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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3ED9 it is the complementary color #55C126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3ED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3ED9 shade: #AF3ED4, #C050E7, #D162FA, #E274FF and #F386FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3ED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3ED9 shade: #AA3ED9, #992CC6, #881AB3, #7708A0 and #66008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3ED9 shade: #AA3FD9, #D33FD9, #D93FB4, #D93F8B and #D93F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3ED9 shade: #AA3FD9, #813FD9, #573FD9 and #3F3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3ED9 shade matches the following richer shades: #AA3FD9, #B12CEB and #B91AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3ED9 shade: #AA3FD9, #A351C6, #9B64B3, #9477A1 and #8D898E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3ED9 shade: #563FD9, #7F3FD9, #A83FD9, #D13FD9 and #D93FB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3ED9 shade: #7D20A5, #9727C7, #AA3FD9, #B961DF and #C884E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3ED9 shade: #AA3ED9, #D93F51 and #3FD96A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3ED9 shade: #AA3ED9, #D9A83F and #3FD9A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3ED9 shade: #AA3ED9, #D93F51, #70D93F and #3FD9C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3ED9 shade: #AA3ED9, #D95B3F, #70D93F and #3FBCD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

Complementary color

CMYK 56 / 0 / 80 / 24

HEX #55C126

RGB 85 193 38

HSL 101.81, 0.67%, 0.45%

LAB 69.62, -56.72, 62.57

 

CMYK 17 / 71 / 0 / 17

HEX #AF3ED4

RGB 175 62 212

HSL 285.2, 0.64%, 0.54%

LAB 48.65, 66.56, -56.05

 

CMYK 17 / 65 / 0 / 9

HEX #C050E7

RGB 192 80 231

HSL 284.5, 0.76%, 0.61%

LAB 54.78, 66.57, -56.87

 

CMYK 16 / 61 / 0 / 2

HEX #D162FA

RGB 209 98 250

HSL 283.82, 0.94%, 0.68%

LAB 60.95, 66.26, -57.46

 

CMYK 11 / 55 / 0 / 0

HEX #E274FF

RGB 226 116 255

HSL 287.48, 1%, 0.73%

LAB 66.43, 63.02, -51.38

 

CMYK 5 / 47 / 0 / 0

HEX #F386FF

RGB 243 134 255

HSL 294.05, 1%, 0.76%

LAB 71.77, 58.85, -42.82

 

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

CMYK 23 / 78 / 0 / 22

HEX #992CC6

RGB 153 44 198

HSL 282.47, 0.64%, 0.47%

LAB 42.23, 66.04, -58.48

 

CMYK 24 / 85 / 0 / 30

HEX #881AB3

RGB 136 26 179

HSL 283.14, 0.75%, 0.4%

LAB 36.42, 64.65, -56.86

 

CMYK 26 / 95 / 0 / 37

HEX #7708A0

RGB 119 8 160

HSL 283.82, 0.9%, 0.33%

LAB 30.96, 61.9, -54.46

 

CMYK 28 / 100 / 0 / 45

HEX #66008D

RGB 102 0 141

HSL 283.4, 1%, 0.28%

LAB 26, 57.23, -50.98

 

CMYK 22 / 71 / 0 / 15

HEX #AA3FD9

RGB 170 63 217

HSL 281.69, 0.67%, 0.55%

LAB 48.4, 66.14, -59.35

 

CMYK 3 / 71 / 0 / 15

HEX #D33FD9

RGB 211 63 217

HSL 297.66, 0.67%, 0.55%

LAB 54.46, 74.58, -49.3

 

CMYK 0 / 71 / 17 / 15

HEX #D93FB4

RGB 217 63 180

HSL 314.42, 0.67%, 0.55%

LAB 53.6, 70.36, -29.32

 

CMYK 0 / 71 / 36 / 15

HEX #D93F8B

RGB 217 63 139

HSL 330.39, 0.67%, 0.55%

LAB 52.03, 65.33, -7.53

 

CMYK 0 / 71 / 55 / 15

HEX #D93F61

RGB 217 63 97

HSL 346.75, 0.67%, 0.55%

LAB 50.89, 61.52, 16.1

 

CMYK 22 / 71 / 0 / 15

HEX #AA3FD9

RGB 170 63 217

HSL 281.69, 0.67%, 0.55%

LAB 48.4, 66.14, -59.35

 

CMYK 41 / 71 / 0 / 15

HEX #813FD9

RGB 129 63 217

HSL 265.71, 0.67%, 0.55%

LAB 43.11, 58.39, -68.17

 

CMYK 60 / 71 / 0 / 15

HEX #573FD9

RGB 87 63 217

HSL 249.35, 0.67%, 0.55%

LAB 38.88, 51.8, -75.26

 

CMYK 71 / 71 / 0 / 15

HEX #3F3FD9

RGB 63 63 217

HSL 240, 0.67%, 0.55%

LAB 37.15, 48.97, -78.16

 

CMYK 22 / 71 / 0 / 15

HEX #AA3FD9

RGB 170 63 217

HSL 281.69, 0.67%, 0.55%

LAB 48.4, 66.14, -59.35

 

CMYK 25 / 81 / 0 / 8

HEX #B12CEB

RGB 177 44 235

HSL 281.78, 0.83%, 0.55%

LAB 48.44, 77.25, -69.45

 

CMYK 27 / 90 / 0 / 0

HEX #B91AFE

RGB 185 26 254

HSL 281.84, 0.99%, 0.55%

LAB 49.75, 85.8, -77.93

 

CMYK 22 / 71 / 0 / 15

HEX #AA3FD9

RGB 170 63 217

HSL 281.69, 0.67%, 0.55%

LAB 48.4, 66.14, -59.35

 

CMYK 18 / 59 / 0 / 22

HEX #A351C6

RGB 163 81 198

HSL 282.05, 0.51%, 0.55%

LAB 49.19, 52.65, -47.24

 

CMYK 13 / 44 / 0 / 30

HEX #9B64B3

RGB 155 100 179

HSL 281.77, 0.34%, 0.55%

LAB 51.08, 36.32, -33.32

 

CMYK 8 / 26 / 0 / 37

HEX #9477A1

RGB 148 119 161

HSL 281.43, 0.18%, 0.55%

LAB 54.09, 19.26, -18.27

 

CMYK 1 / 4 / 0 / 44

HEX #8D898E

RGB 141 137 142

HSL 288, 0.02%, 0.55%

LAB 57.57, 2.46, -2.15

 

CMYK 60 / 71 / 0 / 15

HEX #563FD9

RGB 86 63 217

HSL 248.96, 0.67%, 0.55%

LAB 38.8, 51.66, -75.4

 

CMYK 41 / 71 / 0 / 15

HEX #7F3FD9

RGB 127 63 217

HSL 264.94, 0.67%, 0.55%

LAB 42.88, 58.04, -68.56

 

CMYK 23 / 71 / 0 / 15

HEX #A83FD9

RGB 168 63 217

HSL 280.91, 0.67%, 0.55%

LAB 48.12, 65.75, -59.81

 

CMYK 4 / 71 / 0 / 15

HEX #D13FD9

RGB 209 63 217

HSL 296.88, 0.67%, 0.55%

LAB 54.15, 74.16, -49.81

 

CMYK 0 / 71 / 16 / 15

HEX #D93FB7

RGB 217 63 183

HSL 313.25, 0.67%, 0.55%

LAB 53.73, 70.77, -30.85

 

CMYK 24 / 81 / 0 / 35

HEX #7D20A5

RGB 125 32 165

HSL 281.95, 0.68%, 0.39%

LAB 34.21, 58.3, -52.15

 

CMYK 24 / 80 / 0 / 22

HEX #9727C7

RGB 151 39 199

HSL 282, 0.67%, 0.47%

LAB 41.46, 67.46, -60.33

 

CMYK 22 / 71 / 0 / 15

HEX #AA3FD9

RGB 170 63 217

HSL 281.69, 0.67%, 0.55%

LAB 48.4, 66.14, -59.35

 

CMYK 17 / 57 / 0 / 13

HEX #B961DF

RGB 185 97 223

HSL 281.9, 0.66%, 0.63%

LAB 56.28, 55.5, -50.03

 

CMYK 13 / 43 / 0 / 10

HEX #C884E6

RGB 200 132 230

HSL 281.63, 0.66%, 0.71%

LAB 65.35, 42.9, -39.51

 

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

CMYK 0 / 71 / 63 / 15

HEX #D93F51

RGB 217 63 81

HSL 352.99, 0.67%, 0.55%

LAB 50.57, 60.45, 25.29

 

CMYK 71 / 0 / 51 / 15

HEX #3FD96A

RGB 63 217 106

HSL 136.75, 0.67%, 0.55%

LAB 77.11, -62.96, 43.07

 

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

CMYK 0 / 23 / 71 / 15

HEX #D9A83F

RGB 217 168 63

HSL 40.91, 0.67%, 0.55%

LAB 71.63, 7.63, 58.71

 

CMYK 71 / 0 / 23 / 15

HEX #3FD9A8

RGB 63 217 168

HSL 160.91, 0.67%, 0.55%

LAB 78.17, -51.23, 12.75

 

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

CMYK 0 / 71 / 63 / 15

HEX #D93F51

RGB 217 63 81

HSL 352.99, 0.67%, 0.55%

LAB 50.57, 60.45, 25.29

 

CMYK 48 / 0 / 71 / 15

HEX #70D93F

RGB 112 217 63

HSL 100.91, 0.67%, 0.55%

LAB 78.13, -56.47, 63.03

 

CMYK 71 / 0 / 8 / 15

HEX #3FD9C7

RGB 63 217 199

HSL 172.99, 0.67%, 0.55%

LAB 78.93, -43.53, -2.68

 

CMYK 22 / 71 / 0 / 15

HEX #AA3ED9

RGB 170 62 217

HSL 281.81, 0.67%, 0.55%

LAB 48.26, 66.53, -59.57

 

CMYK 0 / 58 / 71 / 15

HEX #D95B3F

RGB 217 91 63

HSL 10.91, 0.67%, 0.55%

LAB 54.65, 47.79, 40.52

 

CMYK 48 / 0 / 71 / 15

HEX #70D93F

RGB 112 217 63

HSL 100.91, 0.67%, 0.55%

LAB 78.13, -56.47, 63.03

 

CMYK 71 / 13 / 0 / 15

HEX #3FBCD9

RGB 63 188 217

HSL 191.3, 0.67%, 0.55%

LAB 70.89, -24.7, -24.46

 

Description

Color code: HEX #AA3ED9 | qconv.com Color code: HEX #AA3ED9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 62 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 62 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 71 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 71% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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