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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA115E it is the complementary color #55EEA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA115E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA115E shade: #AF1159, #C0236C, #D1357F, #E24792 and #F359A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA115E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA115E shade: #AA115E, #99004B, #880038, #770025 and #660012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA115E shade: #AB105E, #AB1035 and #AB1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA115E shade: #AB105E, #AB1088, #A510AB, #7B10AB and #5110AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA115E shade matches the following richer shades: #AB105E and #BA015E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA115E shade: #AB105E, #9C205E, #8D2F5E, #7D3E5E and #6E4E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA115E shade: #A310AB, #AB108A, #AB1060, #AB1037 and #AB1310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA115E shade: #600935, #860D4A, #AB105E, #D11473 and #E92588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA115E shade: #AA115E, #AB7A10 and #109EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA115E shade: #AA115E, #60AB10 and #1060AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA115E shade: #AA115E, #AB7A10, #10AB5B and #1041AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA115E shade: #AA115E, #ABA910, #10AB5B and #1013AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

Complementary color

CMYK 64 / 0 / 32 / 7

HEX #55EEA1

RGB 85 238 161

HSL 149.8, 0.82%, 0.63%

LAB 84.82, -57.53, 25.69

 

CMYK 0 / 90 / 49 / 31

HEX #AF1159

RGB 175 17 89

HSL 332.66, 0.82%, 0.38%

LAB 38.26, 61.92, 2.16

 

CMYK 0 / 82 / 44 / 25

HEX #C0236C

RGB 192 35 108

HSL 332.1, 0.69%, 0.45%

LAB 43.49, 64.11, -1.79

 

CMYK 0 / 75 / 39 / 18

HEX #D1357F

RGB 209 53 127

HSL 331.54, 0.63%, 0.51%

LAB 49.05, 65.26, -4.9

 

CMYK 0 / 69 / 35 / 11

HEX #E24792

RGB 226 71 146

HSL 330.97, 0.73%, 0.58%

LAB 54.81, 65.69, -7.38

 

CMYK 0 / 63 / 32 / 5

HEX #F359A5

RGB 243 89 165

HSL 330.39, 0.87%, 0.65%

LAB 60.71, 65.66, -9.4

 

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

CMYK 0 / 100 / 51 / 40

HEX #99004B

RGB 153 0 75

HSL 330.59, 1%, 0.3%

LAB 32.44, 57.81, 2.25

 

CMYK 0 / 100 / 59 / 47

HEX #880038

RGB 136 0 56

HSL 335.29, 1%, 0.27%

LAB 28.17, 52.3, 8.39

 

CMYK 0 / 100 / 69 / 53

HEX #770025

RGB 119 0 37

HSL 341.34, 1%, 0.23%

LAB 23.85, 46.8, 14.96

 

CMYK 0 / 100 / 82 / 60

HEX #660012

RGB 102 0 18

HSL 349.41, 1%, 0.2%

LAB 19.51, 41.37, 21.74

 

CMYK 0 / 91 / 45 / 33

HEX #AB105E

RGB 171 16 94

HSL 329.81, 0.83%, 0.37%

LAB 37.55, 61.55, -2.18

 

CMYK 0 / 91 / 69 / 33

HEX #AB1035

RGB 171 16 53

HSL 345.68, 0.83%, 0.37%

LAB 36.53, 58.69, 22.82

 

CMYK 0 / 91 / 91 / 33

HEX #AB1010

RGB 171 16 16

HSL 0, 0.83%, 0.37%

LAB 36.11, 57.5, 43.67

 

CMYK 0 / 91 / 45 / 33

HEX #AB105E

RGB 171 16 94

HSL 329.81, 0.83%, 0.37%

LAB 37.55, 61.55, -2.18

 

CMYK 0 / 91 / 20 / 33

HEX #AB1088

RGB 171 16 136

HSL 313.55, 0.83%, 0.37%

LAB 39.25, 66.14, -25.97

 

CMYK 4 / 91 / 0 / 33

HEX #A510AB

RGB 165 16 171

HSL 297.68, 0.83%, 0.37%

LAB 40.1, 70.02, -45.91

 

CMYK 28 / 91 / 0 / 33

HEX #7B10AB

RGB 123 16 171

HSL 281.42, 0.83%, 0.37%

LAB 32.97, 63.3, -57.8

 

CMYK 53 / 91 / 0 / 33

HEX #5110AB

RGB 81 16 171

HSL 265.16, 0.83%, 0.37%

LAB 26.91, 58.2, -67.97

 

CMYK 0 / 91 / 45 / 33

HEX #AB105E

RGB 171 16 94

HSL 329.81, 0.83%, 0.37%

LAB 37.55, 61.55, -2.18

 

CMYK 0 / 99 / 49 / 27

HEX #BA015E

RGB 186 1 94

HSL 329.84, 0.99%, 0.37%

LAB 40.03, 66.79, 1.82

 

CMYK 0 / 91 / 45 / 33

HEX #AB105E

RGB 171 16 94

HSL 329.81, 0.83%, 0.37%

LAB 37.55, 61.55, -2.18

 

CMYK 0 / 79 / 40 / 39

HEX #9C205E

RGB 156 32 94

HSL 330, 0.66%, 0.37%

LAB 35.81, 54.18, -5.08

 

CMYK 0 / 67 / 33 / 45

HEX #8D2F5E

RGB 141 47 94

HSL 330, 0.5%, 0.37%

LAB 35.01, 44.32, -6.57

 

CMYK 0 / 50 / 25 / 51

HEX #7D3E5E

RGB 125 62 94

HSL 329.52, 0.34%, 0.37%

LAB 35.23, 31.41, -6.51

 

CMYK 0 / 29 / 15 / 57

HEX #6E4E5E

RGB 110 78 94

HSL 330, 0.17%, 0.37%

LAB 37.06, 16.23, -4

 

CMYK 5 / 91 / 0 / 33

HEX #A310AB

RGB 163 16 171

HSL 296.9, 0.83%, 0.37%

LAB 39.74, 69.67, -46.5

 

CMYK 0 / 91 / 19 / 33

HEX #AB108A

RGB 171 16 138

HSL 312.77, 0.83%, 0.37%

LAB 39.35, 66.39, -27.05

 

CMYK 0 / 91 / 44 / 33

HEX #AB1060

RGB 171 16 96

HSL 329.03, 0.83%, 0.37%

LAB 37.61, 61.73, -3.36

 

CMYK 0 / 91 / 68 / 33

HEX #AB1037

RGB 171 16 55

HSL 344.9, 0.83%, 0.37%

LAB 36.56, 58.8, 21.59

 

CMYK 0 / 89 / 91 / 33

HEX #AB1310

RGB 171 19 16

HSL 1.16, 0.83%, 0.37%

LAB 36.29, 56.98, 43.8

 

CMYK 0 / 91 / 45 / 62

HEX #600935

RGB 96 9 53

HSL 329.66, 0.83%, 0.21%

LAB 19.8, 39.84, -2.72

 

CMYK 0 / 90 / 45 / 47

HEX #860D4A

RGB 134 13 74

HSL 329.75, 0.82%, 0.29%

LAB 29.03, 51.11, -2.54

 

CMYK 0 / 91 / 45 / 33

HEX #AB105E

RGB 171 16 94

HSL 329.81, 0.83%, 0.37%

LAB 37.55, 61.55, -2.18

 

CMYK 0 / 90 / 45 / 18

HEX #D11473

RGB 209 20 115

HSL 329.84, 0.83%, 0.45%

LAB 46.03, 71.68, -2.01

 

CMYK 0 / 84 / 42 / 9

HEX #E92588

RGB 233 37 136

HSL 329.69, 0.82%, 0.53%

LAB 52.31, 76.17, -5

 

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

CMYK 0 / 29 / 91 / 33

HEX #AB7A10

RGB 171 122 16

HSL 41.03, 0.83%, 0.37%

LAB 54.67, 10.73, 57.67

 

CMYK 91 / 8 / 0 / 33

HEX #109EAB

RGB 16 158 171

HSL 185.03, 0.83%, 0.37%

LAB 59.44, -28.81, -16.43

 

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

CMYK 44 / 0 / 91 / 33

HEX #60AB10

RGB 96 171 16

HSL 89.03, 0.83%, 0.37%

LAB 63.05, -45.95, 62.04

 

CMYK 91 / 44 / 0 / 33

HEX #1060AB

RGB 16 96 171

HSL 209.03, 0.83%, 0.37%

LAB 40.27, 6.5, -46.35

 

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

CMYK 0 / 29 / 91 / 33

HEX #AB7A10

RGB 171 122 16

HSL 41.03, 0.83%, 0.37%

LAB 54.67, 10.73, 57.67

 

CMYK 91 / 0 / 47 / 33

HEX #10AB5B

RGB 16 171 91

HSL 149.03, 0.83%, 0.37%

LAB 61.65, -54.83, 31.02

 

CMYK 91 / 62 / 0 / 33

HEX #1041AB

RGB 16 65 171

HSL 221.03, 0.83%, 0.37%

LAB 31.42, 27.28, -60.7

 

CMYK 0 / 90 / 45 / 33

HEX #AA115E

RGB 170 17 94

HSL 329.8, 0.82%, 0.37%

LAB 37.4, 61.15, -2.42

 

CMYK 0 / 1 / 91 / 33

HEX #ABA910

RGB 171 169 16

HSL 59.23, 0.83%, 0.37%

LAB 67.33, -14.73, 67.53

 

CMYK 91 / 0 / 47 / 33

HEX #10AB5B

RGB 16 171 91

HSL 149.03, 0.83%, 0.37%

LAB 61.65, -54.83, 31.02

 

CMYK 91 / 89 / 0 / 33

HEX #1013AB

RGB 16 19 171

HSL 238.84, 0.83%, 0.37%

LAB 22, 53.45, -76.27

 

Description

Color code: HEX #AA115E | qconv.com Color code: HEX #AA115E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 17 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 17 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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