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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3C17 it is the complementary color #55C3E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3C17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3C17 shade: #AF3C12, #C04E25, #D16038, #E2724B and #F3845E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3C17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3C17 shade: #AA3C17, #992A04, #881800, #770600 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3C17 shade: #AA3C17 and #AA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3C17 shade: #AA3C17, #AA6417, #AA8B17, #A1AA17 and #79AA17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3C17 shade matches the following richer shades: #AA3C17 and #BA3407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3C17 shade: #AA3C17, #9A4426, #8B4B36, #7B5346 and #6B5B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3C17 shade: #AA1740, #AA1719, #AA3C17, #AA6317 and #AA8A17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3C17 shade: #61220D, #862F12, #AA3C17, #CE491C and #E25E31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3C17 shade: #AA3C17, #68AA17 and #172DAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3C17 shade: #AA3C17, #17AA3C and #3C17AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3C17 shade: #AA3C17, #68AA17, #1785AA and #5917AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3C17 shade: #AA3C17, #3CAA17, #1785AA and #8517AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

Complementary color

CMYK 63 / 16 / 0 / 9

HEX #55C3E8

RGB 85 195 232

HSL 195.1, 0.76%, 0.62%

LAB 74.05, -20.38, -27.71

 

CMYK 0 / 66 / 90 / 31

HEX #AF3C12

RGB 175 60 18

HSL 16.05, 0.81%, 0.38%

LAB 41.83, 45.15, 47.46

 

CMYK 0 / 59 / 81 / 25

HEX #C04E25

RGB 192 78 37

HSL 15.87, 0.68%, 0.45%

LAB 47.99, 43.66, 45.65

 

CMYK 0 / 54 / 73 / 18

HEX #D16038

RGB 209 96 56

HSL 15.69, 0.62%, 0.52%

LAB 54.25, 42.1, 43.42

 

CMYK 0 / 50 / 67 / 11

HEX #E2724B

RGB 226 114 75

HSL 15.5, 0.72%, 0.59%

LAB 60.53, 40.58, 41.22

 

CMYK 0 / 46 / 61 / 5

HEX #F3845E

RGB 243 132 94

HSL 15.3, 0.86%, 0.66%

LAB 66.8, 39.15, 39.19

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 73 / 97 / 40

HEX #992A04

RGB 153 42 4

HSL 15.3, 0.95%, 0.31%

LAB 34.88, 44.68, 45.75

 

CMYK 0 / 82 / 100 / 47

HEX #881800

RGB 136 24 0

HSL 10.59, 1%, 0.27%

LAB 29.13, 45.25, 41.86

 

CMYK 0 / 95 / 100 / 53

HEX #770600

RGB 119 6 0

HSL 3.03, 1%, 0.23%

LAB 23.84, 44.36, 35.71

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 41 / 86 / 33

HEX #AA6417

RGB 170 100 23

HSL 31.43, 0.76%, 0.38%

LAB 49.16, 22.8, 51.21

 

CMYK 0 / 18 / 86 / 33

HEX #AA8B17

RGB 170 139 23

HSL 47.35, 0.76%, 0.38%

LAB 59.04, 0.97, 59.39

 

CMYK 5 / 0 / 86 / 33

HEX #A1AA17

RGB 161 170 23

HSL 63.67, 0.76%, 0.38%

LAB 66.82, -19.48, 65.46

 

CMYK 29 / 0 / 86 / 33

HEX #79AA17

RGB 121 170 23

HSL 80, 0.76%, 0.38%

LAB 64.06, -36.18, 62.03

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 72 / 96 / 27

HEX #BA3407

RGB 186 52 7

HSL 15.08, 0.93%, 0.38%

LAB 42.63, 52.02, 52.52

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 56 / 75 / 40

HEX #9A4426

RGB 154 68 38

HSL 15.52, 0.6%, 0.38%

LAB 39.82, 33.98, 34.82

 

CMYK 0 / 46 / 61 / 45

HEX #8B4B36

RGB 139 75 54

HSL 14.82, 0.44%, 0.38%

LAB 39.22, 24.96, 24.34

 

CMYK 0 / 33 / 43 / 52

HEX #7B5346

RGB 123 83 70

HSL 14.72, 0.27%, 0.38%

LAB 39.31, 14.96, 14.35

 

CMYK 0 / 15 / 21 / 58

HEX #6B5B55

RGB 107 91 85

HSL 16.36, 0.11%, 0.38%

LAB 40.02, 5.43, 5.86

 

CMYK 0 / 86 / 62 / 33

HEX #AA1740

RGB 170 23 64

HSL 343.27, 0.76%, 0.38%

LAB 36.98, 57.74, 16.31

 

CMYK 0 / 86 / 85 / 33

HEX #AA1719

RGB 170 23 25

HSL 359.18, 0.76%, 0.38%

LAB 36.42, 56.09, 39.41

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 42 / 86 / 33

HEX #AA6317

RGB 170 99 23

HSL 31.02, 0.76%, 0.38%

LAB 48.92, 23.36, 51.01

 

CMYK 0 / 19 / 86 / 33

HEX #AA8A17

RGB 170 138 23

HSL 46.94, 0.76%, 0.38%

LAB 58.77, 1.52, 59.17

 

CMYK 0 / 65 / 87 / 62

HEX #61220D

RGB 97 34 13

HSL 15, 0.76%, 0.22%

LAB 22.7, 27.43, 27.65

 

CMYK 0 / 65 / 87 / 47

HEX #862F12

RGB 134 47 18

HSL 15, 0.76%, 0.3%

LAB 32.13, 35.87, 36.43

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 0 / 65 / 86 / 19

HEX #CE491C

RGB 206 73 28

HSL 15.17, 0.76%, 0.46%

LAB 49.46, 50.72, 51.86

 

CMYK 0 / 58 / 78 / 11

HEX #E25E31

RGB 226 94 49

HSL 15.25, 0.75%, 0.54%

LAB 56.48, 49.08, 50.06

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 39 / 0 / 86 / 33

HEX #68AA17

RGB 104 170 23

HSL 86.94, 0.76%, 0.38%

LAB 63.14, -42.55, 60.88

 

CMYK 86 / 74 / 0 / 33

HEX #172DAA

RGB 23 45 170

HSL 231.02, 0.76%, 0.38%

LAB 26.62, 40.29, -67.98

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 86 / 0 / 65 / 33

HEX #17AA3C

RGB 23 170 60

HSL 135.1, 0.76%, 0.38%

LAB 61.01, -58.51, 45.32

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 39 / 0 / 86 / 33

HEX #68AA17

RGB 104 170 23

HSL 86.94, 0.76%, 0.38%

LAB 63.14, -42.55, 60.88

 

CMYK 86 / 22 / 0 / 33

HEX #1785AA

RGB 23 133 170

HSL 195.1, 0.76%, 0.38%

LAB 51.68, -15.66, -27.76

 

CMYK 48 / 86 / 0 / 33

HEX #5917AA

RGB 89 23 170

HSL 266.94, 0.76%, 0.38%

LAB 28.48, 56.86, -64.74

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 65 / 0 / 86 / 33

HEX #3CAA17

RGB 60 170 23

HSL 104.9, 0.76%, 0.38%

LAB 61.46, -55.55, 58.76

 

CMYK 86 / 22 / 0 / 33

HEX #1785AA

RGB 23 133 170

HSL 195.1, 0.76%, 0.38%

LAB 51.68, -15.66, -27.76

 

CMYK 22 / 86 / 0 / 33

HEX #8517AA

RGB 133 23 170

HSL 284.9, 0.76%, 0.38%

LAB 35.01, 63.15, -53.81

 

Description

Color code: HEX #AA3C17 | qconv.com Color code: HEX #AA3C17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 60 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 60 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 86 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 86% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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