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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2A08 it is the complementary color #55D5F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2A08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2A08 shade: #AF2A03, #C03C16, #D14E29, #E2603C and #F3724F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2A08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2A08 shade: #AA2A08, #991800, #880600, #770000 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2A08 shade: #AA2A08 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2A08 shade: #AA2A08, #AA5508, #AA8108, #A7AA08 and #7BAA08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2A08 shade matches the following richer shades: #AA2A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2A08 shade: #AA2A08, #9C3216, #8D3A24, #7F4333 and #704B41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2A08 shade: #AA083E, #AA0812, #AA2808, #AA5308 and #AA7F08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2A08 shade: #5B1604, #832006, #AA2A08, #D13309 and #F34011

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2A08 shade: #AA2A08, #69AA08 and #0828AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2A08 shade: #AA2A08, #08AA28 and #2808AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2A08 shade: #AA2A08, #69AA08, #0889AA and #4908AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2A08 shade: #AA2A08, #38AA08, #0889AA and #7908AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

Complementary color

CMYK 66 / 14 / 0 / 3

HEX #55D5F7

RGB 85 213 247

HSL 192.59, 0.91%, 0.65%

LAB 79.75, -24.95, -27.04

 

CMYK 0 / 76 / 98 / 31

HEX #AF2A03

RGB 175 42 3

HSL 13.6, 0.97%, 0.35%

LAB 39.2, 51.95, 50.79

 

CMYK 0 / 69 / 89 / 25

HEX #C03C16

RGB 192 60 22

HSL 13.41, 0.79%, 0.42%

LAB 44.94, 51.16, 49.63

 

CMYK 0 / 63 / 80 / 18

HEX #D14E29

RGB 209 78 41

HSL 13.21, 0.67%, 0.49%

LAB 50.88, 49.95, 47.48

 

CMYK 0 / 58 / 73 / 11

HEX #E2603C

RGB 226 96 60

HSL 13.01, 0.74%, 0.56%

LAB 56.94, 48.58, 45.04

 

CMYK 0 / 53 / 67 / 5

HEX #F3724F

RGB 243 114 79

HSL 12.8, 0.87%, 0.63%

LAB 63.06, 47.17, 42.69

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 84 / 100 / 40

HEX #991800

RGB 153 24 0

HSL 9.41, 1%, 0.3%

LAB 32.76, 50.48, 46.13

 

CMYK 0 / 96 / 100 / 47

HEX #880600

RGB 136 6 0

HSL 2.65, 1%, 0.27%

LAB 27.75, 49.18, 40.74

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 50 / 95 / 33

HEX #AA5508

RGB 170 85 8

HSL 28.52, 0.91%, 0.35%

LAB 45.72, 30.73, 52.86

 

CMYK 0 / 24 / 95 / 33

HEX #AA8108

RGB 170 129 8

HSL 44.81, 0.91%, 0.35%

LAB 56.35, 6.23, 60.41

 

CMYK 2 / 0 / 95 / 33

HEX #A7AA08

RGB 167 170 8

HSL 61.11, 0.91%, 0.35%

LAB 67.26, -17.13, 68.44

 

CMYK 28 / 0 / 95 / 33

HEX #7BAA08

RGB 123 170 8

HSL 77.41, 0.91%, 0.35%

LAB 64.14, -35.74, 64.68

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 68 / 86 / 39

HEX #9C3216

RGB 156 50 22

HSL 12.54, 0.75%, 0.35%

LAB 36.76, 42.78, 40.16

 

CMYK 0 / 59 / 74 / 45

HEX #8D3A24

RGB 141 58 36

HSL 12.57, 0.59%, 0.35%

LAB 35.63, 33.86, 30.73

 

CMYK 0 / 47 / 60 / 50

HEX #7F4333

RGB 127 67 51

HSL 12.63, 0.43%, 0.35%

LAB 35.53, 24.17, 21.13

 

CMYK 0 / 33 / 42 / 56

HEX #704B41

RGB 112 75 65

HSL 12.77, 0.27%, 0.35%

LAB 35.71, 14.34, 12.31

 

CMYK 0 / 95 / 64 / 33

HEX #AA083E

RGB 170 8 62

HSL 340, 0.91%, 0.35%

LAB 36.11, 60, 16.45

 

CMYK 0 / 95 / 89 / 33

HEX #AA0812

RGB 170 8 18

HSL 356.3, 0.91%, 0.35%

LAB 35.52, 58.37, 42.21

 

CMYK 0 / 76 / 95 / 33

HEX #AA2808

RGB 170 40 8

HSL 11.85, 0.91%, 0.35%

LAB 37.99, 51.09, 47.85

 

CMYK 0 / 51 / 95 / 33

HEX #AA5308

RGB 170 83 8

HSL 27.78, 0.91%, 0.35%

LAB 45.29, 31.79, 52.57

 

CMYK 0 / 25 / 95 / 33

HEX #AA7F08

RGB 170 127 8

HSL 44.07, 0.91%, 0.35%

LAB 55.83, 7.34, 60.03

 

CMYK 0 / 76 / 96 / 64

HEX #5B1604

RGB 91 22 4

HSL 12.41, 0.92%, 0.19%

LAB 19.25, 30.57, 27.29

 

CMYK 0 / 76 / 95 / 49

HEX #832006

RGB 131 32 6

HSL 12.48, 0.91%, 0.27%

LAB 29.09, 40.99, 38.94

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 0 / 76 / 96 / 18

HEX #D13309

RGB 209 51 9

HSL 12.6, 0.92%, 0.43%

LAB 46.9, 59.69, 56.71

 

CMYK 0 / 74 / 93 / 5

HEX #F34011

RGB 243 64 17

HSL 12.48, 0.9%, 0.51%

LAB 54.83, 65.93, 62.57

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 38 / 0 / 95 / 33

HEX #69AA08

RGB 105 170 8

HSL 84.07, 0.91%, 0.35%

LAB 63.15, -42.57, 63.47

 

CMYK 95 / 76 / 0 / 33

HEX #0828AA

RGB 8 40 170

HSL 228.15, 0.91%, 0.35%

LAB 25.17, 42.7, -70.4

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 95 / 0 / 76 / 33

HEX #08AA28

RGB 8 170 40

HSL 131.85, 0.91%, 0.35%

LAB 60.74, -61.44, 52.91

 

CMYK 76 / 95 / 0 / 33

HEX #2808AA

RGB 40 8 170

HSL 251.85, 0.91%, 0.35%

LAB 22.04, 57.12, -75.56

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 38 / 0 / 95 / 33

HEX #69AA08

RGB 105 170 8

HSL 84.07, 0.91%, 0.35%

LAB 63.15, -42.57, 63.47

 

CMYK 95 / 19 / 0 / 33

HEX #0889AA

RGB 8 137 170

HSL 192.22, 0.91%, 0.35%

LAB 52.78, -18.66, -26.07

 

CMYK 57 / 95 / 0 / 33

HEX #4908AA

RGB 73 8 170

HSL 264.07, 0.91%, 0.35%

LAB 25.24, 59.01, -70.16

 

CMYK 0 / 75 / 95 / 33

HEX #AA2A08

RGB 170 42 8

HSL 12.59, 0.91%, 0.35%

LAB 38.23, 50.41, 48

 

CMYK 67 / 0 / 95 / 33

HEX #38AA08

RGB 56 170 8

HSL 102.22, 0.91%, 0.35%

LAB 61.31, -56.89, 61.21

 

CMYK 95 / 19 / 0 / 33

HEX #0889AA

RGB 8 137 170

HSL 192.22, 0.91%, 0.35%

LAB 52.78, -18.66, -26.07

 

CMYK 29 / 95 / 0 / 33

HEX #7908AA

RGB 121 8 170

HSL 281.85, 0.91%, 0.35%

LAB 32.13, 64.12, -58.58

 

Description

Color code: HEX #AA2A08 | qconv.com Color code: HEX #AA2A08 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 42 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 42 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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