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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA38DB it is the complementary color #55C724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA38DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA38DB shade: #AF38D6, #C04AE9, #D15CFC, #E26EFF and #F380FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA38DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA38DB shade: #AA38DB, #9926C8, #8814B5, #7702A2 and #66008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA38DB shade: #A938DA, #D538DA, #DA38B4, #DA3888 and #DA385C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA38DB shade: #A938DA, #7E38DA, #5238DA and #3838DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA38DB shade matches the following richer shades: #A938DA and #B125ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA38DB shade: #A938DA, #A24BC7, #9A5EB4, #9371A1 and #8B848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA38DB shade: #5138DA, #7C38DA, #A738DA, #D238DA and #DA38B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA38DB shade: #7A1DA2, #9524C5, #A938DA, #B85BE1 and #C77EE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA38DB shade: #AA38DB, #DA384B and #38DA66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA38DB shade: #AA38DB, #DAA738 and #38DAA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA38DB shade: #AA38DB, #DA384B, #6CDA38 and #38DAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA38DB shade: #AA38DB, #DA5638, #6CDA38 and #38BCDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

Complementary color

CMYK 57 / 0 / 82 / 22

HEX #55C724

RGB 85 199 36

HSL 101.96, 0.69%, 0.46%

LAB 71.49, -58.96, 64.84

 

CMYK 18 / 74 / 0 / 16

HEX #AF38D6

RGB 175 56 214

HSL 285.19, 0.66%, 0.53%

LAB 48, 69.15, -58.24

 

CMYK 18 / 68 / 0 / 9

HEX #C04AE9

RGB 192 74 233

HSL 284.53, 0.78%, 0.6%

LAB 54.01, 69.43, -59.22

 

CMYK 17 / 63 / 0 / 1

HEX #D15CFC

RGB 209 92 252

HSL 283.88, 0.96%, 0.67%

LAB 60.1, 69.29, -59.92

 

CMYK 11 / 57 / 0 / 0

HEX #E26EFF

RGB 226 110 255

HSL 288, 1%, 0.72%

LAB 65.39, 65.81, -53.02

 

CMYK 5 / 50 / 0 / 0

HEX #F380FF

RGB 243 128 255

HSL 294.33, 1%, 0.75%

LAB 70.67, 61.74, -44.55

 

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

CMYK 24 / 81 / 0 / 22

HEX #9926C8

RGB 153 38 200

HSL 282.59, 0.68%, 0.47%

LAB 41.73, 68.29, -60.46

 

CMYK 25 / 89 / 0 / 29

HEX #8814B5

RGB 136 20 181

HSL 283.23, 0.8%, 0.39%

LAB 36.12, 66.38, -58.54

 

CMYK 27 / 99 / 0 / 36

HEX #7702A2

RGB 119 2 162

HSL 283.88, 0.98%, 0.32%

LAB 30.82, 63.21, -55.9

 

CMYK 29 / 100 / 0 / 44

HEX #66008F

RGB 102 0 143

HSL 282.8, 1%, 0.28%

LAB 26.18, 57.62, -51.93

 

CMYK 22 / 74 / 0 / 15

HEX #A938DA

RGB 169 56 218

HSL 281.85, 0.69%, 0.54%

LAB 47.4, 68.79, -61.54

 

CMYK 2 / 74 / 0 / 15

HEX #D538DA

RGB 213 56 218

HSL 298.15, 0.69%, 0.54%

LAB 54.07, 77.34, -50.48

 

CMYK 0 / 74 / 17 / 15

HEX #DA38B4

RGB 218 56 180

HSL 314.07, 0.69%, 0.54%

LAB 52.98, 72.83, -30.27

 

CMYK 0 / 74 / 38 / 15

HEX #DA3888

RGB 218 56 136

HSL 330.37, 0.69%, 0.54%

LAB 51.28, 67.6, -6.84

 

CMYK 0 / 74 / 58 / 15

HEX #DA385C

RGB 218 56 92

HSL 346.67, 0.69%, 0.54%

LAB 50.1, 63.84, 18.09

 

CMYK 22 / 74 / 0 / 15

HEX #A938DA

RGB 169 56 218

HSL 281.85, 0.69%, 0.54%

LAB 47.4, 68.79, -61.54

 

CMYK 42 / 74 / 0 / 15

HEX #7E38DA

RGB 126 56 218

HSL 265.93, 0.69%, 0.54%

LAB 41.73, 61.26, -71.01

 

CMYK 62 / 74 / 0 / 15

HEX #5238DA

RGB 82 56 218

HSL 249.63, 0.69%, 0.54%

LAB 37.27, 55.1, -78.5

 

CMYK 74 / 74 / 0 / 15

HEX #3838DA

RGB 56 56 218

HSL 240, 0.69%, 0.54%

LAB 35.46, 52.52, -81.54

 

CMYK 22 / 74 / 0 / 15

HEX #A938DA

RGB 169 56 218

HSL 281.85, 0.69%, 0.54%

LAB 47.4, 68.79, -61.54

 

CMYK 25 / 84 / 0 / 7

HEX #B125ED

RGB 177 37 237

HSL 282, 0.85%, 0.54%

LAB 47.99, 79.4, -71.32

 

CMYK 22 / 74 / 0 / 15

HEX #A938DA

RGB 169 56 218

HSL 281.85, 0.69%, 0.54%

LAB 47.4, 68.79, -61.54

 

CMYK 19 / 62 / 0 / 22

HEX #A24BC7

RGB 162 75 199

HSL 282.1, 0.53%, 0.54%

LAB 48.05, 55.51, -49.63

 

CMYK 14 / 48 / 0 / 29

HEX #9A5EB4

RGB 154 94 180

HSL 281.86, 0.36%, 0.54%

LAB 49.7, 39.56, -36.07

 

CMYK 9 / 30 / 0 / 37

HEX #9371A1

RGB 147 113 161

HSL 282.5, 0.2%, 0.54%

LAB 52.49, 22.42, -20.72

 

CMYK 2 / 7 / 0 / 44

HEX #8B848E

RGB 139 132 142

HSL 282, 0.04%, 0.54%

LAB 56.03, 4.58, -4.43

 

CMYK 63 / 74 / 0 / 15

HEX #5138DA

RGB 81 56 218

HSL 249.26, 0.69%, 0.54%

LAB 37.19, 54.99, -78.64

 

CMYK 43 / 74 / 0 / 15

HEX #7C38DA

RGB 124 56 218

HSL 265.19, 0.69%, 0.54%

LAB 41.49, 60.94, -71.41

 

CMYK 23 / 74 / 0 / 15

HEX #A738DA

RGB 167 56 218

HSL 281.11, 0.69%, 0.54%

LAB 47.11, 68.41, -62.02

 

CMYK 4 / 74 / 0 / 15

HEX #D238DA

RGB 210 56 218

HSL 297.04, 0.69%, 0.54%

LAB 53.59, 76.74, -51.27

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 25 / 82 / 0 / 36

HEX #7A1DA2

RGB 122 29 162

HSL 281.95, 0.7%, 0.37%

LAB 33.19, 58.1, -52.02

 

CMYK 24 / 82 / 0 / 23

HEX #9524C5

RGB 149 36 197

HSL 282.11, 0.69%, 0.46%

LAB 40.71, 67.62, -60.4

 

CMYK 22 / 74 / 0 / 15

HEX #A938DA

RGB 169 56 218

HSL 281.85, 0.69%, 0.54%

LAB 47.4, 68.79, -61.54

 

CMYK 18 / 60 / 0 / 12

HEX #B85BE1

RGB 184 91 225

HSL 281.64, 0.69%, 0.62%

LAB 55.18, 58.58, -52.9

 

CMYK 14 / 45 / 0 / 9

HEX #C77EE7

RGB 199 126 231

HSL 281.71, 0.69%, 0.7%

LAB 64.03, 46.02, -42.15

 

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

CMYK 0 / 74 / 66 / 15

HEX #DA384B

RGB 218 56 75

HSL 352.96, 0.69%, 0.54%

LAB 49.79, 62.8, 27.91

 

CMYK 74 / 0 / 53 / 15

HEX #38DA66

RGB 56 218 102

HSL 137.04, 0.69%, 0.54%

LAB 77.25, -64.93, 45.1

 

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

CMYK 0 / 23 / 74 / 15

HEX #DAA738

RGB 218 167 56

HSL 41.11, 0.69%, 0.54%

LAB 71.44, 8.27, 61.38

 

CMYK 74 / 0 / 23 / 15

HEX #38DAA7

RGB 56 218 167

HSL 161.11, 0.69%, 0.54%

LAB 78.33, -52.78, 13.48

 

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

CMYK 0 / 74 / 66 / 15

HEX #DA384B

RGB 218 56 75

HSL 352.96, 0.69%, 0.54%

LAB 49.79, 62.8, 27.91

 

CMYK 50 / 0 / 74 / 15

HEX #6CDA38

RGB 108 218 56

HSL 100.74, 0.69%, 0.54%

LAB 78.24, -58.47, 65.52

 

CMYK 74 / 0 / 9 / 15

HEX #38DAC7

RGB 56 218 199

HSL 172.96, 0.69%, 0.54%

LAB 79.1, -44.81, -2.44

 

CMYK 22 / 74 / 0 / 14

HEX #AA38DB

RGB 170 56 219

HSL 281.96, 0.69%, 0.54%

LAB 47.61, 69.17, -61.77

 

CMYK 0 / 61 / 74 / 15

HEX #DA5638

RGB 218 86 56

HSL 11.11, 0.69%, 0.54%

LAB 53.86, 50.12, 43.42

 

CMYK 50 / 0 / 74 / 15

HEX #6CDA38

RGB 108 218 56

HSL 100.74, 0.69%, 0.54%

LAB 78.24, -58.47, 65.52

 

CMYK 74 / 14 / 0 / 15

HEX #38BCDA

RGB 56 188 218

HSL 191.11, 0.69%, 0.54%

LAB 70.78, -25.25, -25.19

 

Description

Color code: HEX #AA38DB | qconv.com Color code: HEX #AA38DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 56 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 56 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 74 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 74% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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