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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA44BD it is the complementary color #55BB42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA44BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA44BD shade: #AF44B8, #C056CB, #D168DE, #E27AF1 and #F38CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA44BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA44BD shade: #AA44BD, #9932AA, #882097, #770E84 and #660071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA44BD shade: #A942BC, #BC42AE, #BC428D, #BC426C and #BC424B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA44BD shade: #A942BC, #8842BC, #6742BC, #4642BC and #4242BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA44BD shade matches the following richer shades: #A942BC, #B72DD1, #C519E5 and #D304FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA44BD shade: #A942BC, #9B56A8, #8D6B93, #7F807E and #70946A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA44BD shade: #6742BC, #8742BC, #A842BC, #BC42B0 and #BC428F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA44BD shade: #722C7F, #8E379E, #A942BC, #B760C7 and #C57FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA44BD shade: #AA44BD, #BC4642 and #42BC77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA44BD shade: #AA44BD, #BCA842 and #42BCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA44BD shade: #AA44BD, #BC4642, #56BC42 and #42B8BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA44BD shade: #AA44BD, #BC6B42, #56BC42 and #4293BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

Complementary color

CMYK 55 / 0 / 65 / 27

HEX #55BB42

RGB 85 187 66

HSL 110.58, 0.48%, 0.5%

LAB 67.92, -52.43, 50.77

 

CMYK 5 / 63 / 0 / 28

HEX #AF44B8

RGB 175 68 184

HSL 295.34, 0.46%, 0.49%

LAB 47.89, 58.87, -41.07

 

CMYK 5 / 58 / 0 / 20

HEX #C056CB

RGB 192 86 203

HSL 294.36, 0.53%, 0.57%

LAB 54.21, 58.61, -41.9

 

CMYK 6 / 53 / 0 / 13

HEX #D168DE

RGB 209 104 222

HSL 293.39, 0.64%, 0.64%

LAB 60.54, 58.12, -42.52

 

CMYK 6 / 49 / 0 / 5

HEX #E27AF1

RGB 226 122 241

HSL 292.44, 0.81%, 0.71%

LAB 66.85, 57.5, -43.02

 

CMYK 5 / 45 / 0 / 0

HEX #F38CFF

RGB 243 140 255

HSL 293.74, 1%, 0.77%

LAB 72.91, 55.89, -41.05

 

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

CMYK 10 / 71 / 0 / 33

HEX #9932AA

RGB 153 50 170

HSL 291.5, 0.55%, 0.43%

LAB 41.15, 58.49, -43.75

 

CMYK 10 / 79 / 0 / 41

HEX #882097

RGB 136 32 151

HSL 292.44, 0.65%, 0.36%

LAB 35.01, 57.68, -42.29

 

CMYK 10 / 89 / 0 / 48

HEX #770E84

RGB 119 14 132

HSL 293.39, 0.81%, 0.29%

LAB 29.16, 55.67, -40.09

 

CMYK 10 / 100 / 0 / 56

HEX #660071

RGB 102 0 113

HSL 294.16, 1%, 0.22%

LAB 23.73, 52.01, -36.94

 

CMYK 10 / 65 / 0 / 26

HEX #A942BC

RGB 169 66 188

HSL 290.66, 0.48%, 0.5%

LAB 46.92, 59.02, -45

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 65 / 25 / 26

HEX #BC428D

RGB 188 66 141

HSL 323.11, 0.48%, 0.5%

LAB 47.64, 56.38, -15.83

 

CMYK 0 / 65 / 43 / 26

HEX #BC426C

RGB 188 66 108

HSL 339.34, 0.48%, 0.5%

LAB 46.54, 52.47, 2.56

 

CMYK 0 / 65 / 60 / 26

HEX #BC424B

RGB 188 66 75

HSL 355.57, 0.48%, 0.5%

LAB 45.77, 49.61, 21.66

 

CMYK 10 / 65 / 0 / 26

HEX #A942BC

RGB 169 66 188

HSL 290.66, 0.48%, 0.5%

LAB 46.92, 59.02, -45

 

CMYK 28 / 65 / 0 / 26

HEX #8842BC

RGB 136 66 188

HSL 274.43, 0.48%, 0.5%

LAB 42.4, 51.39, -52.49

 

CMYK 45 / 65 / 0 / 26

HEX #6742BC

RGB 103 66 188

HSL 258.2, 0.48%, 0.5%

LAB 38.57, 44.38, -58.88

 

CMYK 63 / 65 / 0 / 26

HEX #4642BC

RGB 70 66 188

HSL 241.97, 0.48%, 0.5%

LAB 35.65, 38.56, -63.75

 

CMYK 65 / 65 / 0 / 26

HEX #4242BC

RGB 66 66 188

HSL 240, 0.48%, 0.5%

LAB 35.37, 37.97, -64.23

 

CMYK 10 / 65 / 0 / 26

HEX #A942BC

RGB 169 66 188

HSL 290.66, 0.48%, 0.5%

LAB 46.92, 59.02, -45

 

CMYK 12 / 78 / 0 / 18

HEX #B72DD1

RGB 183 45 209

HSL 290.49, 0.65%, 0.5%

LAB 47.68, 73.24, -55.82

 

CMYK 14 / 89 / 0 / 10

HEX #C519E5

RGB 197 25 229

HSL 290.59, 0.8%, 0.5%

LAB 49.77, 83.3, -63.76

 

CMYK 16 / 98 / 0 / 2

HEX #D304FA

RGB 211 4 250

HSL 290.49, 0.97%, 0.5%

LAB 52.77, 90.84, -70.6

 

CMYK 10 / 65 / 0 / 26

HEX #A942BC

RGB 169 66 188

HSL 290.66, 0.48%, 0.5%

LAB 46.92, 59.02, -45

 

CMYK 8 / 49 / 0 / 34

HEX #9B56A8

RGB 155 86 168

HSL 290.49, 0.32%, 0.5%

LAB 47.56, 41.68, -32.4

 

CMYK 4 / 27 / 0 / 42

HEX #8D6B93

RGB 141 107 147

HSL 291, 0.16%, 0.5%

LAB 49.84, 20.9, -16.62

 

CMYK 1 / 0 / 2 / 50

HEX #7F807E

RGB 127 128 126

HSL 90, 0.01%, 0.5%

LAB 53.45, -0.77, 0.95

 

CMYK 24 / 0 / 28 / 42

HEX #70946A

RGB 112 148 106

HSL 111.43, 0.17%, 0.5%

LAB 57.72, -20.98, 18.27

 

CMYK 45 / 65 / 0 / 26

HEX #6742BC

RGB 103 66 188

HSL 258.2, 0.48%, 0.5%

LAB 38.57, 44.38, -58.88

 

CMYK 28 / 65 / 0 / 26

HEX #8742BC

RGB 135 66 188

HSL 273.93, 0.48%, 0.5%

LAB 42.27, 51.17, -52.7

 

CMYK 11 / 65 / 0 / 26

HEX #A842BC

RGB 168 66 188

HSL 290.16, 0.48%, 0.5%

LAB 46.78, 58.78, -45.24

 

CMYK 0 / 65 / 6 / 26

HEX #BC42B0

RGB 188 66 176

HSL 305.9, 0.48%, 0.5%

LAB 49.16, 61.55, -34.26

 

CMYK 0 / 65 / 24 / 26

HEX #BC428F

RGB 188 66 143

HSL 322.13, 0.48%, 0.5%

LAB 47.71, 56.65, -16.92

 

CMYK 10 / 65 / 0 / 50

HEX #722C7F

RGB 114 44 127

HSL 290.6, 0.49%, 0.34%

LAB 31.6, 43.33, -33.11

 

CMYK 10 / 65 / 0 / 38

HEX #8E379E

RGB 142 55 158

HSL 290.68, 0.48%, 0.42%

LAB 39.5, 51.55, -39.3

 

CMYK 10 / 65 / 0 / 26

HEX #A942BC

RGB 169 66 188

HSL 290.66, 0.48%, 0.5%

LAB 46.92, 59.02, -45

 

CMYK 8 / 52 / 0 / 22

HEX #B760C7

RGB 183 96 199

HSL 290.68, 0.48%, 0.58%

LAB 54.61, 50.64, -39.06

 

CMYK 6 / 40 / 0 / 18

HEX #C57FD2

RGB 197 127 210

HSL 290.6, 0.48%, 0.66%

LAB 63.1, 40.66, -31.91

 

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

CMYK 0 / 63 / 65 / 26

HEX #BC4642

RGB 188 70 66

HSL 1.97, 0.48%, 0.5%

LAB 46.26, 47.26, 27.7

 

CMYK 65 / 0 / 37 / 26

HEX #42BC77

RGB 66 188 119

HSL 146.07, 0.48%, 0.5%

LAB 68.36, -49.52, 25.25

 

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

CMYK 0 / 11 / 65 / 26

HEX #BCA842

RGB 188 168 66

HSL 50.16, 0.48%, 0.5%

LAB 68.82, -4.75, 53.61

 

CMYK 65 / 0 / 11 / 26

HEX #42BCA8

RGB 66 188 168

HSL 170.16, 0.48%, 0.5%

LAB 69.44, -38.37, 0.21

 

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

CMYK 0 / 63 / 65 / 26

HEX #BC4642

RGB 188 70 66

HSL 1.97, 0.48%, 0.5%

LAB 46.26, 47.26, 27.7

 

CMYK 54 / 0 / 65 / 26

HEX #56BC42

RGB 86 188 66

HSL 110.16, 0.48%, 0.5%

LAB 68.27, -52.54, 51.16

 

CMYK 65 / 2 / 0 / 26

HEX #42B8BC

RGB 66 184 188

HSL 181.97, 0.48%, 0.5%

LAB 68.8, -31, -11.73

 

CMYK 10 / 64 / 0 / 26

HEX #AA44BD

RGB 170 68 189

HSL 290.58, 0.48%, 0.5%

LAB 47.44, 58.59, -44.76

 

CMYK 0 / 43 / 65 / 26

HEX #BC6B42

RGB 188 107 66

HSL 20.16, 0.48%, 0.5%

LAB 53.6, 28.6, 36.58

 

CMYK 54 / 0 / 65 / 26

HEX #56BC42

RGB 86 188 66

HSL 110.16, 0.48%, 0.5%

LAB 68.27, -52.54, 51.16

 

CMYK 65 / 22 / 0 / 26

HEX #4293BC

RGB 66 147 188

HSL 200.16, 0.48%, 0.5%

LAB 57.71, -11.85, -28.62

 

Description

Color code: HEX #AA44BD | qconv.com Color code: HEX #AA44BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 68 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 68 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 64 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 64% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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