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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA455E it is the complementary color #55BAA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA455E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA455E shade: #AF4559, #C0576C, #D1697F, #E27B92 and #F38DA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA455E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA455E shade: #AA455E, #99334B, #882138, #770F25 and #660012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA455E shade: #AA455E and #AA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA455E shade: #AA455E, #AA4579, #AA4594, #A445AA and #8945AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA455E shade matches the following richer shades: #AA455E, #BD3254, #D01E4A and #E40B41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA455E shade: #AA455E, #965868, #836C72, #707F7B and #5C9385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA455E shade: #AA4594, #AA4579, #AA455E, #AA4745 and #AA6245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA455E shade: #6F2D3D, #8C394E, #AA455E, #BC5C74 and #C8798D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA455E shade: #AA455E, #AAA545 and #4586AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA455E shade: #AA455E, #5EAA45 and #455EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA455E shade: #AA455E, #AAA545, #45AA91 and #454AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA455E shade: #AA455E, #91AA45, #45AA91 and #5E45AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

Complementary color

CMYK 54 / 0 / 13 / 27

HEX #55BAA1

RGB 85 186 161

HSL 165.15, 0.42%, 0.53%

LAB 69.2, -35.59, 3.77

 

CMYK 0 / 61 / 49 / 31

HEX #AF4559

RGB 175 69 89

HSL 348.68, 0.43%, 0.48%

LAB 44.36, 44.98, 10.84

 

CMYK 0 / 55 / 44 / 25

HEX #C0576C

RGB 192 87 108

HSL 348, 0.45%, 0.55%

LAB 50.81, 44.13, 8.76

 

CMYK 0 / 50 / 39 / 18

HEX #D1697F

RGB 209 105 127

HSL 347.31, 0.53%, 0.62%

LAB 57.26, 43.21, 7.05

 

CMYK 0 / 46 / 35 / 11

HEX #E27B92

RGB 226 123 146

HSL 346.6, 0.64%, 0.68%

LAB 63.68, 42.27, 5.6

 

CMYK 0 / 42 / 32 / 5

HEX #F38DA5

RGB 243 141 165

HSL 345.88, 0.81%, 0.75%

LAB 70.05, 41.36, 4.33

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 67 / 51 / 40

HEX #99334B

RGB 153 51 75

HSL 345.88, 0.5%, 0.4%

LAB 37.2, 44.38, 9.03

 

CMYK 0 / 76 / 59 / 47

HEX #882138

RGB 136 33 56

HSL 346.6, 0.61%, 0.33%

LAB 30.9, 44.52, 12.14

 

CMYK 0 / 87 / 69 / 53

HEX #770F25

RGB 119 15 37

HSL 347.31, 0.78%, 0.26%

LAB 24.94, 43.67, 16.36

 

CMYK 0 / 100 / 82 / 60

HEX #660012

RGB 102 0 18

HSL 349.41, 1%, 0.2%

LAB 19.51, 41.37, 21.74

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 59 / 29 / 33

HEX #AA4579

RGB 170 69 121

HSL 329.11, 0.42%, 0.47%

LAB 44.49, 46.97, -8.74

 

CMYK 0 / 59 / 13 / 33

HEX #AA4594

RGB 170 69 148

HSL 313.07, 0.42%, 0.47%

LAB 45.55, 50.94, -23.48

 

CMYK 4 / 59 / 0 / 33

HEX #A445AA

RGB 164 69 170

HSL 296.44, 0.42%, 0.47%

LAB 45.7, 53.08, -36.42

 

CMYK 19 / 59 / 0 / 33

HEX #8945AA

RGB 137 69 170

HSL 280.4, 0.42%, 0.47%

LAB 41.96, 46.06, -42.58

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 74 / 56 / 26

HEX #BD3254

RGB 189 50 84

HSL 345.32, 0.58%, 0.47%

LAB 43.86, 56.82, 13.61

 

CMYK 0 / 86 / 64 / 18

HEX #D01E4A

RGB 208 30 74

HSL 345.17, 0.75%, 0.47%

LAB 45.4, 66.88, 22.52

 

CMYK 0 / 95 / 71 / 11

HEX #E40B41

RGB 228 11 65

HSL 345.07, 0.91%, 0.47%

LAB 48.4, 74.06, 32.63

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 41 / 31 / 41

HEX #965868

RGB 150 88 104

HSL 344.52, 0.26%, 0.47%

LAB 44.89, 27.66, 1.9

 

CMYK 0 / 18 / 13 / 49

HEX #836C72

RGB 131 108 114

HSL 344.35, 0.1%, 0.47%

LAB 47.96, 10.15, 0.07

 

CMYK 12 / 0 / 3 / 50

HEX #707F7B

RGB 112 127 123

HSL 164, 0.06%, 0.47%

LAB 51.9, -6.35, 0.3

 

CMYK 37 / 0 / 10 / 42

HEX #5C9385

RGB 92 147 133

HSL 164.73, 0.23%, 0.47%

LAB 56.92, -21.52, 1.67

 

CMYK 0 / 59 / 13 / 33

HEX #AA4594

RGB 170 69 148

HSL 313.07, 0.42%, 0.47%

LAB 45.55, 50.94, -23.48

 

CMYK 0 / 59 / 29 / 33

HEX #AA4579

RGB 170 69 121

HSL 329.11, 0.42%, 0.47%

LAB 44.49, 46.97, -8.74

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 58 / 59 / 33

HEX #AA4745

RGB 170 71 69

HSL 1.19, 0.42%, 0.47%

LAB 43.48, 40.54, 21.74

 

CMYK 0 / 42 / 59 / 33

HEX #AA6245

RGB 170 98 69

HSL 17.23, 0.42%, 0.47%

LAB 49.14, 26.29, 28.94

 

CMYK 0 / 59 / 45 / 56

HEX #6F2D3D

RGB 111 45 61

HSL 345.45, 0.42%, 0.31%

LAB 28.36, 30.93, 4.6

 

CMYK 0 / 59 / 44 / 45

HEX #8C394E

RGB 140 57 78

HSL 344.82, 0.42%, 0.39%

LAB 36.08, 37.36, 5.22

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 40 / 30 / 22

HEX #C8798D

RGB 200 121 141

HSL 344.81, 0.42%, 0.63%

LAB 59.78, 33.33, 2.4

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 3 / 59 / 33

HEX #AAA545

RGB 170 165 69

HSL 57.03, 0.42%, 0.47%

LAB 66.43, -10.74, 49.21

 

CMYK 59 / 21 / 0 / 33

HEX #4586AA

RGB 69 134 170

HSL 201.39, 0.42%, 0.47%

LAB 53.19, -9.84, -25.33

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 45 / 0 / 59 / 33

HEX #5EAA45

RGB 94 170 69

HSL 105.15, 0.42%, 0.47%

LAB 62.98, -42.7, 43.98

 

CMYK 59 / 45 / 0 / 33

HEX #455EAA

RGB 69 94 170

HSL 225.15, 0.42%, 0.47%

LAB 41.49, 14.44, -43.71

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 0 / 3 / 59 / 33

HEX #AAA545

RGB 170 165 69

HSL 57.03, 0.42%, 0.47%

LAB 66.43, -10.74, 49.21

 

CMYK 59 / 0 / 15 / 33

HEX #45AA91

RGB 69 170 145

HSL 165.15, 0.42%, 0.47%

LAB 63.39, -35.49, 4.16

 

CMYK 59 / 56 / 0 / 33

HEX #454AAA

RGB 69 74 170

HSL 237.03, 0.42%, 0.47%

LAB 36.11, 27.33, -52.36

 

CMYK 0 / 59 / 45 / 33

HEX #AA455E

RGB 170 69 94

HSL 345.15, 0.42%, 0.47%

LAB 43.67, 43.76, 6.66

 

CMYK 15 / 0 / 59 / 33

HEX #91AA45

RGB 145 170 69

HSL 74.85, 0.42%, 0.47%

LAB 65.9, -23.84, 48.08

 

CMYK 59 / 0 / 15 / 33

HEX #45AA91

RGB 69 170 145

HSL 165.15, 0.42%, 0.47%

LAB 63.39, -35.49, 4.16

 

CMYK 45 / 59 / 0 / 33

HEX #5E45AA

RGB 94 69 170

HSL 254.85, 0.42%, 0.47%

LAB 37, 35.61, -50.82

 

Description

Color code: HEX #AA455E | qconv.com Color code: HEX #AA455E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 69 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 69 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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