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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA0897 it is the complementary color #55F768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA0897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA0897 shade: #AF0892, #C01AA5, #D12CB8, #E23ECB and #F350DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA0897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA0897 shade: #AA0897, #990084, #880071, #77005E and #66004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA0897 shade: #AA0897, #AA086B, #AA083F, #AA0813 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA0897 shade: #AA0897, #9108AA, #6508AA, #3A08AA and #0E08AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA0897 shade matches the following richer shades: #AA0897

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA0897 shade: #AA0897, #9C168C, #8D2481, #7F3376 and #70416B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA0897 shade: #6608AA, #9208AA, #AA0897, #AA086C and #AA0840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA0897 shade: #5B0451, #830674, #AA0897, #D109BA and #F311D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA0897 shade: #AA0897, #AA3B08 and #08AA7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA0897 shade: #AA0897, #97AA08 and #0897AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA0897 shade: #AA0897, #AA3B08, #08AA1A and #0877AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA0897 shade: #AA0897, #AA6C08, #08AA1A and #0846AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

Complementary color

CMYK 66 / 0 / 58 / 3

HEX #55F768

RGB 85 247 104

HSL 127.04, 0.91%, 0.65%

LAB 86.73, -69.65, 55.6

 

CMYK 0 / 95 / 17 / 31

HEX #AF0892

RGB 175 8 146

HSL 310.42, 0.91%, 0.36%

LAB 40.19, 69.19, -30.58

 

CMYK 0 / 86 / 14 / 25

HEX #C01AA5

RGB 192 26 165

HSL 309.76, 0.76%, 0.43%

LAB 45.17, 72.56, -33.98

 

CMYK 0 / 79 / 12 / 18

HEX #D12CB8

RGB 209 44 184

HSL 309.09, 0.65%, 0.5%

LAB 50.47, 74.73, -36.64

 

CMYK 0 / 73 / 10 / 11

HEX #E23ECB

RGB 226 62 203

HSL 308.41, 0.74%, 0.56%

LAB 56.01, 75.99, -38.71

 

CMYK 0 / 67 / 9 / 5

HEX #F350DE

RGB 243 80 222

HSL 307.73, 0.87%, 0.63%

LAB 61.71, 76.62, -40.35

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 100 / 14 / 40

HEX #990084

RGB 153 0 132

HSL 308.24, 1%, 0.3%

LAB 34.88, 64.06, -30.6

 

CMYK 0 / 100 / 17 / 47

HEX #880071

RGB 136 0 113

HSL 310.15, 1%, 0.27%

LAB 30.46, 58.22, -25.8

 

CMYK 0 / 100 / 21 / 53

HEX #77005E

RGB 119 0 94

HSL 312.61, 1%, 0.23%

LAB 25.95, 52.25, -20.8

 

CMYK 0 / 100 / 26 / 60

HEX #66004B

RGB 102 0 75

HSL 315.88, 1%, 0.2%

LAB 21.33, 46.15, -15.54

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 95 / 37 / 33

HEX #AA086B

RGB 170 8 107

HSL 323.33, 0.91%, 0.35%

LAB 37.45, 63.6, -10.64

 

CMYK 0 / 95 / 63 / 33

HEX #AA083F

RGB 170 8 63

HSL 339.63, 0.91%, 0.35%

LAB 36.14, 60.06, 15.83

 

CMYK 0 / 95 / 89 / 33

HEX #AA0813

RGB 170 8 19

HSL 355.93, 0.91%, 0.35%

LAB 35.53, 58.39, 41.73

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 15 / 95 / 0 / 33

HEX #9108AA

RGB 145 8 170

HSL 290.74, 0.91%, 0.35%

LAB 36.17, 67.59, -51.83

 

CMYK 41 / 95 / 0 / 33

HEX #6508AA

RGB 101 8 170

HSL 274.44, 0.91%, 0.35%

LAB 29.01, 61.66, -63.8

 

CMYK 66 / 95 / 0 / 33

HEX #3A08AA

RGB 58 8 170

HSL 258.52, 0.91%, 0.35%

LAB 23.59, 57.98, -72.94

 

CMYK 92 / 95 / 0 / 33

HEX #0E08AA

RGB 14 8 170

HSL 242.22, 0.91%, 0.35%

LAB 20.71, 56.45, -77.82

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 86 / 10 / 39

HEX #9C168C

RGB 156 22 140

HSL 307.16, 0.75%, 0.35%

LAB 36.99, 62.54, -32.17

 

CMYK 0 / 74 / 9 / 45

HEX #8D2481

RGB 141 36 129

HSL 306.86, 0.59%, 0.35%

LAB 35.02, 53.7, -28.66

 

CMYK 0 / 60 / 7 / 50

HEX #7F3376

RGB 127 51 118

HSL 307.11, 0.43%, 0.35%

LAB 34.37, 41.86, -22.97

 

CMYK 0 / 42 / 4 / 56

HEX #70416B

RGB 112 65 107

HSL 306.38, 0.27%, 0.35%

LAB 34.57, 27.33, -15.91

 

CMYK 40 / 95 / 0 / 33

HEX #6608AA

RGB 102 8 170

HSL 274.81, 0.91%, 0.35%

LAB 29.16, 61.78, -63.56

 

CMYK 14 / 95 / 0 / 33

HEX #9208AA

RGB 146 8 170

HSL 291.11, 0.91%, 0.35%

LAB 36.34, 67.75, -51.54

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 95 / 36 / 33

HEX #AA086C

RGB 170 8 108

HSL 322.96, 0.91%, 0.35%

LAB 37.49, 63.7, -11.21

 

CMYK 0 / 95 / 62 / 33

HEX #AA0840

RGB 170 8 64

HSL 339.26, 0.91%, 0.35%

LAB 36.16, 60.12, 15.2

 

CMYK 0 / 96 / 11 / 64

HEX #5B0451

RGB 91 4 81

HSL 306.9, 0.92%, 0.19%

LAB 19.66, 43.63, -22.42

 

CMYK 0 / 95 / 11 / 49

HEX #830674

RGB 131 6 116

HSL 307.2, 0.91%, 0.27%

LAB 29.95, 56.72, -28.59

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 96 / 11 / 18

HEX #D109BA

RGB 209 9 186

HSL 306.9, 0.92%, 0.43%

LAB 48.63, 80.67, -40.71

 

CMYK 0 / 93 / 11 / 5

HEX #F311D9

RGB 243 17 217

HSL 306.9, 0.9%, 0.51%

LAB 56.55, 90.06, -45.66

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 65 / 95 / 33

HEX #AA3B08

RGB 170 59 8

HSL 18.89, 0.91%, 0.35%

LAB 40.72, 43.62, 49.56

 

CMYK 95 / 0 / 27 / 33

HEX #08AA7C

RGB 8 170 124

HSL 162.96, 0.91%, 0.35%

LAB 61.87, -47.94, 13.53

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 11 / 0 / 95 / 33

HEX #97AA08

RGB 151 170 8

HSL 67.04, 0.91%, 0.35%

LAB 66.02, -24.11, 66.95

 

CMYK 95 / 11 / 0 / 33

HEX #0897AA

RGB 8 151 170

HSL 187.04, 0.91%, 0.35%

LAB 57.16, -25.98, -19.34

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 65 / 95 / 33

HEX #AA3B08

RGB 170 59 8

HSL 18.89, 0.91%, 0.35%

LAB 40.72, 43.62, 49.56

 

CMYK 95 / 0 / 85 / 33

HEX #08AA1A

RGB 8 170 26

HSL 126.67, 0.91%, 0.35%

LAB 60.67, -62.33, 57.04

 

CMYK 95 / 30 / 0 / 33

HEX #0877AA

RGB 8 119 170

HSL 198.89, 0.91%, 0.35%

LAB 47.17, -8.51, -34.82

 

CMYK 0 / 95 / 11 / 33

HEX #AA0897

RGB 170 8 151

HSL 307.04, 0.91%, 0.35%

LAB 39.5, 68.92, -34.76

 

CMYK 0 / 36 / 95 / 33

HEX #AA6C08

RGB 170 108 8

HSL 37.04, 0.91%, 0.35%

LAB 51.02, 18.03, 56.57

 

CMYK 95 / 0 / 85 / 33

HEX #08AA1A

RGB 8 170 26

HSL 126.67, 0.91%, 0.35%

LAB 60.67, -62.33, 57.04

 

CMYK 95 / 59 / 0 / 33

HEX #0846AA

RGB 8 70 170

HSL 217.04, 0.91%, 0.35%

LAB 32.56, 23.12, -58.25

 

Description

Color code: HEX #AA0897 | qconv.com Color code: HEX #AA0897 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 8 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 8 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 11% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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