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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA1CA1 it is the complementary color #55E35E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA1CA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA1CA1 shade: #AF1C9C, #C02EAF, #D140C2, #E252D5 and #F364E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA1CA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA1CA1 shade: #AA1CA1, #990A8E, #88007B, #770068 and #660055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA1CA1 shade: #AB1BA1, #AB1B7B, #AB1B54, #AB1B2E and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA1CA1 shade: #AB1BA1, #8D1BAB, #661BAB, #401BAB and #1B1BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA1CA1 shade matches the following richer shades: #AB1BA1 and #BB0BB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA1CA1 shade: #AB1BA1, #9A2B93, #8A3C85, #7A4C77 and #6A5C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA1CA1 shade: #651BAB, #8C1BAB, #AB1BA3, #AB1B7D and #AB1B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA1CA1 shade: #64105E, #871680, #AB1BA1, #CE21C3 and #DE3AD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA1CA1 shade: #AA1CA1, #AB3F1B and #1BAB78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA1CA1 shade: #AA1CA1, #A3AB1B and #1BA3AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA1CA1 shade: #AA1CA1, #AB3F1B, #1BAB23 and #1B87AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA1CA1 shade: #AA1CA1, #AB6A1B, #1BAB23 and #1B5CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

Complementary color

CMYK 63 / 0 / 59 / 11

HEX #55E35E

RGB 85 227 94

HSL 123.8, 0.72%, 0.61%

LAB 80.56, -63.95, 52.85

 

CMYK 0 / 84 / 11 / 31

HEX #AF1C9C

RGB 175 28 156

HSL 307.76, 0.72%, 0.4%

LAB 41.76, 67.49, -34.17

 

CMYK 0 / 76 / 9 / 25

HEX #C02EAF

RGB 192 46 175

HSL 306.99, 0.61%, 0.47%

LAB 47.31, 69.26, -36.54

 

CMYK 0 / 69 / 7 / 18

HEX #D140C2

RGB 209 64 194

HSL 306.21, 0.61%, 0.54%

LAB 53.08, 70.16, -38.35

 

CMYK 0 / 64 / 6 / 11

HEX #E252D5

RGB 226 82 213

HSL 305.42, 0.71%, 0.6%

LAB 58.98, 70.48, -39.74

 

CMYK 0 / 59 / 5 / 5

HEX #F364E8

RGB 243 100 232

HSL 304.62, 0.86%, 0.67%

LAB 64.96, 70.42, -40.85

 

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

CMYK 0 / 93 / 7 / 40

HEX #990A8E

RGB 153 10 142

HSL 304.62, 0.88%, 0.32%

LAB 35.87, 64.22, -35.22

 

CMYK 0 / 100 / 10 / 47

HEX #88007B

RGB 136 0 123

HSL 305.74, 1%, 0.27%

LAB 31.03, 59.62, -31.26

 

CMYK 0 / 100 / 13 / 53

HEX #770068

RGB 119 0 104

HSL 307.56, 1%, 0.23%

LAB 26.51, 53.65, -26.47

 

CMYK 0 / 100 / 17 / 60

HEX #660055

RGB 102 0 85

HSL 310, 1%, 0.2%

LAB 21.87, 47.51, -21.47

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 0 / 84 / 28 / 33

HEX #AB1B7B

RGB 171 27 123

HSL 320, 0.73%, 0.39%

LAB 39.36, 62.49, -17.75

 

CMYK 0 / 84 / 51 / 33

HEX #AB1B54

RGB 171 27 84

HSL 336.25, 0.73%, 0.39%

LAB 37.99, 58.54, 4.87

 

CMYK 0 / 84 / 73 / 33

HEX #AB1B2E

RGB 171 27 46

HSL 352.08, 0.73%, 0.39%

LAB 37.19, 56.17, 28.03

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 18 / 84 / 0 / 33

HEX #8D1BAB

RGB 141 27 171

HSL 287.5, 0.73%, 0.39%

LAB 36.72, 63.71, -51.57

 

CMYK 40 / 84 / 0 / 33

HEX #661BAB

RGB 102 27 171

HSL 271.25, 0.73%, 0.39%

LAB 30.76, 57.53, -61.54

 

CMYK 63 / 84 / 0 / 33

HEX #401BAB

RGB 64 27 171

HSL 255.42, 0.73%, 0.39%

LAB 26.2, 53.02, -69.2

 

CMYK 84 / 84 / 0 / 33

HEX #1B1BAB

RGB 27 27 171

HSL 240, 0.73%, 0.39%

LAB 23.53, 50.5, -73.71

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 0 / 94 / 6 / 27

HEX #BB0BB0

RGB 187 11 176

HSL 303.75, 0.89%, 0.39%

LAB 44.14, 75.22, -42.2

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 0 / 72 / 5 / 40

HEX #9A2B93

RGB 154 43 147

HSL 303.78, 0.56%, 0.39%

LAB 39.08, 57.27, -33.19

 

CMYK 0 / 57 / 4 / 46

HEX #8A3C85

RGB 138 60 133

HSL 303.85, 0.39%, 0.39%

LAB 38.43, 43.37, -25.83

 

CMYK 0 / 38 / 2 / 52

HEX #7A4C77

RGB 122 76 119

HSL 303.91, 0.23%, 0.39%

LAB 38.96, 26.77, -16.55

 

CMYK 0 / 13 / 1 / 58

HEX #6A5C69

RGB 106 92 105

HSL 304.29, 0.07%, 0.39%

LAB 40.8, 8.23, -5.32

 

CMYK 41 / 84 / 0 / 33

HEX #651BAB

RGB 101 27 171

HSL 270.83, 0.73%, 0.39%

LAB 30.62, 57.39, -61.77

 

CMYK 18 / 84 / 0 / 33

HEX #8C1BAB

RGB 140 27 171

HSL 287.08, 0.73%, 0.39%

LAB 36.55, 63.54, -51.84

 

CMYK 0 / 84 / 5 / 33

HEX #AB1BA3

RGB 171 27 163

HSL 303.33, 0.73%, 0.39%

LAB 41.35, 67.93, -39.06

 

CMYK 0 / 84 / 27 / 33

HEX #AB1B7D

RGB 171 27 125

HSL 319.17, 0.73%, 0.39%

LAB 39.45, 62.73, -18.86

 

CMYK 0 / 84 / 49 / 33

HEX #AB1B57

RGB 171 27 87

HSL 335, 0.73%, 0.39%

LAB 38.07, 58.79, 3.07

 

CMYK 0 / 84 / 6 / 61

HEX #64105E

RGB 100 16 94

HSL 304.29, 0.72%, 0.23%

LAB 23.3, 44.7, -25.24

 

CMYK 0 / 84 / 5 / 47

HEX #871680

RGB 135 22 128

HSL 303.72, 0.72%, 0.31%

LAB 32.44, 56.35, -32.18

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 0 / 84 / 5 / 19

HEX #CE21C3

RGB 206 33 195

HSL 303.82, 0.72%, 0.47%

LAB 49.68, 78.16, -44.33

 

CMYK 0 / 74 / 5 / 13

HEX #DE3AD4

RGB 222 58 212

HSL 303.66, 0.71%, 0.55%

LAB 55.39, 77.67, -44.88

 

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 84 / 0 / 30 / 33

HEX #1BAB78

RGB 27 171 120

HSL 158.75, 0.73%, 0.39%

LAB 62.27, -48.08, 16.3

 

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

CMYK 5 / 0 / 84 / 33

HEX #A3AB1B

RGB 163 171 27

HSL 63.33, 0.73%, 0.39%

LAB 67.27, -19, 64.99

 

CMYK 84 / 5 / 0 / 33

HEX #1BA3AB

RGB 27 163 171

HSL 183.33, 0.73%, 0.39%

LAB 61.1, -30.56, -13.9

 

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB23

RGB 27 171 35

HSL 123.33, 0.73%, 0.39%

LAB 61.2, -60.67, 55.05

 

CMYK 84 / 21 / 0 / 33

HEX #1B87AB

RGB 27 135 171

HSL 195, 0.73%, 0.39%

LAB 52.4, -16.09, -27.22

 

CMYK 0 / 84 / 5 / 33

HEX #AA1CA1

RGB 170 28 161

HSL 303.8, 0.72%, 0.39%

LAB 41.14, 67.21, -38.22

 

CMYK 0 / 38 / 84 / 33

HEX #AB6A1B

RGB 171 106 27

HSL 32.92, 0.73%, 0.39%

LAB 50.74, 20, 51.2

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB23

RGB 27 171 35

HSL 123.33, 0.73%, 0.39%

LAB 61.2, -60.67, 55.05

 

CMYK 84 / 46 / 0 / 33

HEX #1B5CAB

RGB 27 92 171

HSL 212.92, 0.73%, 0.39%

LAB 39.29, 9.91, -47.92

 

Description

Color code: HEX #AA1CA1 | qconv.com Color code: HEX #AA1CA1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 28 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 28 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 5 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 5% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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