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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA32B3 it is the complementary color #55CD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA32B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA32B3 shade: #AF32AE, #C044C1, #D156D4, #E268E7 and #F37AFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA32B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA32B3 shade: #AA32B3, #9920A0, #880E8D, #77007A and #660067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA32B3 shade: #AA32B3, #B33299, #B33276, #B33254 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA32B3 shade: #AA32B3, #8732B3, #6432B3, #4232B3 and #3232B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA32B3 shade matches the following richer shades: #AA32B3, #BA1FC5 and #C90DD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA32B3 shade: #AA32B3, #9A45A0, #8A578D, #7A6A7B and #6A7C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA32B3 shade: #6332B3, #8632B3, #A832B3, #B3329B and #B33279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA32B3 shade: #6C2072, #8B2992, #AA32B3, #C144CA and #CB64D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA32B3 shade: #AA32B3, #B34132 and #32B374

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA32B3 shade: #AA32B3, #B3A832 and #32B3A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA32B3 shade: #AA32B3, #B34132, #3DB332 and #32A4B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA32B3 shade: #AA32B3, #B36832, #3DB332 and #327DB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

Complementary color

CMYK 59 / 0 / 63 / 20

HEX #55CD4C

RGB 85 205 76

HSL 115.81, 0.56%, 0.55%

LAB 73.62, -58.09, 52.81

 

CMYK 0 / 71 / 1 / 31

HEX #AF32AE

RGB 175 50 174

HSL 300.48, 0.56%, 0.44%

LAB 44.87, 64.09, -39.98

 

CMYK 1 / 65 / 0 / 24

HEX #C044C1

RGB 192 68 193

HSL 299.52, 0.5%, 0.51%

LAB 50.91, 64.54, -41.36

 

CMYK 1 / 59 / 0 / 17

HEX #D156D4

RGB 209 86 212

HSL 298.57, 0.59%, 0.58%

LAB 57.04, 64.51, -42.4

 

CMYK 2 / 55 / 0 / 9

HEX #E268E7

RGB 226 104 231

HSL 297.64, 0.73%, 0.66%

LAB 63.21, 64.18, -43.2

 

CMYK 3 / 51 / 0 / 2

HEX #F37AFA

RGB 243 122 250

HSL 296.72, 0.93%, 0.73%

LAB 69.38, 63.68, -43.84

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 4 / 80 / 0 / 37

HEX #9920A0

RGB 153 32 160

HSL 296.72, 0.67%, 0.38%

LAB 38.45, 62.68, -42.07

 

CMYK 4 / 90 / 0 / 45

HEX #880E8D

RGB 136 14 141

HSL 297.64, 0.82%, 0.3%

LAB 32.86, 60.32, -39.6

 

CMYK 2 / 100 / 0 / 52

HEX #77007A

RGB 119 0 122

HSL 298.52, 1%, 0.24%

LAB 27.65, 56.42, -36.22

 

CMYK 1 / 100 / 0 / 60

HEX #660067

RGB 102 0 103

HSL 299.42, 1%, 0.2%

LAB 23.01, 50.3, -31.59

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 72 / 15 / 30

HEX #B33299

RGB 179 50 153

HSL 312.09, 0.56%, 0.45%

LAB 44.47, 61.76, -28.06

 

CMYK 0 / 72 / 34 / 30

HEX #B33276

RGB 179 50 118

HSL 328.37, 0.56%, 0.45%

LAB 43.02, 57.17, -8.95

 

CMYK 0 / 72 / 53 / 30

HEX #B33254

RGB 179 50 84

HSL 344.19, 0.56%, 0.45%

LAB 42.01, 53.82, 10.76

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 25 / 72 / 0 / 30

HEX #8732B3

RGB 135 50 179

HSL 279.53, 0.56%, 0.45%

LAB 39.05, 56.45, -52.61

 

CMYK 44 / 72 / 0 / 30

HEX #6432B3

RGB 100 50 179

HSL 263.26, 0.56%, 0.45%

LAB 34.49, 49.74, -60.22

 

CMYK 63 / 72 / 0 / 30

HEX #4232B3

RGB 66 50 179

HSL 247.44, 0.56%, 0.45%

LAB 31.1, 44.45, -65.9

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 6 / 84 / 0 / 23

HEX #BA1FC5

RGB 186 31 197

HSL 296.02, 0.73%, 0.45%

LAB 46.24, 75.2, -51.17

 

CMYK 7 / 94 / 0 / 15

HEX #C90DD8

RGB 201 13 216

HSL 295.57, 0.89%, 0.45%

LAB 49.09, 83.31, -57.43

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 4 / 57 / 0 / 37

HEX #9A45A0

RGB 154 69 160

HSL 296.04, 0.4%, 0.45%

LAB 43.75, 48.53, -33.66

 

CMYK 2 / 38 / 0 / 45

HEX #8A578D

RGB 138 87 141

HSL 296.67, 0.24%, 0.45%

LAB 44.44, 30.29, -21.36

 

CMYK 1 / 14 / 0 / 52

HEX #7A6A7B

RGB 122 106 123

HSL 296.47, 0.07%, 0.45%

LAB 46.81, 9.62, -7.11

 

CMYK 15 / 0 / 16 / 51

HEX #6A7C68

RGB 106 124 104

HSL 114, 0.09%, 0.45%

LAB 50.07, -10.74, 8.73

 

CMYK 45 / 72 / 0 / 30

HEX #6332B3

RGB 99 50 179

HSL 262.79, 0.56%, 0.45%

LAB 34.37, 49.57, -60.42

 

CMYK 25 / 72 / 0 / 30

HEX #8632B3

RGB 134 50 179

HSL 279.07, 0.56%, 0.45%

LAB 38.91, 56.25, -52.85

 

CMYK 6 / 72 / 0 / 30

HEX #A832B3

RGB 168 50 179

HSL 294.88, 0.56%, 0.45%

LAB 44.03, 63.41, -44.34

 

CMYK 0 / 72 / 13 / 30

HEX #B3329B

RGB 179 50 155

HSL 311.16, 0.56%, 0.45%

LAB 44.56, 62.05, -29.11

 

CMYK 0 / 72 / 32 / 30

HEX #B33279

RGB 179 50 121

HSL 326.98, 0.56%, 0.45%

LAB 43.13, 57.52, -10.64

 

CMYK 5 / 72 / 0 / 55

HEX #6C2072

RGB 108 32 114

HSL 295.61, 0.56%, 0.29%

LAB 27.94, 44.56, -30.77

 

CMYK 5 / 72 / 0 / 43

HEX #8B2992

RGB 139 41 146

HSL 296, 0.56%, 0.37%

LAB 36.27, 54.34, -37.19

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 4 / 66 / 0 / 21

HEX #C144CA

RGB 193 68 202

HSL 295.97, 0.56%, 0.53%

LAB 51.54, 66.32, -45.55

 

CMYK 4 / 53 / 0 / 17

HEX #CB64D3

RGB 203 100 211

HSL 295.68, 0.56%, 0.61%

LAB 58.52, 56.4, -39.56

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 64 / 72 / 30

HEX #B34132

RGB 179 65 50

HSL 6.98, 0.56%, 0.45%

LAB 43.65, 45.45, 33.53

 

CMYK 72 / 0 / 35 / 30

HEX #32B374

RGB 50 179 116

HSL 150.7, 0.56%, 0.45%

LAB 65.1, -49.31, 22.41

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 6 / 72 / 30

HEX #B3A832

RGB 179 168 50

HSL 54.88, 0.56%, 0.45%

LAB 67.89, -9.56, 58.92

 

CMYK 72 / 0 / 6 / 30

HEX #32B3A8

RGB 50 179 168

HSL 174.88, 0.56%, 0.45%

LAB 66.32, -36.63, -4.4

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 64 / 72 / 30

HEX #B34132

RGB 179 65 50

HSL 6.98, 0.56%, 0.45%

LAB 43.65, 45.45, 33.53

 

CMYK 66 / 0 / 72 / 30

HEX #3DB332

RGB 61 179 50

HSL 114.88, 0.56%, 0.45%

LAB 64.53, -56.74, 53.39

 

CMYK 72 / 8 / 0 / 30

HEX #32A4B3

RGB 50 164 179

HSL 186.98, 0.56%, 0.45%

LAB 62.07, -26.16, -16.91

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 42 / 72 / 30

HEX #B36832

RGB 179 104 50

HSL 25.12, 0.56%, 0.45%

LAB 51.51, 25.54, 42.24

 

CMYK 66 / 0 / 72 / 30

HEX #3DB332

RGB 61 179 50

HSL 114.88, 0.56%, 0.45%

LAB 64.53, -56.74, 53.39

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

Description

Color code: HEX #AA32B3 | qconv.com Color code: HEX #AA32B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 50 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 50 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 72 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 72% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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