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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA1BDA it is the complementary color #55E425. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA1BDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA1BDA shade: #AF1BD5, #C02DE8, #D13FFB, #E251FF and #F363FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA1BDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA1BDA shade: #AA1BDA, #9909C7, #8800B4, #7700A1 and #66008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA1BDA shade: #A91AD9, #D91AD6, #D91AA2, #D91A6F and #D91A3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA1BDA shade: #A91AD9, #761AD9, #421AD9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA1BDA shade matches the following richer shades: #A91AD9 and #B307ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA1BDA shade: #A91AD9, #A02EC6, #9642B2, #8C569E and #826A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA1BDA shade: #411AD9, #741AD9, #A61AD9, #D91AD9 and #D91AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA1BDA shade: #701190, #8D16B5, #A91AD9, #BA37E6 and #C75CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA1BDA shade: #AA1BDA, #D91A27 and #1AD95A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA1BDA shade: #AA1BDA, #D9A61A and #1AD9A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA1BDA shade: #AA1BDA, #D91A27, #4DD91A and #1AD9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA1BDA shade: #AA1BDA, #D9471A, #4DD91A and #1AADD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

Complementary color

CMYK 63 / 0 / 84 / 11

HEX #55E425

RGB 85 228 37

HSL 104.92, 0.78%, 0.52%

LAB 80.49, -68.71, 72.7

 

CMYK 18 / 87 / 0 / 16

HEX #AF1BD5

RGB 175 27 213

HSL 287.74, 0.78%, 0.47%

LAB 45.22, 76.85, -62.15

 

CMYK 17 / 81 / 0 / 9

HEX #C02DE8

RGB 192 45 232

HSL 287.17, 0.8%, 0.54%

LAB 50.58, 78.89, -64.18

 

CMYK 17 / 75 / 0 / 2

HEX #D13FFB

RGB 209 63 251

HSL 286.6, 0.96%, 0.62%

LAB 56.16, 80.04, -65.69

 

CMYK 11 / 68 / 0 / 0

HEX #E251FF

RGB 226 81 255

HSL 290, 1%, 0.66%

LAB 61.02, 77.88, -59.97

 

CMYK 5 / 61 / 0 / 0

HEX #F363FF

RGB 243 99 255

HSL 295.38, 1%, 0.69%

LAB 65.9, 74.63, -52.06

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 23 / 95 / 0 / 22

HEX #9909C7

RGB 153 9 199

HSL 285.47, 0.91%, 0.41%

LAB 39.73, 73.78, -63.12

 

CMYK 24 / 100 / 0 / 29

HEX #8800B4

RGB 136 0 180

HSL 285.33, 1%, 0.35%

LAB 35.06, 69.1, -59.66

 

CMYK 26 / 100 / 0 / 37

HEX #7700A1

RGB 119 0 161

HSL 284.35, 1%, 0.32%

LAB 30.63, 63.33, -55.6

 

CMYK 28 / 100 / 0 / 44

HEX #66008E

RGB 102 0 142

HSL 283.1, 1%, 0.28%

LAB 26.09, 57.43, -51.46

 

CMYK 22 / 88 / 0 / 15

HEX #A91AD9

RGB 169 26 217

HSL 284.92, 0.79%, 0.48%

LAB 44.5, 76.84, -65.68

 

CMYK 0 / 88 / 1 / 15

HEX #D91AD6

RGB 217 26 214

HSL 300.94, 0.79%, 0.48%

LAB 52.23, 84.09, -51.1

 

CMYK 0 / 88 / 25 / 15

HEX #D91AA2

RGB 217 26 162

HSL 317.28, 0.79%, 0.48%

LAB 49.62, 77.27, -24.91

 

CMYK 0 / 88 / 49 / 15

HEX #D91A6F

RGB 217 26 111

HSL 333.3, 0.79%, 0.48%

LAB 47.8, 72.3, 3.22

 

CMYK 0 / 88 / 73 / 15

HEX #D91A3B

RGB 217 26 59

HSL 349.63, 0.79%, 0.48%

LAB 46.72, 69.23, 33.67

 

CMYK 22 / 88 / 0 / 15

HEX #A91AD9

RGB 169 26 217

HSL 284.92, 0.79%, 0.48%

LAB 44.5, 76.84, -65.68

 

CMYK 46 / 88 / 0 / 15

HEX #761AD9

RGB 118 26 217

HSL 268.9, 0.79%, 0.48%

LAB 37.11, 70.25, -78.05

 

CMYK 70 / 88 / 0 / 15

HEX #421AD9

RGB 66 26 217

HSL 252.57, 0.79%, 0.48%

LAB 31.59, 65.9, -87.36

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 22 / 88 / 0 / 15

HEX #A91AD9

RGB 169 26 217

HSL 284.92, 0.79%, 0.48%

LAB 44.5, 76.84, -65.68

 

CMYK 24 / 97 / 0 / 7

HEX #B307ED

RGB 179 7 237

HSL 284.87, 0.94%, 0.48%

LAB 46.78, 84.18, -73.27

 

CMYK 22 / 88 / 0 / 15

HEX #A91AD9

RGB 169 26 217

HSL 284.92, 0.79%, 0.48%

LAB 44.5, 76.84, -65.68

 

CMYK 19 / 77 / 0 / 22

HEX #A02EC6

RGB 160 46 198

HSL 285, 0.62%, 0.48%

LAB 43.51, 66.66, -56.36

 

CMYK 16 / 63 / 0 / 30

HEX #9642B2

RGB 150 66 178

HSL 285, 0.46%, 0.48%

LAB 43.65, 52.49, -44.52

 

CMYK 11 / 46 / 0 / 38

HEX #8C569E

RGB 140 86 158

HSL 285, 0.3%, 0.48%

LAB 45.22, 35.07, -30.29

 

CMYK 6 / 23 / 0 / 46

HEX #826A8A

RGB 130 106 138

HSL 285, 0.13%, 0.48%

LAB 48.12, 15.71, -14.01

 

CMYK 70 / 88 / 0 / 15

HEX #411AD9

RGB 65 26 217

HSL 252.25, 0.79%, 0.48%

LAB 31.51, 65.84, -87.49

 

CMYK 47 / 88 / 0 / 15

HEX #741AD9

RGB 116 26 217

HSL 268.27, 0.79%, 0.48%

LAB 36.86, 70.03, -78.48

 

CMYK 24 / 88 / 0 / 15

HEX #A61AD9

RGB 166 26 217

HSL 283.98, 0.79%, 0.48%

LAB 44.03, 76.4, -66.46

 

CMYK 0 / 88 / 0 / 15

HEX #D91AD9

RGB 217 26 217

HSL 300, 0.79%, 0.48%

LAB 52.4, 84.53, -52.53

 

CMYK 0 / 88 / 24 / 15

HEX #D91AA6

RGB 217 26 166

HSL 316.02, 0.79%, 0.48%

LAB 49.79, 77.74, -27.02

 

CMYK 22 / 88 / 0 / 44

HEX #701190

RGB 112 17 144

HSL 284.88, 0.79%, 0.32%

LAB 29.05, 56.05, -47.8

 

CMYK 22 / 88 / 0 / 29

HEX #8D16B5

RGB 141 22 181

HSL 284.91, 0.78%, 0.4%

LAB 37.06, 66.73, -56.96

 

CMYK 22 / 88 / 0 / 15

HEX #A91AD9

RGB 169 26 217

HSL 284.92, 0.79%, 0.48%

LAB 44.5, 76.84, -65.68

 

CMYK 19 / 76 / 0 / 10

HEX #BA37E6

RGB 186 55 230

HSL 284.91, 0.78%, 0.56%

LAB 50.55, 74.56, -63.14

 

CMYK 15 / 61 / 0 / 8

HEX #C75CEA

RGB 199 92 234

HSL 285.21, 0.77%, 0.64%

LAB 57.79, 63.49, -53.69

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 0 / 88 / 82 / 15

HEX #D91A27

RGB 217 26 39

HSL 355.92, 0.79%, 0.48%

LAB 46.49, 68.59, 44.83

 

CMYK 88 / 0 / 59 / 15

HEX #1AD95A

RGB 26 217 90

HSL 140.1, 0.79%, 0.48%

LAB 76.43, -69.36, 49.57

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 0 / 24 / 88 / 15

HEX #D9A61A

RGB 217 166 26

HSL 43.98, 0.79%, 0.48%

LAB 70.94, 7.42, 70.29

 

CMYK 88 / 0 / 24 / 15

HEX #1AD9A6

RGB 26 217 166

HSL 163.98, 0.79%, 0.48%

LAB 77.64, -55.33, 12.98

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 0 / 88 / 82 / 15

HEX #D91A27

RGB 217 26 39

HSL 355.92, 0.79%, 0.48%

LAB 46.49, 68.59, 44.83

 

CMYK 65 / 0 / 88 / 15

HEX #4DD91A

RGB 77 217 26

HSL 103.98, 0.79%, 0.48%

LAB 76.85, -67.27, 71.7

 

CMYK 88 / 0 / 6 / 15

HEX #1AD9CD

RGB 26 217 205

HSL 176.23, 0.79%, 0.48%

LAB 78.61, -45.17, -6.41

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 0 / 67 / 88 / 15

HEX #D9471A

RGB 217 71 26

HSL 14.14, 0.79%, 0.48%

LAB 51.07, 55.26, 54.76

 

CMYK 65 / 0 / 88 / 15

HEX #4DD91A

RGB 77 217 26

HSL 103.98, 0.79%, 0.48%

LAB 76.85, -67.27, 71.7

 

CMYK 88 / 20 / 0 / 15

HEX #1AADD9

RGB 26 173 217

HSL 193.82, 0.79%, 0.48%

LAB 65.84, -20.48, -32.29

 

Description

Color code: HEX #AA1BDA | qconv.com Color code: HEX #AA1BDA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 27 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 27 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 88 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 88% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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