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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA30A7 it is the complementary color #55CF58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA30A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA30A7 shade: #AF30A2, #C042B5, #D154C8, #E266DB and #F378EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA30A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA30A7 shade: #AA30A7, #991E94, #880C81, #77006E and #66005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA30A7 shade: #AB30A8, #AB3086, #AB3065, #AB3044 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA30A7 shade: #AB30A8, #8C30AB, #6B30AB, #4A30AB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA30A7 shade matches the following richer shades: #AB30A8, #BC1EB8 and #CE0CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA30A7 shade: #AB30A8, #994197, #875386, #756575 and #647764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA30A7 shade: #6B30AB, #8C30AB, #AB30A9, #AB3088 and #AB3067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA30A7 shade: #6A1E68, #8A2788, #AB30A8, #C83CC4 and #D15CCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA30A7 shade: #AA30A7, #AB4A30 and #30AB7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA30A7 shade: #AA30A7, #A9AB30 and #30A9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA30A7 shade: #AA30A7, #AB4A30, #30AB32 and #3090AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA30A7 shade: #AA30A7, #AB6F30, #30AB32 and #306BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

Complementary color

CMYK 59 / 0 / 57 / 19

HEX #55CF58

RGB 85 207 88

HSL 121.48, 0.56%, 0.57%

LAB 74.36, -57.49, 48.33

 

CMYK 0 / 73 / 7 / 31

HEX #AF30A2

RGB 175 48 162

HSL 306.14, 0.57%, 0.44%

LAB 44, 62.85, -34.24

 

CMYK 0 / 66 / 6 / 25

HEX #C042B5

RGB 192 66 181

HSL 305.24, 0.5%, 0.51%

LAB 50.02, 63.35, -35.79

 

CMYK 0 / 60 / 4 / 18

HEX #D154C8

RGB 209 84 200

HSL 304.32, 0.58%, 0.57%

LAB 56.15, 63.34, -36.96

 

CMYK 0 / 55 / 3 / 11

HEX #E266DB

RGB 226 102 219

HSL 303.39, 0.68%, 0.64%

LAB 62.33, 63.04, -37.88

 

CMYK 0 / 51 / 2 / 5

HEX #F378EE

RGB 243 120 238

HSL 302.44, 0.84%, 0.71%

LAB 68.5, 62.55, -38.63

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

CMYK 0 / 80 / 3 / 40

HEX #991E94

RGB 153 30 148

HSL 302.44, 0.67%, 0.36%

LAB 37.55, 61.25, -36.23

 

CMYK 0 / 91 / 5 / 47

HEX #880C81

RGB 136 12 129

HSL 303.39, 0.84%, 0.29%

LAB 31.99, 58.74, -33.51

 

CMYK 0 / 100 / 8 / 53

HEX #77006E

RGB 119 0 110

HSL 304.54, 1%, 0.23%

LAB 26.87, 54.53, -29.78

 

CMYK 0 / 100 / 11 / 60

HEX #66005B

RGB 102 0 91

HSL 306.47, 1%, 0.2%

LAB 22.23, 48.4, -24.92

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 0 / 72 / 22 / 33

HEX #AB3086

RGB 171 48 134

HSL 318.05, 0.56%, 0.43%

LAB 41.99, 57.76, -20.49

 

CMYK 0 / 72 / 41 / 33

HEX #AB3065

RGB 171 48 101

HSL 334.15, 0.56%, 0.43%

LAB 40.75, 53.76, -1.9

 

CMYK 0 / 72 / 60 / 33

HEX #AB3044

RGB 171 48 68

HSL 350.24, 0.56%, 0.43%

LAB 39.9, 50.88, 17.68

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 37 / 72 / 0 / 33

HEX #6B30AB

RGB 107 48 171

HSL 268.78, 0.56%, 0.43%

LAB 34.35, 49.94, -55.63

 

CMYK 57 / 72 / 0 / 33

HEX #4A30AB

RGB 74 48 171

HSL 252.68, 0.56%, 0.43%

LAB 30.66, 44.22, -61.81

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 0 / 84 / 2 / 26

HEX #BC1EB8

RGB 188 30 184

HSL 301.52, 0.72%, 0.43%

LAB 45.74, 73.74, -44.36

 

CMYK 0 / 94 / 2 / 19

HEX #CE0CC9

RGB 206 12 201

HSL 301.55, 0.89%, 0.43%

LAB 49.01, 81.98, -48.87

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 0 / 58 / 1 / 40

HEX #994197

RGB 153 65 151

HSL 301.36, 0.4%, 0.43%

LAB 42.44, 48.5, -30.33

 

CMYK 0 / 39 / 1 / 47

HEX #875386

RGB 135 83 134

HSL 301.15, 0.24%, 0.43%

LAB 42.85, 30.17, -19.61

 

CMYK 0 / 14 / 0 / 54

HEX #756575

RGB 117 101 117

HSL 300, 0.07%, 0.43%

LAB 44.76, 9.49, -6.61

 

CMYK 16 / 0 / 16 / 53

HEX #647764

RGB 100 119 100

HSL 120, 0.09%, 0.43%

LAB 48.04, -11, 8.14

 

CMYK 37 / 72 / 0 / 33

HEX #6B30AB

RGB 107 48 171

HSL 268.78, 0.56%, 0.43%

LAB 34.35, 49.94, -55.63

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 0 / 72 / 1 / 33

HEX #AB30A9

RGB 171 48 169

HSL 300.98, 0.56%, 0.43%

LAB 43.71, 63.06, -38.91

 

CMYK 0 / 72 / 20 / 33

HEX #AB3088

RGB 171 48 136

HSL 317.07, 0.56%, 0.43%

LAB 42.08, 58.03, -21.58

 

CMYK 0 / 72 / 40 / 33

HEX #AB3067

RGB 171 48 103

HSL 333.17, 0.56%, 0.43%

LAB 40.82, 53.97, -3.06

 

CMYK 0 / 72 / 2 / 58

HEX #6A1E68

RGB 106 30 104

HSL 301.58, 0.56%, 0.27%

LAB 26.71, 43, -26.31

 

CMYK 0 / 72 / 1 / 46

HEX #8A2788

RGB 138 39 136

HSL 301.21, 0.56%, 0.35%

LAB 35.27, 53.08, -32.65

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 0 / 70 / 2 / 22

HEX #C83CC4

RGB 200 60 196

HSL 301.71, 0.56%, 0.51%

LAB 51.26, 69.81, -42.46

 

CMYK 0 / 56 / 1 / 18

HEX #D15CCE

RGB 209 92 206

HSL 301.54, 0.56%, 0.59%

LAB 57.72, 60.84, -37.93

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

CMYK 0 / 57 / 72 / 33

HEX #AB4A30

RGB 171 74 48

HSL 12.68, 0.56%, 0.43%

LAB 43.9, 38.1, 34.58

 

CMYK 72 / 0 / 28 / 33

HEX #30AB7B

RGB 48 171 123

HSL 156.59, 0.56%, 0.43%

LAB 62.66, -44.89, 15.25

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

CMYK 1 / 0 / 72 / 33

HEX #A9AB30

RGB 169 171 48

HSL 60.98, 0.56%, 0.43%

LAB 67.85, -15.58, 59.34

 

CMYK 72 / 1 / 0 / 33

HEX #30A9AB

RGB 48 169 171

HSL 180.98, 0.56%, 0.43%

LAB 63.3, -31.32, -10.58

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

CMYK 0 / 57 / 72 / 33

HEX #AB4A30

RGB 171 74 48

HSL 12.68, 0.56%, 0.43%

LAB 43.9, 38.1, 34.58

 

CMYK 72 / 0 / 71 / 33

HEX #30AB32

RGB 48 171 50

HSL 120.98, 0.56%, 0.43%

LAB 61.64, -56.54, 50.3

 

CMYK 72 / 16 / 0 / 33

HEX #3090AB

RGB 48 144 171

HSL 193.17, 0.56%, 0.43%

LAB 55.6, -18.63, -22.25

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A7

RGB 170 48 167

HSL 301.48, 0.56%, 0.43%

LAB 43.43, 62.5, -38.16

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 72 / 0 / 71 / 33

HEX #30AB32

RGB 48 171 50

HSL 120.98, 0.56%, 0.43%

LAB 61.64, -56.54, 50.3

 

CMYK 72 / 37 / 0 / 33

HEX #306BAB

RGB 48 107 171

HSL 211.22, 0.56%, 0.43%

LAB 44.35, 2.82, -39.8

 

Description

Color code: HEX #AA30A7 | qconv.com Color code: HEX #AA30A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 48 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 48 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 2 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 2% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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