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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA0C9A it is the complementary color #55F365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA0C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA0C9A shade: #AF0C95, #C01EA8, #D130BB, #E242CE and #F354E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA0C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA0C9A shade: #AA0C9A, #990087, #880074, #770061 and #66004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA0C9A shade: #AB0B9B, #AB0B70, #AB0B45, #AB0B1A and #AB0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA0C9A shade: #AB0B9B, #900BAB, #650BAB, #3A0BAB and #0F0BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA0C9A shade matches the following richer shades: #AB0B9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA0C9A shade: #AB0B9B, #9C1A8F, #8D2983, #7F3877 and #70476C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA0C9A shade: #660BAB, #910BAB, #AB0B9B, #AB0B71 and #AB0B46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA0C9A shade: #5E0655, #850978, #AB0B9B, #D20EBE and #EF1AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA0C9A shade: #AA0C9A, #AB3B0B and #0BAB7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA0C9A shade: #AA0C9A, #9BAB0B and #0B9BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA0C9A shade: #AA0C9A, #AB3B0B, #0BAB1B and #0B7BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA0C9A shade: #AA0C9A, #AB6B0B, #0BAB1B and #0B4BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

Complementary color

CMYK 65 / 0 / 58 / 5

HEX #55F365

RGB 85 243 101

HSL 126.08, 0.87%, 0.64%

LAB 85.49, -68.64, 55.48

 

CMYK 0 / 93 / 15 / 31

HEX #AF0C95

RGB 175 12 149

HSL 309.57, 0.87%, 0.37%

LAB 40.49, 69.16, -31.93

 

CMYK 0 / 84 / 13 / 25

HEX #C01EA8

RGB 192 30 168

HSL 308.89, 0.73%, 0.44%

LAB 45.58, 72.21, -35.12

 

CMYK 0 / 77 / 11 / 18

HEX #D130BB

RGB 209 48 187

HSL 308.2, 0.64%, 0.5%

LAB 50.99, 74.1, -37.58

 

CMYK 0 / 71 / 9 / 11

HEX #E242CE

RGB 226 66 206

HSL 307.5, 0.73%, 0.57%

LAB 56.61, 75.15, -39.5

 

CMYK 0 / 65 / 7 / 5

HEX #F354E1

RGB 243 84 225

HSL 306.79, 0.87%, 0.64%

LAB 62.37, 75.63, -41.01

 

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

CMYK 0 / 100 / 12 / 40

HEX #990087

RGB 153 0 135

HSL 307.06, 1%, 0.3%

LAB 35.05, 64.48, -32.2

 

CMYK 0 / 100 / 15 / 47

HEX #880074

RGB 136 0 116

HSL 308.82, 1%, 0.27%

LAB 30.63, 58.63, -27.46

 

CMYK 0 / 100 / 18 / 53

HEX #770061

RGB 119 0 97

HSL 311.09, 1%, 0.23%

LAB 26.11, 52.66, -22.52

 

CMYK 0 / 100 / 24 / 60

HEX #66004E

RGB 102 0 78

HSL 314.12, 1%, 0.2%

LAB 21.49, 46.54, -17.34

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 0 / 94 / 35 / 33

HEX #AB0B70

RGB 171 11 112

HSL 322.13, 0.88%, 0.36%

LAB 37.96, 64, -13

 

CMYK 0 / 94 / 60 / 33

HEX #AB0B45

RGB 171 11 69

HSL 338.25, 0.88%, 0.36%

LAB 36.61, 60.32, 12.61

 

CMYK 0 / 94 / 85 / 33

HEX #AB0B1A

RGB 171 11 26

HSL 354.38, 0.88%, 0.36%

LAB 35.93, 58.43, 38.51

 

CMYK 0 / 94 / 94 / 33

HEX #AB0B0B

RGB 171 11 11

HSL 0, 0.88%, 0.36%

LAB 35.83, 58.16, 45.56

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 16 / 94 / 0 / 33

HEX #900BAB

RGB 144 11 171

HSL 289.88, 0.88%, 0.36%

LAB 36.19, 67.24, -52.39

 

CMYK 41 / 94 / 0 / 33

HEX #650BAB

RGB 101 11 171

HSL 273.75, 0.88%, 0.36%

LAB 29.28, 61.38, -63.97

 

CMYK 66 / 94 / 0 / 33

HEX #3A0BAB

RGB 58 11 171

HSL 257.63, 0.88%, 0.36%

LAB 23.93, 57.58, -72.98

 

CMYK 91 / 94 / 0 / 33

HEX #0F0BAB

RGB 15 11 171

HSL 241.5, 0.88%, 0.36%

LAB 21.14, 55.97, -77.71

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 0 / 83 / 8 / 39

HEX #9C1A8F

RGB 156 26 143

HSL 306, 0.71%, 0.36%

LAB 37.46, 62.1, -33.28

 

CMYK 0 / 71 / 7 / 45

HEX #8D2983

RGB 141 41 131

HSL 306, 0.55%, 0.36%

LAB 35.77, 52.22, -28.73

 

CMYK 0 / 56 / 6 / 50

HEX #7F3877

RGB 127 56 119

HSL 306.76, 0.39%, 0.36%

LAB 35.35, 39.54, -22.08

 

CMYK 0 / 37 / 4 / 56

HEX #70476C

RGB 112 71 108

HSL 305.85, 0.22%, 0.36%

LAB 36.05, 23.96, -14.28

 

CMYK 40 / 94 / 0 / 33

HEX #660BAB

RGB 102 11 171

HSL 274.13, 0.88%, 0.36%

LAB 29.42, 61.49, -63.72

 

CMYK 15 / 94 / 0 / 33

HEX #910BAB

RGB 145 11 171

HSL 290.25, 0.88%, 0.36%

LAB 36.37, 67.4, -52.11

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 0 / 94 / 34 / 33

HEX #AB0B71

RGB 171 11 113

HSL 321.75, 0.88%, 0.36%

LAB 38, 64.1, -13.57

 

CMYK 0 / 94 / 59 / 33

HEX #AB0B46

RGB 171 11 70

HSL 337.88, 0.88%, 0.36%

LAB 36.63, 60.38, 11.99

 

CMYK 0 / 94 / 10 / 63

HEX #5E0655

RGB 94 6 85

HSL 306.14, 0.88%, 0.2%

LAB 20.7, 44.4, -23.44

 

CMYK 0 / 93 / 10 / 48

HEX #850978

RGB 133 9 120

HSL 306.29, 0.87%, 0.28%

LAB 30.73, 57.25, -29.88

 

CMYK 0 / 94 / 9 / 33

HEX #AB0B9B

RGB 171 11 155

HSL 306, 0.88%, 0.36%

LAB 40.02, 69.34, -36.36

 

CMYK 0 / 93 / 10 / 18

HEX #D20EBE

RGB 210 14 190

HSL 306.12, 0.88%, 0.44%

LAB 49.17, 80.95, -42.18

 

CMYK 0 / 89 / 9 / 6

HEX #EF1AD9

RGB 239 26 217

HSL 306.2, 0.87%, 0.52%

LAB 56.19, 88.37, -46.28

 

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

CMYK 0 / 65 / 94 / 33

HEX #AB3B0B

RGB 171 59 11

HSL 18, 0.88%, 0.36%

LAB 40.91, 44.03, 48.88

 

CMYK 94 / 0 / 28 / 33

HEX #0BAB7B

RGB 11 171 123

HSL 162, 0.88%, 0.36%

LAB 62.19, -48.44, 14.53

 

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

CMYK 9 / 0 / 94 / 33

HEX #9BAB0B

RGB 155 171 11

HSL 66, 0.88%, 0.36%

LAB 66.61, -22.83, 67.16

 

CMYK 94 / 9 / 0 / 33

HEX #0B9BAB

RGB 11 155 171

HSL 186, 0.88%, 0.36%

LAB 58.47, -27.55, -17.91

 

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

CMYK 0 / 65 / 94 / 33

HEX #AB3B0B

RGB 171 59 11

HSL 18, 0.88%, 0.36%

LAB 40.91, 44.03, 48.88

 

CMYK 94 / 0 / 84 / 33

HEX #0BAB1B

RGB 11 171 27

HSL 126, 0.88%, 0.36%

LAB 61.02, -62.41, 57.11

 

CMYK 94 / 28 / 0 / 33

HEX #0B7BAB

RGB 11 123 171

HSL 198, 0.88%, 0.36%

LAB 48.48, -10.34, -33.34

 

CMYK 0 / 93 / 9 / 33

HEX #AA0C9A

RGB 170 12 154

HSL 306.08, 0.87%, 0.36%

LAB 39.82, 68.9, -36.08

 

CMYK 0 / 37 / 94 / 33

HEX #AB6B0B

RGB 171 107 11

HSL 36, 0.88%, 0.36%

LAB 50.92, 19.08, 55.95

 

CMYK 94 / 0 / 84 / 33

HEX #0BAB1B

RGB 11 171 27

HSL 126, 0.88%, 0.36%

LAB 61.02, -62.41, 57.11

 

CMYK 94 / 56 / 0 / 33

HEX #0B4BAB

RGB 11 75 171

HSL 216, 0.88%, 0.36%

LAB 34.07, 20.25, -56.37

 

Description

Color code: HEX #AA0C9A | qconv.com Color code: HEX #AA0C9A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 12 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 12 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 9% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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