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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3837 it is the complementary color #55C7C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3837 shade: #AF3832, #C04A45, #D15C58, #E26E6B and #F3807E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3837 shade: #AA3837, #992624, #881411, #770200 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3837 shade: #A93736 and #A93636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3837 shade: #A93736, #A95636, #A97536, #A99436 and #9FA936

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3837 shade matches the following richer shades: #A93736, #BB2624, #CD1412 and #DF0200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3837 shade: #A93736, #974949, #855B5B, #726D6D and #607F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3837 shade: #A93674, #A93655, #A93636, #A95536 and #A97436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3837 shade: #6B2322, #8A2D2C, #A93736, #C34746 and #CD6665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3837 shade: #AA3837, #92A936 and #3664A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3837 shade: #AA3837, #36A936 and #3636A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3837 shade: #AA3837, #92A936, #36A9A9 and #4D36A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3837 shade: #AA3837, #70A936, #36A9A9 and #7036A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

Complementary color

CMYK 58 / 0 / 0 / 22

HEX #55C7C8

RGB 85 199 200

HSL 180.52, 0.51%, 0.56%

LAB 74.16, -31.61, -10.22

 

CMYK 0 / 68 / 71 / 31

HEX #AF3832

RGB 175 56 50

HSL 2.88, 0.56%, 0.44%

LAB 41.49, 47.95, 30.85

 

CMYK 0 / 61 / 64 / 25

HEX #C04A45

RGB 192 74 69

HSL 2.44, 0.49%, 0.51%

LAB 47.67, 47.04, 27.82

 

CMYK 0 / 56 / 58 / 18

HEX #D15C58

RGB 209 92 88

HSL 1.98, 0.57%, 0.58%

LAB 53.94, 45.96, 25.27

 

CMYK 0 / 51 / 53 / 11

HEX #E26E6B

RGB 226 110 107

HSL 1.51, 0.67%, 0.65%

LAB 60.23, 44.83, 23.11

 

CMYK 0 / 47 / 48 / 5

HEX #F3807E

RGB 243 128 126

HSL 1.03, 0.83%, 0.72%

LAB 66.52, 43.72, 21.24

 

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

CMYK 0 / 75 / 76 / 40

HEX #992624

RGB 153 38 36

HSL 1.03, 0.62%, 0.37%

LAB 34.57, 47.01, 30.18

 

CMYK 0 / 85 / 88 / 47

HEX #881411

RGB 136 20 17

HSL 1.51, 0.78%, 0.3%

LAB 28.84, 46.68, 34.18

 

CMYK 0 / 98 / 100 / 53

HEX #770200

RGB 119 2 0

HSL 1.01, 1%, 0.23%

LAB 23.56, 45.18, 35.42

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 67 / 68 / 34

HEX #A93736

RGB 169 55 54

HSL 0.52, 0.52%, 0.44%

LAB 40.3, 46.53, 26.78

 

CMYK 0 / 68 / 68 / 34

HEX #A93636

RGB 169 54 54

HSL 0, 0.52%, 0.44%

LAB 40.15, 46.95, 26.59

 

CMYK 0 / 67 / 68 / 34

HEX #A93736

RGB 169 55 54

HSL 0.52, 0.52%, 0.44%

LAB 40.3, 46.53, 26.78

 

CMYK 0 / 49 / 68 / 34

HEX #A95636

RGB 169 86 54

HSL 16.7, 0.52%, 0.44%

LAB 46.12, 31.39, 33.71

 

CMYK 0 / 31 / 68 / 34

HEX #A97536

RGB 169 117 54

HSL 32.87, 0.52%, 0.44%

LAB 53.41, 14.14, 41.94

 

CMYK 0 / 12 / 68 / 34

HEX #A99436

RGB 169 148 54

HSL 49.04, 0.52%, 0.44%

LAB 61.55, -3.1, 50.64

 

CMYK 6 / 0 / 68 / 34

HEX #9FA936

RGB 159 169 54

HSL 65.22, 0.52%, 0.44%

LAB 66.53, -18.54, 55.48

 

CMYK 0 / 67 / 68 / 34

HEX #A93736

RGB 169 55 54

HSL 0.52, 0.52%, 0.44%

LAB 40.3, 46.53, 26.78

 

CMYK 0 / 80 / 81 / 27

HEX #BB2624

RGB 187 38 36

HSL 0.79, 0.68%, 0.44%

LAB 41.34, 57.52, 39.36

 

CMYK 0 / 90 / 91 / 20

HEX #CD1412

RGB 205 20 18

HSL 0.64, 0.84%, 0.44%

LAB 43.54, 65.99, 51.37

 

CMYK 0 / 99 / 100 / 13

HEX #DF0200

RGB 223 2 0

HSL 0.54, 1%, 0.44%

LAB 46.62, 72.22, 60.76

 

CMYK 0 / 67 / 68 / 34

HEX #A93736

RGB 169 55 54

HSL 0.52, 0.52%, 0.44%

LAB 40.3, 46.53, 26.78

 

CMYK 0 / 52 / 52 / 41

HEX #974949

RGB 151 73 73

HSL 0, 0.35%, 0.44%

LAB 40.94, 32.64, 15.37

 

CMYK 0 / 32 / 32 / 48

HEX #855B5B

RGB 133 91 91

HSL 0, 0.19%, 0.44%

LAB 43.1, 17.27, 6.96

 

CMYK 0 / 4 / 4 / 55

HEX #726D6D

RGB 114 109 109

HSL 0, 0.02%, 0.44%

LAB 46.47, 1.94, 0.69

 

CMYK 24 / 0 / 0 / 50

HEX #607F7F

RGB 96 127 127

HSL 180, 0.14%, 0.44%

LAB 50.92, -10.97, -3.61

 

CMYK 0 / 68 / 31 / 34

HEX #A93674

RGB 169 54 116

HSL 327.65, 0.52%, 0.44%

LAB 41.74, 52.58, -9.81

 

CMYK 0 / 68 / 50 / 34

HEX #A93655

RGB 169 54 85

HSL 343.83, 0.52%, 0.44%

LAB 40.78, 49.24, 8.15

 

CMYK 0 / 68 / 68 / 34

HEX #A93636

RGB 169 54 54

HSL 0, 0.52%, 0.44%

LAB 40.15, 46.95, 26.59

 

CMYK 0 / 50 / 68 / 34

HEX #A95536

RGB 169 85 54

HSL 16.17, 0.52%, 0.44%

LAB 45.9, 31.93, 33.46

 

CMYK 0 / 31 / 68 / 34

HEX #A97436

RGB 169 116 54

HSL 32.35, 0.52%, 0.44%

LAB 53.16, 14.71, 41.66

 

CMYK 0 / 67 / 68 / 58

HEX #6B2322

RGB 107 35 34

HSL 0.82, 0.52%, 0.28%

LAB 25.09, 32.02, 18.03

 

CMYK 0 / 67 / 68 / 46

HEX #8A2D2C

RGB 138 45 44

HSL 0.64, 0.52%, 0.36%

LAB 32.84, 39.45, 22.5

 

CMYK 0 / 67 / 68 / 34

HEX #A93736

RGB 169 55 54

HSL 0.52, 0.52%, 0.44%

LAB 40.3, 46.53, 26.78

 

CMYK 0 / 64 / 64 / 24

HEX #C34746

RGB 195 71 70

HSL 0.48, 0.51%, 0.52%

LAB 47.69, 49.49, 27.37

 

CMYK 0 / 50 / 51 / 20

HEX #CD6665

RGB 205 102 101

HSL 0.58, 0.51%, 0.6%

LAB 55.5, 40.63, 19.69

 

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

CMYK 14 / 0 / 68 / 34

HEX #92A936

RGB 146 169 54

HSL 72, 0.52%, 0.44%

LAB 65.56, -24.04, 54.17

 

CMYK 68 / 41 / 0 / 34

HEX #3664A9

RGB 54 100 169

HSL 216, 0.52%, 0.44%

LAB 42.4, 7.45, -41.7

 

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

CMYK 68 / 0 / 68 / 34

HEX #36A936

RGB 54 169 54

HSL 120, 0.52%, 0.44%

LAB 61.16, -54.35, 48.2

 

CMYK 68 / 68 / 0 / 34

HEX #3636A9

RGB 54 54 169

HSL 240, 0.52%, 0.44%

LAB 30.13, 37.24, -61.56

 

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

CMYK 14 / 0 / 68 / 34

HEX #92A936

RGB 146 169 54

HSL 72, 0.52%, 0.44%

LAB 65.56, -24.04, 54.17

 

CMYK 68 / 0 / 0 / 34

HEX #36A9A9

RGB 54 169 169

HSL 180, 0.52%, 0.44%

LAB 63.36, -31.09, -9.34

 

CMYK 54 / 68 / 0 / 34

HEX #4D36A9

RGB 77 54 169

HSL 252, 0.52%, 0.44%

LAB 31.99, 40.74, -58.43

 

CMYK 0 / 67 / 68 / 33

HEX #AA3837

RGB 170 56 55

HSL 0.52, 0.51%, 0.44%

LAB 40.65, 46.51, 26.65

 

CMYK 34 / 0 / 68 / 34

HEX #70A936

RGB 112 169 54

HSL 89.74, 0.52%, 0.44%

LAB 63.41, -37.48, 51.28

 

CMYK 68 / 0 / 0 / 34

HEX #36A9A9

RGB 54 169 169

HSL 180, 0.52%, 0.44%

LAB 63.36, -31.09, -9.34

 

CMYK 34 / 68 / 0 / 34

HEX #7036A9

RGB 112 54 169

HSL 270.26, 0.52%, 0.44%

LAB 35.88, 47.54, -51.93

 

Description

Color code: HEX #AA3837 | qconv.com Color code: HEX #AA3837 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 56 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 56 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 68 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 68% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - HTML5 Semantic Eleme...
Link: http://www.w3schools.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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