 85

HSL 54.23, 0.85%, 0.64%

LAB 88.8, -10.97, 68.16

 

CMYK 0 / 24 / 65 / 5

HEX #F1B855

RGB 241 184 85

HSL 38.08, 0.85%, 0.64%

LAB 78.25, 10.55, 56.86

 

CMYK 0 / 41 / 65 / 5

HEX #F18D55

RGB 241 141 85

HSL 21.54, 0.85%, 0.64%

LAB 68.32, 33.17, 45.63

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 46 / 0 / 65 / 5

HEX #82F155

RGB 130 241 85

HSL 102.69, 0.85%, 0.64%

LAB 86.16, -58.61, 63.31

 

CMYK 63 / 0 / 65 / 5

HEX #58F155

RGB 88 241 85

HSL 118.85, 0.85%, 0.64%

LAB 84.81, -69.06, 61.45

 

CMYK 65 / 0 / 49 / 5

HEX #55F17C

RGB 85 241 124

HSL 135, 0.85%, 0.64%

LAB 85.15, -64.95, 44.51

 

CMYK 65 / 0 / 31 / 5

HEX #55F1A6

RGB 85 241 166

HSL 151.15, 0.85%, 0.64%

LAB 85.8, -57.72, 24.47

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 25 / 0 / 56 / 11

HEX #AAE264

RGB 170 226 100

HSL 86.67, 0.68%, 0.64%

LAB 83.89, -37.8, 54.95

 

CMYK 20 / 0 / 46 / 17

HEX #A8D372

RGB 168 211 114

HSL 86.6, 0.52%, 0.64%

LAB 79.69, -30.16, 43.31

 

CMYK 15 / 0 / 34 / 23

HEX #A7C481

RGB 167 196 129

HSL 85.97, 0.36%, 0.64%

LAB 75.63, -21.37, 30.5

 

CMYK 9 / 0 / 20 / 29

HEX #A5B590

RGB 165 181 144

HSL 85.95, 0.2%, 0.64%

LAB 71.6, -12.24, 17.03

 

CMYK 0 / 7 / 65 / 5

HEX #F1E155

RGB 241 225 85

HSL 53.85, 0.85%, 0.64%

LAB 88.55, -10.48, 67.89

 

CMYK 11 / 0 / 65 / 5

HEX #D7F155

RGB 215 241 85

HSL 70, 0.85%, 0.64%

LAB 90.79, -28.72, 69.61

 

CMYK 28 / 0 / 65 / 5

HEX #ADF155

RGB 173 241 85

HSL 86.15, 0.85%, 0.64%

LAB 88.19, -44.56, 66.08

 

CMYK 46 / 0 / 65 / 5

HEX #83F155

RGB 131 241 85

HSL 102.31, 0.85%, 0.64%

LAB 86.2, -58.32, 63.37

 

CMYK 63 / 0 / 65 / 5

HEX #5AF155

RGB 90 241 85

HSL 118.08, 0.85%, 0.64%

LAB 84.86, -68.65, 61.52

 

CMYK 41 / 0 / 92 / 12

HEX #85E112

RGB 133 225 18

HSL 86.67, 0.85%, 0.48%

LAB 81.23, -54.96, 77.39

 

CMYK 36 / 0 / 80 / 7

HEX #99EE2F

RGB 153 238 47

HSL 86.7, 0.85%, 0.56%

LAB 86.07, -52.51, 76.23

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 22 / 0 / 50 / 4

HEX #BEF47B

RGB 190 244 123

HSL 86.78, 0.85%, 0.72%

LAB 90.36, -36.4, 52.37

 

CMYK 15 / 0 / 35 / 3

HEX #D1F7A1

RGB 209 247 161

HSL 86.51, 0.84%, 0.8%

LAB 92.86, -26.49, 37.41

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 65 / 0 / 24 / 5

HEX #55F1B8

RGB 85 241 184

HSL 158.08, 0.85%, 0.64%

LAB 86.16, -53.97, 15.68

 

CMYK 0 / 65 / 2 / 5

HEX #F155EC

RGB 241 85 236

HSL 301.92, 0.85%, 0.64%

LAB 62.72, 76.49, -46.61

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 65 / 28 / 0 / 5

HEX #55ADF1

RGB 85 173 241

HSL 206.15, 0.85%, 0.64%

LAB 68.15, -5.8, -41.76

 

CMYK 0 / 65 / 28 / 5

HEX #F155AD

RGB 241 85 173

HSL 326.15, 0.85%, 0.64%

LAB 60.08, 67.63, -14.99

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 65 / 0 / 24 / 5

HEX #55F1B8

RGB 85 241 184

HSL 158.08, 0.85%, 0.64%

LAB 86.16, -53.97, 15.68

 

CMYK 37 / 65 / 0 / 5

HEX #9855F1

RGB 152 85 241

HSL 265.77, 0.85%, 0.64%

LAB 51.29, 58.05, -68.35

 

CMYK 0 / 65 / 41 / 5

HEX #F1558E

RGB 241 85 142

HSL 338.08, 0.85%, 0.64%

LAB 59.11, 64.21, 1.58

 

CMYK 29 / 0 / 65 / 5

HEX #ACF155

RGB 172 241 85

HSL 86.54, 0.85%, 0.64%

LAB 88.13, -44.92, 66.01

 

CMYK 65 / 0 / 5 / 5

HEX #55F1E6

RGB 85 241 230

HSL 175.77, 0.85%, 0.64%

LAB 87.27, -42.89, -6.73

 

CMYK 37 / 65 / 0 / 5

HEX #9855F1

RGB 152 85 241

HSL 265.77, 0.85%, 0.64%

LAB 51.29, 58.05, -68.35

 

CMYK 0 / 65 / 61 / 5

HEX #F1555F

RGB 241 85 95

HSL 356.15, 0.85%, 0.64%

LAB 58.06, 60.37, 27.57

 

Description

Color code: HEX #ACF155 | qconv.com Color code: HEX #ACF155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 241 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 241 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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