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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA11D4 it is the complementary color #55EE2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA11D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA11D4 shade: #AF11CF, #C023E2, #D135F5, #E247FF and #F359FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA11D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA11D4 shade: #AA11D4, #9900C1, #8800AE, #77009B and #660088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA11D4 shade: #AA11D4, #D411C9, #D41195, #D41160 and #D4112B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA11D4 shade: #AA11D4, #7511D4, #4111D4 and #1111D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA11D4 shade matches the following richer shades: #AA11D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA11D4 shade: #AA11D4, #9F23C1, #9536AF, #8A489C and #7F5B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA11D4 shade: #4111D4, #7611D4, #AA11D4, #D411CA and #D41196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA11D4 shade: #6D0B87, #8B0EAE, #AA11D4, #C121ED and #CB47F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA11D4 shade: #AA11D4, #D41114 and #11D45B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA11D4 shade: #AA11D4, #D4AA11 and #11D4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA11D4 shade: #AA11D4, #D41114, #3BD411 and #11D4D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA11D4 shade: #AA11D4, #D44811, #3BD411 and #119DD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

Complementary color

CMYK 64 / 0 / 82 / 7

HEX #55EE2B

RGB 85 238 43

HSL 107.08, 0.85%, 0.55%

LAB 83.58, -71.66, 74.06

 

CMYK 15 / 92 / 0 / 19

HEX #AF11CF

RGB 175 17 207

HSL 289.89, 0.85%, 0.44%

LAB 44.26, 77.41, -60.25

 

CMYK 15 / 85 / 0 / 11

HEX #C023E2

RGB 192 35 226

HSL 289.32, 0.77%, 0.51%

LAB 49.37, 80.2, -62.73

 

CMYK 15 / 78 / 0 / 4

HEX #D135F5

RGB 209 53 245

HSL 288.75, 0.91%, 0.58%

LAB 54.76, 81.95, -64.62

 

CMYK 11 / 72 / 0 / 0

HEX #E247FF

RGB 226 71 255

HSL 290.54, 1%, 0.64%

LAB 59.79, 81.37, -61.94

 

CMYK 5 / 65 / 0 / 0

HEX #F359FF

RGB 243 89 255

HSL 295.66, 1%, 0.67%

LAB 64.5, 78.54, -54.29

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 21 / 100 / 0 / 24

HEX #9900C1

RGB 153 0 193

HSL 287.56, 1%, 0.38%

LAB 38.94, 73.7, -60.91

 

CMYK 22 / 100 / 0 / 32

HEX #8800AE

RGB 136 0 174

HSL 286.9, 1%, 0.34%

LAB 34.58, 68.01, -56.87

 

CMYK 23 / 100 / 0 / 39

HEX #77009B

RGB 119 0 155

HSL 286.06, 1%, 0.3%

LAB 30.13, 62.2, -52.76

 

CMYK 25 / 100 / 0 / 47

HEX #660088

RGB 102 0 136

HSL 285, 1%, 0.27%

LAB 25.57, 56.26, -48.56

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 92 / 5 / 17

HEX #D411C9

RGB 212 17 201

HSL 303.38, 0.85%, 0.45%

LAB 50.23, 82.51, -46.86

 

CMYK 0 / 92 / 30 / 17

HEX #D41195

RGB 212 17 149

HSL 319.38, 0.85%, 0.45%

LAB 47.71, 76.01, -20.16

 

CMYK 0 / 92 / 55 / 17

HEX #D41160

RGB 212 17 96

HSL 335.69, 0.85%, 0.45%

LAB 45.96, 71.3, 9.75

 

CMYK 0 / 92 / 80 / 17

HEX #D4112B

RGB 212 17 43

HSL 352, 0.85%, 0.45%

LAB 45.04, 68.73, 40.86

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 45 / 92 / 0 / 17

HEX #7511D4

RGB 117 17 212

HSL 270.77, 0.85%, 0.45%

LAB 35.86, 70.95, -77.23

 

CMYK 69 / 92 / 0 / 17

HEX #4111D4

RGB 65 17 212

HSL 254.77, 0.85%, 0.45%

LAB 30.1, 66.99, -86.94

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 18 / 82 / 0 / 24

HEX #9F23C1

RGB 159 35 193

HSL 287.09, 0.69%, 0.45%

LAB 41.88, 68.83, -56.09

 

CMYK 15 / 69 / 0 / 31

HEX #9536AF

RGB 149 54 175

HSL 287.11, 0.53%, 0.45%

LAB 41.41, 56.96, -46.33

 

CMYK 12 / 54 / 0 / 39

HEX #8A489C

RGB 138 72 156

HSL 287.14, 0.37%, 0.45%

LAB 41.9, 41.73, -34.32

 

CMYK 8 / 34 / 0 / 46

HEX #7F5B8A

RGB 127 91 138

HSL 285.96, 0.21%, 0.45%

LAB 43.99, 23.59, -20.36

 

CMYK 69 / 92 / 0 / 17

HEX #4111D4

RGB 65 17 212

HSL 254.77, 0.85%, 0.45%

LAB 30.1, 66.99, -86.94

 

CMYK 44 / 92 / 0 / 17

HEX #7611D4

RGB 118 17 212

HSL 271.08, 0.85%, 0.45%

LAB 36, 71.06, -77

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 0 / 92 / 29 / 17

HEX #D41196

RGB 212 17 150

HSL 319.08, 0.85%, 0.45%

LAB 47.75, 76.12, -20.7

 

CMYK 19 / 92 / 0 / 47

HEX #6D0B87

RGB 109 11 135

HSL 287.42, 0.85%, 0.29%

LAB 27.41, 55.07, -44.9

 

CMYK 20 / 92 / 0 / 32

HEX #8B0EAE

RGB 139 14 174

HSL 286.88, 0.85%, 0.37%

LAB 35.71, 66.58, -55.01

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 15 / 70 / 0 / 6

HEX #CB47F0

RGB 203 71 240

HSL 286.86, 0.85%, 0.61%

LAB 55.58, 74.15, -60.55

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 92 / 91 / 17

HEX #D41114

RGB 212 17 20

HSL 359.08, 0.85%, 0.45%

LAB 44.87, 68.24, 52.16

 

CMYK 92 / 0 / 57 / 17

HEX #11D45B

RGB 17 212 91

HSL 142.77, 0.85%, 0.45%

LAB 74.8, -68.22, 47.19

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 20 / 92 / 17

HEX #D4AA11

RGB 212 170 17

HSL 47.08, 0.85%, 0.45%

LAB 71.41, 2.94, 72.16

 

CMYK 92 / 0 / 20 / 17

HEX #11D4AA

RGB 17 212 170

HSL 167.08, 0.85%, 0.45%

LAB 76.14, -52.85, 8.71

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 92 / 91 / 17

HEX #D41114

RGB 212 17 20

HSL 359.08, 0.85%, 0.45%

LAB 44.87, 68.24, 52.16

 

CMYK 72 / 0 / 92 / 17

HEX #3BD411

RGB 59 212 17

HSL 107.08, 0.85%, 0.45%

LAB 74.86, -69.38, 71.3

 

CMYK 92 / 0 / 1 / 17

HEX #11D4D1

RGB 17 212 209

HSL 179.08, 0.85%, 0.45%

LAB 77.17, -42.23, -10.71

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 66 / 92 / 17

HEX #D44811

RGB 212 72 17

HSL 16.92, 0.85%, 0.45%

LAB 50.3, 53.02, 56.9

 

CMYK 72 / 0 / 92 / 17

HEX #3BD411

RGB 59 212 17

HSL 107.08, 0.85%, 0.45%

LAB 74.86, -69.38, 71.3

 

CMYK 92 / 26 / 0 / 17

HEX #119DD4

RGB 17 157 212

HSL 196.92, 0.85%, 0.45%

LAB 60.77, -14.12, -37.42

 

Description

Color code: HEX #AA11D4 | qconv.com Color code: HEX #AA11D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 17 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 17 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 92 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 92% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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